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28.02.2023 / 19:42

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Sideshow, Janus Films Acquire Berlin Award-Winning Family Drama ‘Tótem’

Manori Ravindran Executive Editor of International Sideshow and Janus Films have acquired North American rights to the Berlin-premiering family drama “Tótem,” written and directed by “The Chambermaid” helmer Lila Avilés. Winner of the festival’s Ecumenical Jury Prize, the film follows seven-year-old Sol, who spends the day at her grandfather’s home, helping her aunts Nuri and Alejandra with the preparations for a surprise party they’re throwing for her father, Tonatiuh, who is terminally ill. However, as night descends, a strange and chaotic atmosphere takes over, shattering the bonds that hold the family together, and Sol will come to understand that her world will change dramatically.

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Utopia, Sumerian Buy Stephen Dorff-Led Sundance Sci-Fi Thriller ‘Divinity’ (EXCLUSIVE)

Manori Ravindran Executive Editor of International Utopia and Sumerian have acquired worldwide rights to Eddie Alcazar’s Sundance-premiering “Divinity.” The film had a memorable premiere in Park City, where there was a medical incident (unrelated to the movie) during its world premiere at the Egyptian Theater. Guests in attendance — who received zines and VHS boxes upon arrival — were also treated to writer-director Alcazar showing up to the event in a terrifying mask. Executive produced by Steven Soderbergh and starring Stephen Dorff, the experimental film is set in an otherworldly human existence, where the creation of a groundbreaking immortality serum named “Divinity” is wreaking havoc.

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‘Neighbours’ Freevee Revival Adds More Series Regulars, Production Begins This Spring

Manori Ravindran Executive Editor of International Ramsay Street is gearing up to welcome a few more familiar faces. Seven long-time characters are joining Amazon Freevee’s continuation of Australian soap “Neighbours.” The new additions include Annie Jones (as Jane Harris), Rebekah Elmaloglou (as Terese Willis), Georgie Stone (as Mackenzie Hargreaves) and Tim Kano (as Leo Tanaka). All cast members will return as series regulars. Meanwhile, those returning in guest roles are Ian Smith (as Harold Bishop), April Rose Pengilly (as Chloe Brennan) and Melissa Bell (as Lucy Robinson). They will be joined by “Neighbours” stalwarts Stefan Dennis, Alan Fletcher, Ryan Moloney and Jackie Woodburne, who were previously announced.

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‘The Traitors’ Scores Season 2 From BBC

Manori Ravindran Executive Editor of International The BBC is staying 100% loyal to “The Traitors.” The public broadcaster officially greenlit a second season of the smash hit reality series, which is the biggest entertainment launch for the BBC in two years. Casting is now open for the next competition. “The Traitors,” which aired in December, has had 34 million views on BBC streaming service iPlayer. The Studio Lambert-produced show was the biggest new series for young audiences across all BBC titles last year, and the highest rating new entertainment series on the public broadcaster since at least 2017 for young audiences.

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BritBox International Reaches 3 Million Subscribers, Celebrates ‘Super Successful’ BAFTAs Simulcast (EXCLUSIVE)

Manori Ravindran Executive Editor of International BritBox International has reached three million subscribers across its eight international markets, Variety can reveal. The “best of British” streamer, which is backed internationally by BBC and ITV, has reached its latest milestone across the U.S., Canada, Australia, South Africa, Sweden, Denmark, Norway and Finland. (The service launched in the U.K. in November 2019 but split off from the global operation in 2022 and is now integrated into ITV’s streaming offering, ITVX.) “Through what’s been a really challenging time for lots of SVODs, we’ve grown by 15% this year, which certainly exceeds that category growth for the U.S., and lots of our competitors in that set,” Reemah Sakaan, the London-based CEO of BritBox International, tells Variety.

