Jem Aswad Executive Editor, Music A major problem with early success is getting past it — case in point, the cheerful bop of Vampire Weekend’s first two albums and their image as peppy college boys who’d studied Paul Simon’s “Graceland” like a James Joyce masters’ thesis, playing their jaunty global pop to deliriously skanking millennials at seemingly every music festival of the latter aughts. And although that take was understandable — if unfairly reductive — at the time, VW is now a very different band.
