Courtney Howard Bleak atmosphere and a David Fincher-inspired aesthetic are the first things that audiences will notice when watching “Boston Strangler.” Writer-director Matt Ruskin pulls us into this true-crime tale, centered on the dedicated reporters determined to solve Boston’s serial killings in the early 1960s, using similarly desaturated color, frame composition and camera movements. A distant cousin to “Zodiac,” with splashes of “Seven” mixed into its homages, this thriller falls short of its influences yet carves out a small space of its own. It makes a searing indictment of the sloppy, sexism-laced police work that might’ve resolved the case, and pays tribute to the two women who broke the investigation wide open.
