Guy Ritchie Faces Lawsuit From Former Collaborator Over 'The Gentlemen'

Free school meals will be brought in for all pupils in Scotland’s primary schools, the Deputy First Minister has insisted after Humza Yousaf signalled a u-turn.

The first locations for the BBC’s Coronation Concert ‘Lighting up the Nation’ on Sunday have been revealed - and Edinburgh is among them.

The historical day is looming just around the corner, as King Charles will officially be crowned as the new head of state on Saturday, May 6. The 74-year-old monarch will be joined by his wife Queen Camilla.

Addie Morfoot Contributor “I of the Water,” one of 20 projects presented at Hot Docs’ marquee market event, the Forum, has won the First Look first prize of Can. $50,000 ($36,700), one of four pitch prizes announced Wednesday at the festival. Kimberlee Bassford’s “I of the Water” focuses on acclaimed Samoan writer Sia Figiel’s hidden past of sexual abuse and journey toward healing. The film is produced by Bassford, Marilyn McFadyen, Vilsoni Hereniko, Leanne K. Ferrer, Cheryl Hirasa, and Linda Goldstein Knowlton. The second First Look prize, worth Can. $15,000, was awarded to Kenya-Jade Pinto “The Sandbox,” a Canadian production with a vague tagline: “Your future is being written in the sand.” The doc is produced by Shasha Nakhai, Kenya-Jade Pinto, Jennifer Baichwal, and Rich Williamson.

Stand-up comedian and Loose Women panellist Judi Love says she still has to pinch herself when she remembers that last year saw her sharing a cup of tea with the future King. Writing in her weekly OK! column, Judi also congratulates Stormzy for launching his #Merky Books Literature Festival, has her say on the brand new series of I'm A Celeb: South Africa, says goodbye to entertainment icon Len Goodman and wishes James Cordon the best of luck in his return to the UK. Sign up - for free - to read Judi's full column.

A new member of the ton! Bridgerton fans got to see a new version of Brimsley with Sam Clemmett taking on the role in Netflix’s Bridgerton prequel series Queen Charlotte.

Both Coronation Street and I'm A Celebrity... Get Me Out Of Here viewers are used to seeing the bright, humorous side of Andy Whyment but the actor looks set to show another side in the next episode of I'm A Celebrity... South Africa.

Members of the public say they are furious that three West Lothian swimming pools could be shut in a bid to save money, saying the moves are detrimental to people’s mental health and wellbeing.

Guy Ritchie is opening up about his new movie, The Covenant, and revealed that they didn’t use real firearms for any scenes.

Decades after he first broke out with “Lock, Stock And Two Smoking Barrels,” film fans probably think they know what a Guy Ritchie film is going to look and feel like. Well, when you bring Jake Gyllenhaal into the equation, Ritchie throws all of those preconceived notions out of the window, and you end up with “The Covenant,” a no-nonsense war film about a life-altering debt and the lengths someone will go to shed a curse, of sorts.

are currently under renovation and have been freshly equipped with lights.Last Saturday, they were formally turned on for the first time.“Perhaps the most iconic landmark in our parks system, the NYS Pavilion in Flushing Meadows Corona Park is a reminder of our city’s historic past, and a beacon towards the future,” said NYC Parks Commissioner Sue Donoghue in a press release.

EXCLUSIVE: In Guy Ritchie’s The Covenant, Jake Gyllenhaal throws on the military fatigues he hasn’t worn since 2005’s Jarhead, this time joined by an award-winning actor and real-life veteran in Dar Salim. In the new action movie from Miramax and MGM, Gyllenhaal plays U.S. Army Master Sgt. John Kinley, whose bond with his interpreter, Ahmed (Salim), only grows after their unit is ambushed by the Taliban. After Kinley is injured during the escape, Ahmed embarks on a Herculean effort to carry Kinley across the Afghanistan mountains to safety. When Ahmed is unable to get a visa to get him and his family to the U.S., Kinley risks his life to return to Afghanistan and save him.

Zack Sharf Digital News Director Guy Ritchie announced in a new interview with Newsweek that he is no longer using real guns on his film sets following the October 2021 “Rust” shooting, in which cinematographer Halyna Hutchins was killed by a prop gun filled with real bullets. Ritchie is a veteran of the action movie genre, with the majority of his films prominently featuring firearms and bombastic shootouts. His latest directorial effort, “The Covenant,” was filmed with Airsoft pellet weapons in place of real guns. “The Covenant” stars Jake Gyllenhaal as U.S. Army sergeant John Kinley, who returns to Afghanistan in an effort to rescue an interpreter named Ahmed (Dar Salim) from the Taliban. The two men became close years earlier when Ahmed served as John’s interpreter during the height of the War in Agahnistan. Ahmed saved John’s live during the war, so John sets out on a mission to do the same. Suffice to say, guns and shootouts are a plenty in the film.

