Catching up on some things we missed over the holidays. Following Kelly Reichardt’s criticism of “Barbie” (“They are part of a huge marketing machine, but they are sold as art.
And all this is just celebrated. As a filmmaker, I wonder what this will do to people’s expectations for future films,” she said), two-time Palme d’Or Swedish filmmaker Ruben Östlund (“The Square,” “Triangle Of Sadness”) gave the film a sharp ding over the December break.
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