Wes Anderson’s soundtracks were initially known for their Rolling Stones, David Bowie, The Who, and lots of ’60s and 70s rock at first.
Eventually, that started to change; Anderson split with composer Mark Mothersbaugh, found a new ally in French composer Alexandre Desplat, and the music choices were less immediately identifiable, not quite as conventionally hip, but still tasteful choices (think the use of Hank Williams in “Moonrise Kingdom,” The Bobby Fuller Band in “Fantastic Mr.
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