Vivarelli International Correspondentitalian: Last News

Nick Vivarelli International CorrespondentItalian playwright Stefano Massini’s “The Lehman Trilogy,” which just won five Tony Awards including the prize for best play, is set to become a high-end TV series to be produced by Italy’s Fandango and The Apartment, the outfits behind HBO’s Elena Ferrante adaptation “My Brilliant Friend.”The TV project, originated by Italian producer Domenico Procacci’s Fandango, to adapt into a series the epic drama written by Massini that charts the history of one of the financial institutions that helped spark the 2008 recession, has now been boarded by producer Lorenzo Mieli’s shingle The Apartment, the Fremantle-owned company behind Paolo Sorrentino’s Oscar-nominated “The Hand of God” and his “The Young Pope” and “The New Pope” shows. Fandango and Mieli previously collaborated on “My Brilliant Friend” for HBO and Italy’s RAI.Having Fremantle’s The Apartment on board gives “The Lehman Trilogy” TV series adaptation considerably more heft, though a commissioning broadcaster or streamer remains to be found.Mieli in a statement called “Lehman Trilogy” – which besides best play won Tony Awards for Sam Mendes’ direction and for the lead performance of Simon Russell Beale, among other prizes – “a marvelous and contemporary text” on the “intrinsic failures of a certain form of capitalism.”The chief of the Fremantle-owned company also noted that it’s rare for an Italian play to be celebrated outside national borders.

Nick Vivarelli International CorrespondentItalian director Alice Rohrwacher, whose “The Wonders” and “Happy as Lazzaro” both won prizes in Cannes, is back at the fest with “The Pupils,” a short film that is screening during her masterclass in the “Rendez-vous With…” section.Variety is unveiling an exclusive clip (above).Written and directed by Rohrwacher, the 37-minute short is backed by Disney and was produced by Alfonso Cuaron in tandem with her regular producer Carlo Cresto-Dina. It features a cast comprising the director’s sister and regular collaborator, Alba Rohrwacher, actor-director Valeria Bruni Tedeschi — whose latest directorial effort “Forever Young” is competing in Cannes — and also Melissa Falasconi, Carmen Pommella, Greta Zuccheri Montanari, Luciano Vergaro — aka “Catirre” — and Tatiana Lepore.

Nick Vivarelli International CorrespondentItalian actor-turned-director Andrea Di Stefano, who helmed well-received U.S. indie thrillers “Escobar: Paradise Lost,” with Benicio del Toro, and “The Informer,” is set to make “L’Ultima Notte di Amore,” his Italian-language debut.Universal Pictures Intl., Focus Features, and Italy’s Vision Distribution have worldwide distribution rights on the pic, which toplines Pierfrancesco Favino (Cannes competition title “Nostalgia” from Mario Martone).The film’s title, which translates as “The Last Night of Love,” is a play on words.

Nick Vivarelli International CorrespondentItalian producer Roberto Sessa (“The Sea Outside”) has snapped up rights to bestselling spy thriller “Supernotes” about a CIA-trained Italian intelligence officer who winds up in a Cambodian prison after investigating a sensitive scheme to print counterfeit $100 bills in North Korea.Picomedia chief Roberto Sessa plans to turn the book – which had previously been optioned by Alexandra Milchan’s Los Angeles-based Emjag Productions — into a high-end TV series that he is pitching to prospective partners during France’s Series Mania festival.“Supernotes,” which has been published in more than 30 countries, including the U.S., U.K. and France, is the purportedly true story of an Italian secret agent known as Agent Kasper who while on a mission during the mid-90s to investigate perfectly counterfeited $100 bills that were flooding Southeast Asia stumbles into an explosive secret behind them involving the CIA.

Nick Vivarelli International CorrespondentItalian director Roberta Torre, known for campy Mafia musical “Tano to Die For” and other anarchic pics, is making “Le Favolose,” about a group of transgender women who reunite after 20 years to commemorate a dead friend and do right by her after her identity has been violated.“Le Favolose,” which translates as “The Fabulous Ones,” is being produced by Donatella Palermo, who is at the Berlinale with auteur Paolo Taviani’s competition entry “Leonora Addio.”Palermo, who has a longstanding rapport with Torre, is the Italian producer behind two Berlin Golden Bear winners: the Taviani brothers’ “Caesar Must Die” and Gianfranco Rosi’s “Fire at Sea.” “When a person decides to face the [gender] transition from man to woman it can be a very painful process in several different ways: social, physical, etc.,” said Palermo, who notes that “when a trans dies, most of the time their body is returned to their families.” Torre’s new pic is based on a real-life story of Antonia, one of the “Fabulous Ones,” who is buried by her family dressed as a man under her original name, Giampaolo, amid the indifference of most.

Nick Vivarelli International CorrespondentItalian director Matteo Garrone, who was at the 2020 Berlinale with Roberto Benigni-starrer “Pinocchio,” is set to return to the director’s chair in March with coming-of-age adventure drama “Io Capitano,” on which France’s Pathé will be handling international distribution.Garrone’s new pic, whose title translates as “I, Captain,” will be shot in Italy, Morocco and Senegal, marking the first time, Garrone –– a two-time Cannes jury prize-winner, with “Gomorrah” in 2008 and “Reality” in 2012 –– sets a feature film outside of Italy.As is customary with Garrone, story details of “Io Capitano” are being kept under wraps, besides the fact that he wrote the screenplay with regular collaborators Massimo Gaudioso and Andrea Tagliaferri and actor Massimo Ceccherini (“Pinocchio”), who also contributed to the “Pinocchio” screenplay.