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In Defense of Ariana DeBose’s Rap: BAFTA Producer Slams Twitter Criticism as ‘Incredibly Unfair,’ Claims ‘Everybody Loved It’ (EXCLUSIVE)

Manori Ravindran Executive Editor of International BAFTAs awards producer Nick Bullen believes Twitter criticism of Ariana DeBose’s opening number at Sunday’s awards show was “incredibly unfair.” Speaking to Variety the morning after the telecast, the producer — who was backstage during the London awards ceremony honoring the best movies of the year — shared that the “West Side Story” star “put the whole piece together” with her team, working closely with a musical director and choreographer, and didn’t deserve the vitriol. DeBose and her back-up dancers burst onto the stage following host Richard E. Grant’s opening monologue. Belting out “Sisters Are Doing It For Themselves” and “We Are Family,” the singer transitioned into an original rap saluting the awards’ female nominees.

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George MacKay On Exploring Drag and Sexuality in Erotic Revenge Thriller ‘Femme’

Manori Ravindran Executive Editor of International George MacKay is virtually unrecognizable in the erotic revenge thriller “Femme,” directed by Sam H. Freeman and Ng Choon Ping. With slicked-back hair and a heavy-handed neck tattoo, the dashing, soft-spoken British actor, well known for his period roles, is transformed into the kind of East London gangster you’d go out of your way to avoid. Part of what makes MacKay’s character, Preston, so menacing is the fact that he’s deeply closeted. When one night he’s teased in front of his friends by Nathan Stewart-Jarrett’s drag artist Jules — dressed up as Aphrodite Banks — he responds with violence so severe that it shatters Jules’ confidence to ever perform in drag again. The attack emboldens Jules to ensnare an unwitting Preston in an intense sexual relationship with the intention of outing him on the Internet.

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Freida Pinto, Vanessa Redgrave Board ‘Boy At the Back of the Class’ Adaptation (EXCLUSIVE)

Manori Ravindran Executive Editor of International Vanessa Redgrave and Freida Pinto have boarded the family feature “The Boy at the Back of the Class,” based on the acclaimed children’s book. Directed by Stephen Herek (“101 Dalmations”), the film centers on a mysterious new boy called Ahmet who joins nine-year-old Alexa’s school. As Alexa learns that he is a refugee, separated from his family, she will do anything she can to help. With the adults out of the way, Alexa and her school friends come up with a daring plan to reunite Ahmet with his family – the start of an adventure that will take them all the way to Buckingham Palace. The film is penned by “A Street Cat Named Bob” screenwriter Tim John. Adam Rolston and David Braithwaite at Studio Pictures are producing. Nicola Pearcey of Picnik Entertainment and Paul Grindey are executive producing. Casting director is BAFTA nominee Carolyn McLeod.

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Jude Law, Nicholas Hoult Pic ‘The Order,’ About U.S. White Supremacist Group, Sells to Prime Video for International (EXCLUSIVE)

Manori Ravindran Executive Editor of International One of the hottest packages at the EFM has been taken off the table for international. Sources tell Variety that Prime Video has snapped up all international rights, excluding the U.S., to Justin Kurzel’s “The Order,” which stars Jude Law and Nicholas Hoult in a story about the titular white supremacist organization that operated in the 1980s. The project is penned by Oscar- and BAFTA-nominated writer Zach Baylin (“King Richard”), who based the screenplay on Kevin Flynn and Gary Gerhardt’s book “The Silent Brotherhood.” Published in 1989, the book details the activities of the radical-right hate group The Order, which was one of the most sinister organizations to emerge in America since the Ku Klux Klan.

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How Adrien Brody Played a ‘Relatable’ Masculinity Cult Leader in ‘Manodrome’ (EXCLUSIVE)

Manori Ravindran Executive Editor of International Adrien Brody is not interested in the culture wars. It’s fascinating, he admits, “but it’s really tragic.” “We see how fractured our world is. Look around: It’s not hard to see,” says the Oscar-winning actor from his home in New York. Brody had to dive into these dark corners when preparing for “Manodrome,” in which he plays a masculinity cult leader, and was quick to dive right out. “I tried to put this stuff down,” he admits. But his character, “Dad Dan,” isn’t the super-serious, nefarious figurehead one summons when envisioning a libertarian masculinity cult. Rather, his is a friendly, hoodie-wearing man of leisure who opens his house to all who need sanctuary. Sanctuary, that is, from the evil, entrapping ways of women and modern society.

