When I was a boy, being trained to believe that an all-powerful god would one day transport me to an afterlife of neverending happiness, I spent many midnight hours kept awake by a paralyzing incomprehension: How could anything — Heaven, the universe, happiness —simply never end?
I wondered why other people seemed undisturbed by the concept of infinity, and concluded that they simply must not have really thought about it.
Amy Seimetz's arresting and perfectly executed She Dies Tomorrow is one of the very rare films that not only captures how an upsetting idea can take root in one's mind, bringing everything else to a halt, but envisions that next step, in which the idea is successfully communicated to others.
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