‘Kajillionaire’ Will Now Cash In This Fall At Theaters

Calum Gallagher says Airdrie can't focus on Cove Rangers, and must take care of their own business.

Celtic boss Ange Postecoglou used to watch Scottish Cup Finals from the other side of the world.

An Ayrshire nursing home which was previously told to improve its infection control practices has been given the thumbs up by an official watchdog.

Gordon Smith feared Rangers were booked for trouble with Craig Whyte when learning he’d dodged paying the club’s pre-season hotel.

Chapelhall FC will kick their first league ball during the summer, having been borne of a hunger for the game in the village but, more importantly, to help struggling players with their mental health battles.

Manchester United icon is set to return to the fray in his native Uruguay in sensational fashion.The striker has enjoyed a fantastic career, including a stint at Old Trafford where he became a cult hero during his two years at the club.While he only scored 10 Premier League goals from 2002 to 2004, Forlan would enjoy La Liga much more where he became a huge star.Four years each at Villarreal and Atletico Madrid saw him become one of the top finishers in the game.He retired in 2019 - a year after leaving his last club Hong Kong side Kitchee - where he scored five times in eight games.But the United icon’s love for the game has clearly not died down and he looks set to return imminently.The veteran will join the Old Boys & Old Girls Club for over 40s in the La Liga Universitaria de Deportes de Uruguay (Uruguayan Universities League).The announcement was made on social media with Forlan saying: "The idea is to have fun and share with friends.

Manori Ravindran International EditorMia Wasikowska will take on the lead role in “Little Joe” director Jessica Hausner’s cult thriller “Club Zero,” Variety can reveal.The Australian actor will portray an unusual schoolteacher in Hausner’s second English-language film, which begins shooting in the U.K. and Austria in July.Wasikowska was most recently seen in Mia Hansen-Løve’s Cannes-premiering film “Bergman Island.”In “Club Zero,” Wasikowska’s teacher takes a job at an elite school and forms a strong bond with five students — a relationship that eventually takes a dangerous turn.Discussing the film at the Doha Film Institute’s Qumra event last year, Hausner described the film as “a lot about eating,” relating to eating disorders and “eating behaviors.” This will be Hausner’s sixth feature.

Nick Vivarelli International CorrespondentItalian director Roberta Torre, known for campy Mafia musical “Tano to Die For” and other anarchic pics, is making “Le Favolose,” about a group of transgender women who reunite after 20 years to commemorate a dead friend and do right by her after her identity has been violated.“Le Favolose,” which translates as “The Fabulous Ones,” is being produced by Donatella Palermo, who is at the Berlinale with auteur Paolo Taviani’s competition entry “Leonora Addio.”Palermo, who has a longstanding rapport with Torre, is the Italian producer behind two Berlin Golden Bear winners: the Taviani brothers’ “Caesar Must Die” and Gianfranco Rosi’s “Fire at Sea.” “When a person decides to face the [gender] transition from man to woman it can be a very painful process in several different ways: social, physical, etc.,” said Palermo, who notes that “when a trans dies, most of the time their body is returned to their families.” Torre’s new pic is based on a real-life story of Antonia, one of the “Fabulous Ones,” who is buried by her family dressed as a man under her original name, Giampaolo, amid the indifference of most.

Leo Barraclough International Features EditorArna Media, the Russian distribution company run by Nadezda Motina, has secured the rights to “Brother and Sister,” “The Tank,” “Little Allan – The Human Antenna” and “The Colors of Fire” for its theatrical pipeline. Arnaud Desplechin’s family-drama “Brother and Sister” stars Marion Cotillard, Melvil Poupaud and Golshifteh Farahani. Cotillard and Poupaud play the titular siblings who, following the death of their parents, reunite after decades of silence.

Jamie Lang After a banner 2021 for high-end genre films, industry vets are hopeful that the fantastic can resurrect the corpse of pre-COVID theatrical distribution.As bolts of lightning reanimated the body of Frankenstein’s monster, Julia Ducournau’s “Titane,” which turned heads when it took the Palme d’Or at Cannes, and Sundance Grand Jury prize-winner “Nanny,” a supernatural tale from director Nikyatu Jusu, have revitalized the festival scene.While “Nanny” may have been the jewel in the genre crown at Sundance, the influence that genre cinema held over 2022’s first major festival was wide-ranging and undeniable. Chloe Okuno’s psychological thriller “Watcher” impressed — segueing into several sales deals — as did Hanna Bergholm’s psycho-horror feature “Hatching,” sold by Wild Bunch and Charades-sold Spanish standout “Piggy,” the follow-up to Carlota Pereda’s 2019 Spanish Academy Award-winner “Cerdita.” Among genre titles at Berlin this year are Dario Argento’s serial killer thriller “Dark Glasses” in the Berlinale Special section, while Bertrand Bonello’s subconscious voyage “Coma” and Peter Strickland’s gory “Flux Gourmet” (pictured above) feature in Encounters.

Anthony D'Alessandro, Dominic Patten EXCLUSIVE: One week after Georgia prosecutors sought a new arrest warrant for Midnight Rider director Randall Miller over probation violations stemming from the 2014 on-set death of Sarah Jones, the filmmaker’s lawyers are fighting back to stop potential return to jail for their client.“The defense urges the court to deny the application for a warrant,” proclaims a June 2 memorandum from the Atlanta firm of Garland, Samuel & Loeb that was made public by the Peach State courts today. As exclusively reported by Deadline on May 27, last year Miller was the director of the  independent feature comedy Higher Grounds in Serbia, UK and Columbia.

By Anthony D'Alessandro

By Anthony D'Alessandro

By David Robb, Anthony D'Alessandro, Dominic Patten

By Anthony D'Alessandro

By Anthony D'Alessandro

By Anthony D'Alessandro

By Anthony D'Alessandro

By Anthony D'Alessandro

By Anthony D'Alessandro

By Anthony D'Alessandro