‘Boston Strangler’ Trailer: Keira Knightley & Carrie Coon Are On The Hunt For A Killer In Upcoming Hulu Film

David Heuring When the American Society of Cinematographers hosts its 37th annual awards bash on March 5 at the Beverly Hilton hotel, the lucky people in the room will rub shoulders with an astonishing assemblage of motion imaging artists. Hanging over the proceedings will be the ghost of the generation that invented visual storytelling. Although they’re gone, they’ve left a legacy to their descendants: continue to extend the craft and push the liveliest art into the future while adapting tools and techniques that evolve from year to year. Directors of photography will heed that advice. For them, reaching an audience emotionally has always been the result of intuitive manipulation of tone aided by the skillful application of optical and photographic tools – all in concert with other film arts such as direction, acting and editing. Trends have evolved year to year, culminating lately in large-format cinematography, with its fresh image architecture and distinctive depth of field.

Katie Reul editor The centerpiece of “Saturday Night Live’s” March 4 “Weekend Update” segment was a skewering of “Dilbert” comic creator Scott Adams, who went on a racist rant last month that spurred dozens of newspapers to drop his long-running syndicated cartoon strip. Michael Che, co-anchor of “Update” with Colin Jost, interviewed the cubicle-dweller himself, the cartoon character Dilbert, in an effort to understand how Adams could have gone so off the rails in suggesting that white people are under threat from Black people. Over the course of a controversial YouTube video posted Feb. 22, Adams described how he purposely moved to a community with no Black residents and urged white viewers to “get the hell away from Black people.” He also called the Black community a “hate group.”

On the night that the Spirit Awards took place in their first ceremony with gender-neutral categories, Saturday Night Live took on the topic on its”Weekend Update” segment.

SNL took aim at Netflix’s Too Hot to Handle, the American-British reality dating show that’s hosted by a candy corn-shaped virtual assistant.

Sarah Polley and Miriam Toewswon the USC Libraries’ Scripter Award on Saturday for their adaptation of Orion/MGM’s Women Talking, based on Toews’ novel.

Chris Rock made history by delivering the first-ever livestreamed standup performance on Netflix on Saturday evening (March 4). While doing so, he made reference to his heated encounter with Will Smith at the 2022 Oscars.

Prince Harry and Meghan Markle are not bothered by King Charles III's request to vacate Frogmore Cottage, according to The Times. The Duke and Duchess of Sussex are said to be "OK" with the eviction from their United Kingdom residence and weren't "stunned" by the monarch's decision, which came one day after the publication of Harry's explosive memoir "Spare," The Sun reported. According to The Times, the couple believe "if we need to move out, we will get ourselves out." Harry, 38, and Meghan, 41, were previously said to be "stunned" by their eviction from their royal home, according a report Wednesday from "Finding Freedom" author Omid Scobie.The British journalist claimed the news has left "at least two members of the royal family appalled."  "Harry and Meghan have until early summer to vacate," a source told Scobie in his report for Yahoo! News.

WARNING – This post contains very strong language and the use of racial slurs used on-stage: “Anybody that says words hurt has never been punched in the face,” Chris Rock said with a well-timed figurative wink tonight right at the start of his live Netflix special Selective Outrage.

As soon as SNL host Travis Kelce mentioned that his brother Jason was in the audience, chances looked pretty good that his sib would get to join in on the fun.

Saturday Night Live went with the week’s biggest media stories for its cold open: the revelations from Dominion Voting Systems bombshell filing in its defamation lawsuit against Fox News. Watch a clip below.

Travis Kelce, fresh off his win at Super Bowl LVII, took the stage of Saturday Night Live to deliver some laughs. The Kansas City Chiefs player recalled his brief stint on TV back in 2016 with Catching Kelce.

Travis Kelce made his effortlessly charming debut over the weekend, and made sure to bring his family along for his charismatic monologue.The Kansas City Chiefs star hit the Studio 8H stage with his beaming smile and self-deprecating sense of humor, winning over the audience even before revealing that his mom, dad and brother — Philadelphia Eagle Jason Kelce — were in the audience to support him.«You know, people keep asking me what it was like to beat my brother in the super bowl, and it was pretty awkward,» Travis joked. «Especially because after the game, we had to ride home together. Our mom drove us there in her mini van, just like the good old days.»«Even though his team lost after being up ten points at the half, my brother is actually really happy for me,» Travis continued, as the camera cut to his brother, who had a fairly stern look on his face. «And he agrees that the ref made the right call, it was a holding.»Travis recalled how he and his brother have been «playing football together since we were little kids.

Meredith Woerner Deputy Editor, Variety.com Almost a year after the infamous Oscars slap, comedian Chris Rock is finally addressing what happened in his live Netflix special, “Selective Outrage.” After an hour of new material, the comedian dove into what thousands of audience members had been waiting to hear, breaking down the aftermath of the on-stage smack between him and Oscar-winner Will Smith. “You all know what happened to me, getting smacked by Suge Smith, everybody knows, everybody fucking knows,” Rock said. “I got smacked like a year ago… and people are like, ‘Did it hurt?’ It still hurts. I got ‘Summertime’ ringing in my ears.”

Katie Reul editor On the heels of a close victory at Super Bowl LVII, Kansas City Chiefs tight end Travis Kelce is once again taking over global television screens as this week’s host of “Saturday Night Live.” The episode opened with a mock “Fox & Friends” segment, featuring Mikey Day as Steve Doocy, Heidi Gardner as Ainsley Earhardt and Bowen Yang as Brian Kilmeade. The sketch comes amid a cascade of embarrassing revelations around Fox News and its major stars in recent days as the litigation grinds on in the $1.6 billion defamation lawsuit filed against Fox News by Dominion Voting Systems after the 2020 election. As Earhardt, Gardner says of the network’s founder Rupert Murdoch: “Rupert Murdoch would never murder anyone. They sent him away for life. Look how sad he looks.” An image of convicted murderer Alex Murdaugh then appears on the screen as Earhardt realizes her mistake.

Police have called off a search for a missing man after his true identity as a serial love rat conman was revealed. Officers launched a bid to trace 51-year-old David McGinn, from Cardonald, Glasgow, who was last seen on January 15 at Central Station.

Fighting to find the truth. In Hulu’s true crime drama Boston Strangler, Keira Knightley plays Loretta McLaughlin, a journalist who wants to find out why so many local women are being murdered — only to be told she can’t cover homicide stories.

Ever since “The Exorcist” terrified audiences decades ago, Hollywood has been obsessed with possession horror. The idea of a demon taking over the body of a helpless person is the perfect mix of realism with the supernatural that it has become a story told over and over again.

The upcoming 20th Century Studios movie Boston Strangler is premiering on Hulu next month and the first trailer has been released!

The “Boston Strangler” movie, which will debut on March 17, 2023, has now revealed its trailer and poster.