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Watch Dead & Company kick off epic visual feast residency at Las Vegas Sphere

Dead & Company opened their residency at Las Vegas’ Sphere last night with an epic visual feast that drew on 60 years of history.The band – who are made up of Grateful Dead‘s Bob Weir and Mickey Hart alongside John Mayer, Oteil Burbridge, Jeff Chimenti and Jay Lane – announced the run of shows at the venue in February, teasing it with a video of Grateful Dead’s ‘Steal Your Face’ logo being projected onto the outer sphere of the cutting-edge new arena.The opening night of the run took place yesterday (May 16), with three shows a week now scheduled up until the residency ends on July 13.In a set that ran through 19 tracks and over three hours, the band made use of the state-of-the-art technology in the venue to project familiar imagery and characters from the Grateful Dead’s history onto the giant LED screens, including the skull and roses and the dancing bears.In front of the 240-foot screens, the band rounded out the show with an extended jam of the Dead’s ‘Hell in a Bucket’, followed by covers of Bob Dylan’s ‘Knockin’ on Heaven’s Door’ and ‘Not Fade Away’, made famous by The Rolling Stones.Check out fan-captured footage of the show’s spectacular visuals below:‘Feel Like a Stranger’‘Mississippi Half-Step Uptown Toodeloo’‘Jack Straw’ ‘Bird Song’‘Me and My Uncle’‘Brown-Eyed Women’ ‘Cold Rain and Snow’‘Uncle John’s Band’‘Help On the Way’‘Slipknot!’‘Franklin’s Tower’‘He’s Gone’‘Drums’ ‘Space’‘Standing On the Moon’‘St. Stephen’‘Hell In a Bucket’‘Knockin’ On Heaven’s Door’‘Not Fade Away’Kreutzman has said of the shows: “Historically, it was always a psychedelic circus when the Grateful Dead pulled into Las Vegas.
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The Post’s official solar eclipse playlist: David Bowie, Pink Floyd, Bonnie Tyler and more
this epic power ballad, which hit No. 1 in 1983, the Welsh belter nailed the galactic pain of when the heart goes totally dark.If you don’t have some Ziggy Stardust up in your eclipse mix, then really, we can’t help you.This jazz- and falsetto-kissed bliss from “Rave Un2 the Joy Fantastic” — the late, great Purple One’s underappreciated 1999 album — is a cosmic chill-out.Of course, Harrison has kept us basking in the eternal glow of “Here Comes the Sun,” off The Beatles’ 1969 classic “Abbey Road.” But 10 years later, he flipped the script with this ethereal dreaminess from his 1979 self-titled album.Going from Policeman to jazzman in his early solo years, Sting worked all of his tantric sexiness on this moonlit serenade from 1987’s “…Nothing Like the Sun.”The “Uptown Funk”-ster breaks out his best street-corner croon on this swoonworthy tune — from “Doo-Wops & Hooligans,” his 2010 debut album — that is all the starry-eyed feels.The sunshine-pop quartet radiate peace, love and celestial on this song, which as part of a chart-topping medley with “Aquarius” won them the Record of the Year Grammy in 1970.On his breakout 1971 hit, Brother Bill captures the pitch blackness — and bleakness — when both his house and heart turn cold “anytime she goes away.”Chris Cornell — one of rock’s all-time greatest voices — left a black hole in the music world when he died in 2017.
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Watch Dead & Company kick off epic visual feast residency at Las Vegas Sphere
Dead & Company opened their residency at Las Vegas’ Sphere last night with an epic visual feast that drew on 60 years of history.The band – who are made up of Grateful Dead‘s Bob Weir and Mickey Hart alongside John Mayer, Oteil Burbridge, Jeff Chimenti and Jay Lane – announced the run of shows at the venue in February, teasing it with a video of Grateful Dead’s ‘Steal Your Face’ logo being projected onto the outer sphere of the cutting-edge new arena.The opening night of the run took place yesterday (May 16), with three shows a week now scheduled up until the residency ends on July 13.In a set that ran through 19 tracks and over three hours, the band made use of the state-of-the-art technology in the venue to project familiar imagery and characters from the Grateful Dead’s history onto the giant LED screens, including the skull and roses and the dancing bears.In front of the 240-foot screens, the band rounded out the show with an extended jam of the Dead’s ‘Hell in a Bucket’, followed by covers of Bob Dylan’s ‘Knockin’ on Heaven’s Door’ and ‘Not Fade Away’, made famous by The Rolling Stones.Check out fan-captured footage of the show’s spectacular visuals below:‘Feel Like a Stranger’‘Mississippi Half-Step Uptown Toodeloo’‘Jack Straw’ ‘Bird Song’‘Me and My Uncle’‘Brown-Eyed Women’ ‘Cold Rain and Snow’‘Uncle John’s Band’‘Help On the Way’‘Slipknot!’‘Franklin’s Tower’‘He’s Gone’‘Drums’ ‘Space’‘Standing On the Moon’‘St. Stephen’‘Hell In a Bucket’‘Knockin’ On Heaven’s Door’‘Not Fade Away’Kreutzman has said of the shows: “Historically, it was always a psychedelic circus when the Grateful Dead pulled into Las Vegas.
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Mark Ronson says that ‘I’m Just Ken’ has helped “young boys emotionally”
Mark Ronson has said that the song he co-wrote for the Barbie Movie, ‘I’m Just Ken’, has helped young boys in an emotional way.The renowned producer – famed for his work with Amy Winehouse and the hit track ‘Uptown Funk’ – co-wrote the song for the soundtrack to the hit 2023 blockbuster, with leading man Ryan Gosling taking on the vocals as the character of Ken.Now, Ronson has explained how he thinks the song’s lyrics about Ken’s unrequited love for Barbie may have impacted people dealing with rejection in the real world.“I know I’ll sound like David Brent, but the song helped young boys,” he told The Times (via Music News) during a new interview, referring to the fictitious character played by Ricky Gervais.“My friend’s eight-year-old got broken up with and he said, ‘It’s OK, because Ken got broken up with by Barbie.’ The song tells boys that it’s OK to be runner-up,” he added.“The internet’s caused a level of isolation in boys and this idea of male camaraderie and sharing your feelings is a nice and unexpected thing to come out of it.”Last night, Ronson and Gosling took to the stage at the 2024 Oscars to perform the track live, following weeks of uncertainty about whether the two would perform it at the ceremony.Gosling took to the stage clad in an all-pink Barbie-inspired outfit while Ronson played the guitar. During the performance, Gosling’s cast mates Simu Liu, Ncuti Gatwa, Kingsley Ben-Adir and Scott Evans joined him to dance onstage.Guns N’ Roses guitarist Slash also took part in the rendition, ripping through a guitar solo with Wolfgang Van Halen.
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