Nadine Shah: Last News

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Brian Eno, Nadine Shah, Maxine Peake and more to play intimate Palestine fundraiser gig at London’s Union Chapel

Brian Eno, Nadine Shah and Maxine Peake will be among the performers at a special benefit event in support of Palestine at London’s Union Chapel on April 18. The show, which is titled Sumud and promises “a fundraising evening of music, spoken word and film for Palestine”, will be hosted by Amos Trust and Palestine Music Expo, and tickets are available here. All proceeds will go to Amos Trust’s emergency appeal for Gaza.
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Suede’s Brett Anderson shares “stunning” cover of Echo & The Bunnymen’s classic ‘The Killing Moon’
Suede‘s Brett Anderson has released a cover of the Echo & the Bunnymen’s classic ‘The Killing Moon’ as part of a new project.Anderson has worked with Paraorchestra and their founder and artistic director Charles Hazlewood on ‘The Death Songbook’, a collaborative 12-track album featuring original compositions and “re-imagining iconic songs exploring love, loss and transcendence” by artists including Depeche Mode, Suede and Japan. The album includes guest features by Nadine Shah, Gwenno, Seb Rochford of Sons of Kemet and Adrian Utley of Portishead.Paraorchestra is the world’s only ensemble consisting of both professional disabled and non-disabled musicians playing an unconventional mix of traditional orchestral, acoustic, and electronic instruments and using assistive technology.‘The Death Songbook’ will be released on April 19 via BMG.Check out Anderson’s cover of ‘The Killing Moon’ below:Our mate @BrettAndersonHQ of @suedeHQ has just released a stunning version of ‘The Killing Moon’, the lead track from the new full-length album, ‘Death Songbook’ by Paraorchestra with Brett Anderson and Charles Hazlewood (featuring Nadine Shah and Gwenno) is available now! pic.twitter.com/cZnzmiYTv1— Echo & the Bunnymen (@Bunnymen) February 29, 2024“The Death Songbook was an idea Charles came up with during the bleak days of lockdown.
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GIRLBAND! reminisce on small town life on new single ‘Not Like The Rest’
GIRLBAND! have debuted a playful new single, ‘Not Like The Rest’.The alternative newcomers hail from Nottingham and are signed to EMI North, where they are labelmates with the likes of Nadine Shah.Per a press release, members Georgie, Jada and Kay came together after making music in other projects and, during the pandemic, they “plugged into the wider community in Nottingham, one that inspired them with 80s culture, vintage fashion and massive dose of 90s nostalgia, Gwen Stefani and R&B groups.” The sound they carved out has been described as “a punk band making pop songs”.Now, their spirited new single sees them take a trip down memory lane, thinking back to growing up in a small town and not fitting in – “My school was so white/My town was so grey/I was a rainbow, had to hide away/On the 54 bus, she was my first crush/That’s when I knew I had to run away.”Check out ‘Not Like The Rest’ below:The band are set to head out on tour later this year and also have festival appearances booked at the likes of Stockton Calling, Sound City, Teddy Rocks and Block Party in France.You can see the full list of their headline tour dates below and buy your tickets here.MAY3 – Manchester, Deaf Institute 9 – London, The Grace10 – Newport, Le Pub11 – Bristol, Louisiana16 – Southampton, The Joiners18 – Nottingham, Rescue Rooms GIRLBAND! have also been announced to be supporting Taking Back Sunday on tour in the UK next month – you can find those dates below and buy your tickets here.MARCH26 – Manchester, O2 Ritz27 – London, O2 Forum Kentish Town28 – Cardiff, University Great HallThey will also be supporting Feeder at York’s Barbican and Manchester’s Albert Hall on March 19 and 20 – you can find tickets here.
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Warner Music Group becomes first major label to adopt fan-powered royalties system
SoundCloud, who last year announced that it’d be the first music platform to direct the fees of its paying subscribers to the artists they stream.SoundCloud said that it was “a more equitable and transparent way for independent artists who monetise directly with SoundCloud to get paid”.It’s an approach that’s been previously backed by many musicians who have criticised the economics of online streaming.Leading streaming services such as Spotify and Apple Music currently operate on a system where royalty payments are distributed in accordance with which artists have the most plays.But it has been criticised by smaller and up-and-coming acts, who claim that the system allows huge global names to generate vast amounts of money while leaving little for musicians who have not achieved similar success.Now, it’s been confirmed that Warner Music Group has implemented SoundCloud’s royalty system. Each artist credited with having earned royalties from a particular recording will earn a share based solely on each stream of that specific release.However, Far Out Magazine cites the results of a recent report by Media Research which found that 56 per cent of artists surveyed were making more revenue by using SoundCloud’s old pro-rata model rather than the new one.Numerous other major streaming platforms – including Spotify and Apple Music – are currently still using the pro-rota model.Upon SoundCloud introducing the fan-powered system, the company’s chief executive officer Michael Weissman said: “Many in the industry have wanted this for years.
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