Andrew Semans: Last News

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‘Resurrection’: Andrew Semans On Working With Rebecca Hall, Writing Horror Stories About Parenthood While Not Having Kids & More [Interview]

As of this writing, filmmaker Andrew Semans (“Nancy, Please,” 2012), the writer/director of IFC Films’ harrowing new movie “Resurrection,” has a child and is a newly-blessed proud father of a new baby. But when I spoke to him about a week ago, and when more importantly, he wrote “Resurrection”— a blistering and scorching new psychological horror/thriller—he definitely didn’t have kids.
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Genre Cinema Reanimates Post-COVID Theatrical Distribution
Jamie Lang After a banner 2021 for high-end genre films, industry vets are hopeful that the fantastic can resurrect the corpse of pre-COVID theatrical distribution.As bolts of lightning reanimated the body of Frankenstein’s monster, Julia Ducournau’s “Titane,” which turned heads when it took the Palme d’Or at Cannes, and Sundance Grand Jury prize-winner “Nanny,” a supernatural tale from director Nikyatu Jusu, have revitalized the festival scene.While “Nanny” may have been the jewel in the genre crown at Sundance, the influence that genre cinema held over 2022’s first major festival was wide-ranging and undeniable. Chloe Okuno’s psychological thriller “Watcher” impressed — segueing into several sales deals — as did Hanna Bergholm’s psycho-horror feature “Hatching,” sold by Wild Bunch and Charades-sold Spanish standout “Piggy,” the follow-up to Carlota Pereda’s 2019 Spanish Academy Award-winner “Cerdita.” Among genre titles at Berlin this year are Dario Argento’s serial killer thriller “Dark Glasses” in the Berlinale Special section, while Bertrand Bonello’s subconscious voyage “Coma” and Peter Strickland’s gory “Flux Gourmet” (pictured above) feature in Encounters.
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