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‘Three Kilometers to the End of the World’ Review: A Portrait of a Small Romanian Village, Made Smaller Still by Prejudice
Guy Lodge Film Critic A hot, strong summer wind is the overriding soundtrack to “Three Kilometers to the End of the World” — the kind of dry, whirring weather that swallows conversations held even a short distance away, and carries stray, light objects far from where they meant to land. For 17-year-old Adi, however, it’s not loud enough to keep his secrets safe, nor heavy enough to lift and float him away from the home in which he feels increasingly imprisoned.