Jessica Kiang The film you expect from Renato Borrayo Serrano’s documentary study of a Nenets woman raising five young children in the Arctic tundra is, in a subtly momentous way, not the one Serrano delivers with the unflinching “Life of Ivanna.” When it has become almost an article of faith that the purpose of such ethnographic portraits is to create empathy with cultures and lifestyles entirely foreign to our own — all of us chasing that little puff of serotonin we get from a reassuring, “deep down, we are all the same” moral — it is perversely admirable to insist so proudly on a subject’s aloof and defiant selfhood.
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