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‘The Breaking Ice’ Review: Anthony Chen’s Long-Awaited Return To Cannes Is A Humanist Triumph

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In 2013, filmmaker Anthony Chen’s first feature, “Ilo Ilo,” won the coveted Caméra d’Or at Cannes. Centered around the inseparable bond between a 10-year-old Singaporean boy and his Filipina nanny, Chen’s full-length debut deployed a specific lens — a family weathering the 1997 Asian financial crisis — to tell a universal story exploring the nooks and crannies of our shared humanity.

Flash forward to exactly a decade later, Chen makes his triumphant return to Cannes (in the Un Certain Regard section) with “The Breaking Ice,” a moving, humanist snapshot of China’s lost youths told through a ships-in-the-night friendship.

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