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Serena and Venus Williams, Westbrook Studios Board 1971 Women’s World Cup Documentary About Historic Soccer Tournament (EXCLUSIVE)

Manori Ravindran Executive Editor of International Tennis legends Serena and Venus Williams and Will Smith and Jada Pinkett Smith’s Westbrook Studios have boarded the feature documentary “COPA 71,” about the 1971 Women’s World Cup of soccer. The Williams sisters will serve as executive producers on the film, which is a Dogwoof and New Black Films co-production. The project is executive produced and backed by Westbrook. Currently in production and promising never-before-seen archival footage, “COPA 71” tells the story of the 1971 Women’s World Cup, which saw soccer teams from all over the world gather in Mexico City’s Azteca Stadium to compete in front of more than 100,000 spectators. It was the last women’s World Cup until the official FIFA event 20 years later. Dismissed by both FIFA and domestic football associations around the world, the event was written out of history — until now.

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U.K. and Austria Strike Deal to Collaborate on Film, TV Projects (EXCLUSIVE)

Manori Ravindran Executive Editor of International The U.K.’s British Film Commission and Film in Austria, the national film commission for Austria, have struck a Memorandum of Understanding (MoU) paving the way for more film and high-end TV production between the two territories. New film and TV production incentives were introduced in Austria last month, including Europe’s first “green” filming bonus. Meanwhile, in the U.K., statistics released in February revealed that investment into film and high-end television during 2022 reached a record height of £6.27 billion ($7.72 billion). Through the MoU, which will be signed in Berlin on Sunday, the BFC and Film in Austria say they seeks to “encourage greater cultural, commercial and creative exchange between the U.K. and Austria whilst actively working together to foster opportunities to support inward investment film and high-end TV production in both countries.”

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How ‘BlackBerry’ Director Matt Johnson Used His ‘Broke Filmmaker Tools’ With a Multi-Million-Dollar Budget to Tell a Great Canadian Story (EXCLUSIVE)

Manori Ravindran Executive Editor of International After breaking into NASA to make his last movie, “Operation Avalanche,” one would think that “BlackBerry” — a film that, on paper, sounds like a standard book adaptation about a Canadian boom-and-bust story — would be a walk in the park for Matt Johnson. For anyone else, it might have been. But short-cuts don’t compute for the Toronto-based helmer. His outright rejection of Hollywood’s camera tricks in place of a wild do-it-yourself approach has made him one of the most radical new voices emerging from Canada. In “BlackBerry,” which world premieres on Friday, Johnson tackles the story of one of Canada’s greatest modern inventions, the BlackBerry mobile phone — tracing its spectacular ascent into a global phenomenon that brought email to users’ fingertips, to its tragic downfall in the wake of corporate mismanagement and the dawn of Apple’s iPhone.

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Dogwoof Boards Sundance Winner ‘The Eternal Memory’ for International Sales (EXCLUSIVE)

Manori Ravindran Executive Editor of International Dogwoof has boarded MTV Documentary Films’ Sundance winner “The Eternal Memory” for international sales excluding the U.S. The latest feature from Oscar-nominated “Mole Agent” director Maite Alberdi had its world premiere as part of the World Cinema Documentary Competition at Sundance last month, where it won the World Cinema Documentary Grand Jury Prize before MTV Documentary Films acquired worldwide rights. Dogwoof will work in partnership with MTV Documentary Films to represent the film for international sales. The project marks the second collaboration between Dogwoof and Alberdi, having represented “The Mole Agent” for international sales before it was nominated for an Academy Award for best documentary feature in 2021.

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