If one were paying close attention to the recent career of actor Jake Gyllenhaal one might think he was on a mad quest to a) become a buff action star thriller and b) elevate the careers of mid/middling directors. The last three live-action Gyllenhaal movies –“Spider-Man: No Way Home,” “The Guilty,” and “Ambulance”—have all seemed like an attempt to subvert his narrative as arthouse darling, and the latter two were the best films of those director’s careers in quite some time (Antoine Fuqua and Michael Bay, respectively).

Matthew McConaughey smoking a joint in Guy Ritchie’s new movie “The Covenant.” The prolific British director has, for the moment, left behind quirky crime and comedy for his Afghanistan War film — and it’s not hard to understand why. The story the movie is based on is a harrowing and special one. A US Army sergeant and an Afghan interpreter are on the run from the Taliban, when the American is knocked unconscious and his companion must go to extraordinary lengths to save him.Running time: 125 minutes.

Decades after he first broke out with “Lock, Stock And Two Smoking Barrels,” film fans probably think they know what a Guy Ritchie film is going to look and feel like. Well, when you bring Jake Gyllenhaal into the equation, Ritchie throws all of those preconceived notions out of the window, and you end up with “The Covenant,” a no-nonsense war film about a life-altering debt and the lengths someone will go to shed a curse, of sorts.

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” will rule again in its third weekend at the box office. In maintaining the No. 1 spot in North America, the family film is expected to take down two newcomers, the supernatural horror sequel “Evil Dead Rise” and action-war thriller “Guy Ritchie’s the Covenant,” as well as A24’s mind-bender “Beau Is Afraid,” which is expanding nationwide. Universal and Illumination’s animated “Mario” adventure has grossed $366.3 million domestically to date. In the next few days, it will surpass “Minions: The Rise of Gru” ($369 million) as the highest-grossing animated film of the pandemic era. With $724 million globally, it already stands as the biggest movie of the year so far. Now in its third outing at the domestic box office, “Mario” is looking to bring in roughly $45 to $50 million, a massive result at this point in its theatrical run.

I’m not sure why director Guy Ritchie has his name in the title of his latest film, but because this is I think the best Ritchie movie I have seen, I will pass up the chance to snark at the only misstep in Guy Ritchie’s The Covenant. It about as exciting, gripping and moving as war films get — especially one set in the murky Afghanistan conflict in which the U.S. found itself immersed for more than two decades.

Owen Gleiberman Chief Film Critic Last month, to my great surprise, I raved about a Guy Ritchie movie, “Operation Fortune: Ruse de guerre,” as an exhilarating exception to the rule of Ritchie’s style-over-substance, more-frosting-than-cake school of crime-thriller grandiloquence. The film bombed, and more critics than not disagreed with me. But I stand by my assessment of “Operation Fortune” as a diabolically entertaining screwball action-espionage caper. If you want to talk about exceptions to the rule, though, that movie has nothing on the new Guy Ritchie film, which is called (wait for it) “Guy Ritchie’s The Covenant.” Ritchie’s name was reportedly added to the title because there is already a film in existence called “The Covenant.” But that sounds like an awfully thin reason to suddenly convert Ritchie into a marquee legend, and, in fact, there’s a better reason. Against all odds, he has become one of the best directors working. “The Covenant” isn’t another Ritchie underworld caper. It’s an Afghanistan war drama, and if you’re wondering whether he has made a combat film in some version of the Ritchie style (jazzy violence, fast-break comic-strip dialogue, needle drops), the answer is no. He has put his confectionary flamboyance on hold. “The Covenant” unveils something new: Ritchie the contempo classicist. We’re seeing a born-again filmmaker.

Guy Ritchie is reportedly being sued by a writer who claims The Gentleman copied scenes from a script he wrote.According to a report from Variety, Ritchie is at the heart of a lawsuit which was filed in the London High Court last month by actor and writer Mickey De Hara. In his suit De Hara claims that Ritchie commissioned him to write a sequel to the 2008 gangster movie RockNRolla, which was to be based on De Hara’s “personal life experiences”.De Hara goes on to claim that he delivered a script but alleges Ritchie told him “the time of the gangster movie was over”.

K.J. Yossman Guy Ritchie is being sued over his film “The Gentlemen,” which starred Matthew McConaughey, Charlie Hunnam and Michelle Dockery. The lawsuit, which was filed in the London High Court last month by actor and writer Mickey De Hara, claims that Ritchie commissioned De Hara to write a sequel to the 2008 gangster movie “RockNRolla” based on De Hara’s “personal life experiences.” (According to British newspaper reports, De Hara was once convicted of possessing cocaine and cannabis “with an intent to supply,” for which he faced jail time). But in 2018, after De Hara delivered the screenplay about a protagonist who runs a marijuana business., Ritchie told him “the time of the gangster movie was over,” intimating the project was no longer in development.