Todd Haynes: Last News

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All news where Todd Haynes is mentioned

variety.com
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‘May December’ Review: Natalie Portman and Julianne Moore Play Different Angles on a Tabloid Enigma
Peter Debruge Chief Film Critic In the experimental montage that opens “Persona,” a bare-chested teenage boy caresses a screen upon which the faces of two women slowly morph back and forth. It’s easy to imagine Todd Haynes being tempted to start his deep-as-you-want-to-go rabbit-hole drama “May December” the same way, seeing as how this endlessly fascinating movie focuses on the blurring of the lines between a Hollywood star (Natalie Portman) and her Heartland subject (Julianne Moore), who was caught in a sexual relationship with a 7th grader at the age of 36. The movie wants to know: Can playing this Mary Kay Letourneau-like tabloid sensation really answer what makes such a woman tick? A heady director whose entire oeuvre feels ripe for film-studies dissertations, Haynes makes movies not merely to be watched, but to be analyzed and deconstructed after the fact. From the rich Douglas Sirkian pastiche of “Far From Heaven” to the queer twist on classical “woman’s pictures” provided by “Carol,” his style can be chilly and distancing. Not so “May December.” As layered and infinitely open-to-interpretation as any of his films, it’s also the most generous and direct, beginning not with Ingmar Bergman references (those come later), but with footage of monarch butterflies. They’re symbols of transformation, too, but also something nice to look at (and listen to, underscored by a lush reworking of the piano theme from “The Go-Between”) before these two women meet.
variety.com
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Cannes Film Festival Reviews 2023
Zack Sharf Digital News Director The 2023 Cannes Film Festival is jam-packed with buzzy world premieres, from Martin Scorsese’s “Killers of the Flower Moon” to Wes Anderson’s “Asteroid City.” Todd Haynes is also back to unveil “May December,” featuring the A-list pairing of Natalie Portman and Julianne Moore, while Disney is bringing Harrison Ford to the Croisette for “Indiana Jones and the Dial of Destiny.” New films from Pedro Almodovar, Jessica Hautner, Jonathan Glazer, Catherine Corsini, Hirokazu Kore-eda and more are also set to make their debuts at Cannes this year. Cannes is often seen as a launching pad for Oscar season. Warner Bros. in 2022 kicked off its lengthy awards run for Baz Luhrmann’s “Elvis” on the French Riviera, with the film going on to land eight Academy Award nominations, including best picture. Palme d’Or winner “Triangle of Sadness” also picked up Oscar nods for best picture, director and original screenplay. Two international film nominees, “Close” and “EO,” launched at last year’s festival, while “Aftersun” best actor nominee Paul Mescal got his awards start in the Directors Fortnight sidebar. All of this is to say the industry will be closely watching the buzz on all of this year’s world premieres.
variety.com
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Cannes Film Festival Unveils Lineup for 76th Edition (Updating Live)
Elsa Keslassy International Correspondent The anticipation is running high at the Cannes Film Festival’s packed annual press conference on the Champs-Élysées in Paris, where festival chief Thierry Fremaux is expected to unveil the bulk of the Official Selection for the 76th edition. The festival has been teasing cinephiles with splashy announcements about Martin Scorsese returning to the Croisette with “Killers of the Flower Moon,” 38 years after winning best director with “After Hour,” as well as Disney’s “Indiana Jones and the Dial of Destiny,” and Pedro Almodóvar’s short film, “Strange Way of Life.” But Fremaux, who is leading the presser with the festival’s new president Iris Knobloch, is expected to have saved a few high-profile surprises, including Wes Anderson’s “Asteroid City,” starring an ensemble cast that includes Tom Hanks, Margot Robbie, Scarlett Johansson and Tilda Swinton; Todd Haynes’ “May December” with Natalie Portman and Julianne Moore; Karim Aïnouz’s Henry VIII drama “Firebrand” with Alicia Vikander and Jude Law; and HBO’s “The Idol,” the Weeknd-led series.

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