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Jazz Tangcay Artisans Editor Bill Skarsgård’s transformation into the hideous-looking vampire Count Orlok for Robert Eggers’ “Nosferatu” was an arduous process — with the end goal of making the Swedish actor completely unrecognizable. “I was not so interested in Bill’s features, aside from his eyes,” Eggers says of Skarsgård. “The things that make [Orlock] not just an intimidating, masculine human being, is the fact that he’s also decaying and dead.

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‘Nosferatu’ Director Robert Eggers Breaks Down the Erotic Vampire Scenes, Creating an All-Time Scary Villain and the ‘Demented’ Bloody Moment He Had to Cut

William Earl SPOILER ALERT: This article contains mild spoilers about “Nosferatu,” now playing in theaters. Robert Eggers‘ fourth film — “Nosferatu,” in theaters today via Focus Features — is a bold, starry reimagining of F. W. Murnau’s 1922 masterful silent film of the same name.

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‘Nosferatu’ Exclusive: Writer-Director Robert Eggers, Lily-Rose Depp, Nicholas Hoult & Cast Reveal The Devil In The Detail, From Demonic Possession To 5000 Trained Rats

There’s a moment early in Robert Eggers’ Nosferatu, when Lily-Rose Depp, last seen as the twisty pop star in The Idol, telegraphs to the audience: This will be unlike anything you’ve ever seen before.

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Ayr Town Hall to host screening of classic Halloween film this week

Ayrshire film enthusiasts are in for a Halloween treat this week as Ayr Town Hall hosts a screening of horror classic F. W. Murnau’s Nosferatu.

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‘Batman’ Star Michael Keaton Recalls Reaction From Comic Book Fans To His Casting: It’s “Still Baffling”

Michael Keaton recalls the initial reaction that comic book fans had when he was chosen to portray Batman in the 1989 Tim Burton-directed film.

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‘The Last Voyage of the Demeter’ Review: A Dracula Movie That’s Intriguingly Old-Fashioned, Until Its Conventional Megaplex Demon Shows Up

Owen Gleiberman Chief Film Critic “The Last Voyage of the Demeter” has a terrible title, but in theory the film sounds intriguing. It wants to be an old-fashioned monster movie, the kind they used to produce back when horror films were actual movies, made with the stodgy well-carpentered rhythm that any movie was made with. “The Last Voyage of the Demeter” is set in 1897, and for most of it we’re aboard a large wooden ship with multiple sails — the Demeter, a handsome relic, since this is already the era when metal ships were coming in — that’s sailing from Bulgaria to London.

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‘Renfield’ Review: Drained

Dracula, where he’s been memorably portrayed by greats like Alexander Granach (in 1922’s silent Nosferatu), Dwight Frye (as a wide-eyed madman in 1931’s Dracula), and Tom Waits (chewing the scenery, and bugs, in 1992’s Bram Stoker’s Dracula), Renfield is perpetually overshadowed by the blood-sucking count.Universal’s new Renfield (★★☆☆☆), a big-budget spinoff of the Dracula story, set in present-day New Orleans, promises to give the character his overdue shine. Unfortunately, the film is an overcooked clash of genre and tepid grasps at modernization, whose greatest asset is — you guessed it — Dracula himself, played by a glammed-up, fang-gnashing Nicolas Cage.

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