Paolo Del Brocco - celebsbar.com

Nick Vivarelli International Correspondent The Italian film industry is in a paradoxical state: production is booming but box office is bust. Italy’s five features vying for a Venice Golden Lion – plus a myriad more scattered in other Lido sections – reflect cinema Italiano’s current creative vibrancy, if you look at the cream of the crop; however, the average quality is not that great. On the plus side, the country is making a quantum leap forward in terms of the global visibility of its movies just as the number of Italian directors considered bankable in Hollywood, such as Paolo Sorrentino, Luca Guadagnino and Stefano Sollima (“Without Remorse”), to name but a few, is growing.

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Matteo Garrone Immigration Drama ‘Io Capitano’ Screens at EU Parliament as Pathé Closes Multiple Sales (EXCLUSIVE)

Nick Vivarelli International Correspondent Matteo Garrone’s “Io Capitano” is getting a special screening on Wednesday in Brussels, where hundreds of EU parliament members will watch the timely immigration drama on which Pathè has announced a slew of sales. The film, which is Italy’s Oscar candidate for best international feature film, world premiered to strong reviews in September at Venice Film Festival, where it won best director for Garrone and best emerging actor for its co-star Seydou Sarr.

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Italy Looks to ‘A Brighter Tomorrow’

Nick Vivarelli International Correspondent Cinema Italiano is on a roll, as reflected by the fact that this year Italy has scored three Cannes competition slots. Despite the persisting sore spot that sees the country still lagging behind other European territories in terms of post-pandemic box office returns, Italy “continues to produce and invest heavily in film and is overcoming the crisis,” noted Cannes artistic director Thierry Fremaux after announcing the lineup. The robust Croisette contingent marks the second time in 20 years that Italy lands three Cannes competition berths. Though the trio of selected directors — Marco Bellocchio, Nanni Moretti and Alice Rohrwacher — are all Cannes regulars “they represent three different generations of auteurs,” said Paolo Del Brocco, chief of state broadcaster RAI’s RAI Cinema arm that co-produced all three titles. And each of these films, he went on to point out, displays “very different ideas and cinematic visions.”

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Italy’s Production Biz Booms With Big Names But Box Office Struggles

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International Disruptors: RAI Cinema CEO Paolo Del Brocco Talks Company’s Venice Debuts & The Push To Get Italian Audiences Back Into Cinemas

Welcome to Deadline’s International Disruptors, a feature where we shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. As the Venice Film Festival kicks off today, we’re speaking with RAI Cinema CEO Paolo Del Brocco about some of the company’s 24 titles featuring in the festival this year as well as his ongoing challenge to lure Italian audiences back into the cinema after a rocky post-pandemic period.

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Italy to Widen Theatrical Window Following Box Office Debacle

Nick Vivarelli International CorrespondentItaly’s Culture Minister Enrico Franceschini has announced plans to widen the window between a movie’s theatrical release date and the time it can drop locally on a streaming platform.The move comes after producers and distributors sounded alarm bells about their struggle to get audiences back into movie theaters.Speaking to the Italian industry gathered in Rome’s presidential Quirinale Palace ahead of the David di Donatello Awards — the country’s top prizes being held on Tuesday — the minister vowed to put in place new windowing regulations that will replace the current 90-day window established in March.He did not specify how wide Italy’s new window will be. RAI Cinema chief Paolo Del Brocco and Giampaolo Letta, who heads Mediaset’s Medusa film unit, over the weekend launched a joint appeal in newspaper Corriere della Sera lamenting that Italy lags behind other top European territories in terms of post-pandemic box office recovery and urging the government to come to the rescue.The two top Italian industry execs noted that Italy is the only major European territory where box office in 2021 was was down, compared with 2020.The Italian industry has been contending with the harsh fact that the county’s box office in 2021 plunged more than 50%, compared to the average annual recent pre-pandemic intake, to €170 million ($192 million) in grosses for the year and 25 million admissions.

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Pathé Boards New Matteo Garrone Drama ‘Io Capitano,’ Partly Set in Africa (EXCLUSIVE)

Nick Vivarelli International CorrespondentItalian director Matteo Garrone, who was at the 2020 Berlinale with Roberto Benigni-starrer “Pinocchio,” is set to return to the director’s chair in March with coming-of-age adventure drama “Io Capitano,” on which France’s Pathé will be handling international distribution.Garrone’s new pic, whose title translates as “I, Captain,” will be shot in Italy, Morocco and Senegal, marking the first time, Garrone –– a two-time Cannes jury prize-winner, with “Gomorrah” in 2008 and “Reality” in 2012 –– sets a feature film outside of Italy.As is customary with Garrone, story details of “Io Capitano” are being kept under wraps, besides the fact that he wrote the screenplay with regular collaborators Massimo Gaudioso and Andrea Tagliaferri and actor Massimo Ceccherini (“Pinocchio”), who also contributed to the “Pinocchio” screenplay.

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Roman Polanski To Direct ‘The Palace’ For Rai Cinema

Controversial filmmaker Roman Polanski is set to get behind the camera again on The Palace, a drama set on New Year’s Eve 1999 in a luxurious Swiss hotel where the lives of various guests intertwine. The project was revealed today by Paolo Del Brocco, the CEO of Italian outfit Rai Cinema, which will produce alongside Luca Barbareschi’s Eliseo Entertainment.