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‘The Best Is Yet to Come’ Is A Messy, But Affecting Look At Post-Pandemic Journalism [Venice Review]

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Mining the well-worn tropes of the crusading journalist, Jing Wang’s “The Best is Yet to Come” is an investigatory look at Beijing in the aftermath of the SARS epidemic.

Taking place in 2003, the film follows aspiring journalist Han Dong (Bai-Ke), as he hustles his way into an internship at the prestigious Jingcheng Daily and eventually lands on a possible front-page story, before being torn between his loyalty between journalistic ethics and a friend whose future might be jeopardized by Dong’s reporting.

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