Benoit Poelvoorde - celebsbar.com

Elsa Keslassy International CorrespondentFabrice du Welz, whose latest film “Inexorable” (pictured) played at Toronto, is reteaming with his Belgian producer Jean-Yves Roubin at Frakas Production on his next project, “Maldoror.”Inspired by a true story, “Maldoror” follows Paul Chartier, a young policeman who became obsessed with a case involving a notorious child abuser after coming close to catching him.

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Studiocanal & Gilles Lellouche Woo Buyers For ‘Beating Hearts’ – Paris Rendez-vous

Studiocanal rolled out the red carpet at the Unifrance Paris Rendez-vous this week for actor Gilles Lellouche’s upcoming feature film Beating Hearts (L’Amour Ouf).

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‘My Life As a Zucchini’ Director Sets Up Environmental Feature ‘Savages!’; Anton & Gebeka International Launch Sales in Cannes (EXCLUSIVE)

Manori Ravindran Executive Editor of International “My Life As a Zucchini” director Claude Barras has set up his latest stop-motion animated feature, “Savages!” Production company Gebeka International — a Hildegarde-Goodfellas company formed in 2021 — and production, financing and sales studio Anton are behind the project, which will be written by Barras and Catherine Paille (“Magnetic Beasts”). The project will be shopped to buyers in Cannes next week. “Savages!” follows the emotional journey of a girl, her father and a rescued baby orangutan. The film has a strong environmental and conservationist message, exploring the crisis of the destruction of rainforests.

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Russia’s Arna Picks Up ‘Brother and Sister,’ ‘Colors of Fire,’ ‘Tank,’ ‘Little Allan’ (EXCLUSIVE)

Leo Barraclough International Features EditorArna Media, the Russian distribution company run by Nadezda Motina, has secured the rights to “Brother and Sister,” “The Tank,” “Little Allan – The Human Antenna” and “The Colors of Fire” for its theatrical pipeline. Arnaud Desplechin’s family-drama “Brother and Sister” stars Marion Cotillard, Melvil Poupaud and Golshifteh Farahani. Cotillard and Poupaud play the titular siblings who, following the death of their parents, reunite after decades of silence.

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‘Inexorable’ Review: A Nanny From Hell in a Nest of Old Money

Dennis Harvey Film CriticA usurper melodrama by any other name is still a usurper melodrama, and Fabrice du Welz’s latest doesn’t really try to cloak its genre conventions: “Inexorable” might just as well be titled “Single White Female Nanny” or “Fatal Domestic.” Still, if this isn’t the most surprising or original among the Belgian helmer’s character-driven thrillers to date, it does compel attention with its elegantly crafted tale of a wealthy family infiltrated by a young woman with a hidden agenda.