Paula Vogel - celebsbar.com

Aramide Tinubu There is no handbook on motherhood, but most people try their best when it comes to childrearing. Today, amid increasingly accessible resources and freedoms that weren’t afforded in the past, parenting has undoubtedly changed. However, “Mother Play,” written by Paula Vogel, is not a story about modern-day mothers.

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Jessica Lange Talks ‘Mother Play’, Bad Moms & How To Mesmerize An Audience With 12 Minutes Of Silence – Deadline Q&A

Towards the end of Paula Vogel’s hit Broadway drama Mother Play, all dialogue comes to a halt for 12 long, mesmerizing minutes, and Jessica Lange is on stage, alone, for every second of them. Her character Phyllis – the mother of the title, based on the mother of the playwright – has alienated her two adult children, Martha (Celia Keenan-Bolger) and Carl (Jim Parsons), after a lifetime of pretty odious behavior, most damningly her abandonment of the son she seemingly loved as he’s dying of AIDS. Set in the 1960s, ’70s and ’80s, Mother Play, directed by Tina Landau, is based on Vogel’s real-life family events, including the death of her beloved brother, and knowing the source only makes the tragedy onstage more affecting.

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‘Mother Play’ Brings Jessica Lange Back to Broadway in a Family Tale That Blends Humor with ‘Wicked Darkness’

Lexi Carson Eight years after her last visit to Broadway, Tony Award winner Jessica Lange returns to the stage in “Mother Play,” a true story about a dysfunctional family with themes of love, loss, forgiveness and a “wicked” sense of humor. “I wanted to do a new play, something brand new. When I read it months ago, it just triggered the imagination.

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Jessica Lange Closes Out Broadway Season with 'Mother Play,' Gets Glowing Reviews for Latest Stage Role

Mother Play is the final show of the 2023-2024 Broadway season and its officially open!

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Spring has sprung on Broadway: Every show to catch this season

“Cabaret” (starts April 1). I caught Redmayne when he played the role in London, and found his Evil Clown turn menacing.

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Jessica Lange, Jim Parsons to Star in Paula Vogel’s New Broadway Show ‘Mother Play’

Rebecca Rubin Film and Media Reporter Jessica Lange, Jim Parsons and Celia Keenan-Bolger will star in the world premiere of “Mother Play,” a new Broadway show by playwright Paula Vogel. Tina Landau is directing the limited engagement, which will begin previews on April 2 before opening night on April 25 at the Hayes Theater.

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Jessica Lange, Jim Parsons & Celia Keenan-Bolger Broadway Bound In New Paula Vogel Play

Jessica Lange, Jim Parsons and Celia Keenan-Bolger will star on Broadway this spring in a world premiere production of Paula Vogel’s new Mother Play, to be directed by Tina Landau.

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New Paula Vogel Play Set For Second Stage Broadway Season; Branden Jacobs-Jenkins Family Drama Also On Slate

New plays by Pulitzer Prize-winning Paula Vogel and Obie-winning Branden Jacobs-Jenkins will be among the Broadway offering of the Second Stage Theater 2023-24 season, the company announced today.

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Jeremy O. Harris Names Jesús I. Valles’ Queer History Play ‘Bathhouse.pptx’ As Yale Drama Series Prize Winner

EXCLUSIVE: Jesús I. Valles’ play Bathhouse.pptx has been awarded the prestigious 2023 Yale Drama Series Prize, with the honor’s judge Jeremy O. Harris calling the new work an exploration of “a queer history that is quickly being erased.”

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Barry Grove To Step Down From Longtime Perch At New York’s Influential Manhattan Theatre Club

Barry Grove will step down as the Executive Producer of Manhattan Theatre Club, a major Broadway and Off Broadway institution, at the conclusion of the 2022-2023 season.

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Why Paula Vogel Thinks One Scene in ‘How I Learned to Drive’ Makes No Sense, and How David Morse Solved It

Gordon Cox Theater EditorPlaywright Paula Vogel won a Pulitzer Prize for her 25-year-old play “How I Learned to Drive,” which has been seen in productions around the world and is now on Broadway in a staging nominated for three Tony Awards. But there’s still one part of the play that remains a mystery even to her.Listen to this week’s “Stagecraft” podcast below:“It makes no sense in the structure of the play,” Vogel said on “Stagecraft,” Variety’s theater podcast, on which she appeared alongside the production’s Tony-nominated star David Morse.

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‘Mrs. Doubtfire’ To End Broadway Run; ‘How I Learned To Drive’ Extends Engagement

Broadway’s Mrs. Doubtfire will unplug the vacuum cleaner and hang up the apron earlier than expected: The musical, which has been posting middling box office numbers during the industry’s crowded spring season, will end its run at the Stephen Sondheim Theatre on May 29, producers announced.

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‘Slave Play’ Author Jeremy O. Harris Selected As Yale Drama Series Prize Presiding Playwright

EXCLUSIVE: Jeremy O. Harris, the Tony-nominated author of Slave Play, has been named the presiding playwright for the 2023 Yale Drama Series Prize, one of the theater world’s most prestigious playwriting prizes. As the presiding playwright, Harris, a Yale alum, becomes a judging panel of one to select an emerging playwright to receive the annual prize.

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Bryan Cranston Checks Out Two Broadway Openings in Three Days!

Bryan Cranston had a busy week on Broadway!

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‘How I Learned to Drive’ Review: Mary-Louise Parker, David Morse Star in Sterling Revival of Paula Vogel’s Shocker

Marilyn Stasio Theater CriticMommas, don’t give your daughters the kind of nicknames that would appeal to their pedophile uncles. Cursed with a cutesy moniker like “Li’l Bit,“ what do you think might happen to a supposedly worldly but ever so innocent teenager like the one played to shattering perfection by Mary-Louise Parker? The actor and her equally brilliant co-star, David Morse, originated these roles in playwright Paula Vogel’s Pulitzer-winning play “How I Learned to Drive” a quarter-century ago — and after all these years, they still own them.“I’m not gonna do anything….” kindly Uncle Peck promises his buxom 17-year-old niece as he undertakes her first perilous driving lesson. Huge sigh of relief.

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‘How I Learned To Drive’ Broadway Review: Mary-Louise Parker & David Morse Revisit Roles After 25 Years

In the 25 years since Mary-Louise Parker and David Morse first performed Paula Vogel’s Pulitzer Prize-winning play How I Learned To Drive, the name for the disturbing process that we witness being depicted on stage has long since entered widespread usage. If audiences can now readily label what happens as “grooming,” Vogel’s emotionally complex masterwork remains as unsettling, disarmingly funny and as deeply moving as ever.

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Prestigious Yale Drama Series Prize Announces First-Ever Short List Of Contenders

EXCLUSIVE: The prestigious Yale Drama Series Prize for emerging playwrights has announced eight contenders selected for its first-ever short list.

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Facts About Paula Vogel

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Facts About Paula Vogel

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