Randall Poster: Last News

Jazz Tangcay Artisans EditorHBO Max’s “The Staircase” marks the fifth collaboration for music supervisor Randall Poster and creator Antonio Campos. Poster says that the journey has helped build a musical rapport. When it came to finding the perfect needle drop moments for the true-crime series starring Colin Firth and Toni Collette, Poster looked to music that would help tell the story rather than rely on the musical tastes of the characters.“The Staircase” retells the death of Kathleen Peterson, played by Collette, from a fall from a staircase in her home.

If you’ve seen the new film Priscilla, you’ve likely noticed there were no Elvis Presley songs in it, despite him being a big part of the story.

Ellise Shafer SPOILER ALERT: This story contains spoilers for “Priscilla,” in theaters now. As the opening sequence of Sofia Coppola‘s biographical drama “Priscilla” unfolds, viewers meet a 14-year-old Priscilla Beaulieu (Cailee Spaeny) in 1959 West Germany to the tune of the Ramones’ 1980 hit “Baby, I Love You.” This time-bending choice may seem unexpected, but to those familiar with the work of Coppola — who famously soundtracked her 2006 historical film “Marie Antoinette” with the Strokes, Aphex Twin and the Cure — it won’t come as a surprise. After all, though the song is a subversion, it’s a cover of the Ronettes’ 1964 classic and carries much of the musical stylings of the period, courtesy of Phil Spector, who produced both versions.

Thania Garcia Premier Music Group has recruited the music supervision services of George Drakoulias, the music supervisor behind the blockbuster “Barbie” soundtrack and score. The project featured original material from Mark Ronson, Dua Lipa, Billie Eilish, Karol G, Ice Spice and Nicki Minaj, among numerous others. Drakoulias joins the firm’s leadership team as a partner and creative director, with plans to open Premier’s new offices in Los Angeles later this summer.

Wes Anderson’s soundtracks were initially known for their Rolling Stones, David Bowie, The Who, and lots of ’60s and 70s rock at first. Eventually, that started to change; Anderson split with composer Mark Mothersbaugh, found a new ally in French composer Alexandre Desplat, and the music choices were less immediately identifiable, not quite as conventionally hip, but still tasteful choices (think the use of Hank Williams in “Moonrise Kingdom,” The Bobby Fuller Band in “Fantastic Mr.

Beck, Animal Collective and Jeff Tweedy are among the artists that will appear on a new birdsong-inspired compilation album.‘For The Birds: The Birdsong Project’ is set to be released in five monthly stages between now and September, with the first volume arriving yesterday (May 20).Nick Cave & Warren Ellis, Karen O, Kamasi Washington, Terry Riley, Mary Lattimore, Tyondai Braxton, and Elvis Costello are among the other artists that feature on the expansive compilation.Costello said of the project: “This should be so very obvious: without birds we would be knee-deep in worms, swarmed by bugs, the trees bereft of song. The least we can do is raise our voices in praise or lament.”In addition to the musical selections, the project also includes spoken-word pieces from the likes of Florence Welch, Matthew McConaughey, Bette Midler, and Natasha Lyonne. Randall Poster produced the entire collection, with Lee Ranaldo serving as one of the set’s executive producers.All proceeds from ‘For The Birds: The Birdsong Project’ will be donated to the National Audubon Society.Listen to the first volume of ‘The Birdsong Project’ below:The project will be also be released in a massive vinyl set, spread across 20 LPs.

Jon Burlingame editorEvery Wes Anderson film is filled with musical delights, from offbeat songs to unexpected score cues, and “The French Dispatch” is no exception.Composer Alexandre Desplat and music supervisor Randall Poster are among the first to read any new Anderson script. “He and I have been corresponding with music since the day we met,” says Poster, “and over the course of 25 years there’s a lot of musical history that we draw upon for different projects.”“The French Dispatch,” an homage to the New Yorker magazine’s traditions and writers, was special for the Paris-based Desplat because the film is based in “a fantasized France,” as he puts it, a not-quite-real France as seen through Anderson’s unique prism.

Jazz Tangcay Artisans EditorTwo-time Grammy winner Randall Poster has served as music supervisor on more than 180 films and TV shows over 25 years, providing audiences with countless memorable moments.Cultivating close relationships with directors and producers, he works to meld creativity with business, securing rights to license the music audiences hear.Late last year, Poster saw the music supervision company he founded in 2004, Search Party, merge with Josh Deutsch’s Premier Music Group, with Poster assuming the role of Premier’s creative director.Listening to songs that were written and performed before he was born, and watching them come to life on 1973’s “American Graffiti,” suggested to Poster a way to lure people into another era.

Jazz Tangcay Artisans EditorProducer and music supervisor Randall Poster has partnered with Loudon Wainwright III and big band leader/Prohibition-era scholar Vince Giordano for “I’d Rather Lead a Band,” a new project based around the Great American Songbook.Poster has provided music for over 100 films including “The Grand Budapest Hotel,” “Boyhood” and “Skyfall.” His earliest credits featured on 1995’s “Kids” directed by Larry Clark and “The Crossing Guard” directed by Sean Penn.Earlier this year, he also made Variety‘s ten music supervisors to watch for the movie “Waves.” Working alongside Meghan Currier and Joe Rudge, Randall shot for the moon, and landed.