Peter Sohn - celebsbar.com

Elemental director Peter Sohn received an Oscar nomination on Tuesday morning for Best Animated Feature. Even with a story that’s very personal to him, Sohn’s first thoughts go towards his entire crew. “I think about all the work and passion and love that they put into the film, and it fills me up in a way that is very emotional.”

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Deadline’s Contenders Film: The Nominees Streaming Site Launches

Deadline has launched the streaming site for Contenders Film: The Nominees, the Oscar nominees panel showcase that took place Saturday.

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BAFTA Film Awards Nominations: ‘Oppenheimer’ and ‘Poor Things’ Lead as ‘Barbie’ Falls Short

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER “Blue Bag Life” — Lisa Selby (Director), Rebecca Lloyd-Evans (Director, Producer), Alex Fry (Producer) “Bobi Wine: The People’s President” — Christopher Sharp (Director) [also directed Moses Bwayo] “Earth Mama” — Savanah Leaf (Writer, Director, Producer), Shirley O’Connor (Producer), Medb Riordan (Producer) “How to Have Sex” — Molly Manning Walker (Writer, Director) “Is There Anybody Out There?” — Ella Glendining (Director) ORIGINAL SCREENPLAY “Anatomy of a Fall” — Justine Triet, Arthur Harari “Barbie” — Greta Gerwig, Noah Baumbach “The Holdovers” — David Hemingson “Maestro” — Bradley Cooper, Josh Singer “Past Lives” — Celine Song ADAPTED SCREENPLAY “All of Us Strangers,” Andrew Haigh “American Fiction,” Cord Jefferson “Oppenheimer,” Christopher Nolan “Poor Things,” Tony McNamara “The Zone of Interest,” Jonathan Glazer FILM NOT IN THE ENGLISH LANGUAGE “20 Days in Mariupol” — Mstyslav Chernov, Raney Aronson Rath “Anatomy of a Fall” — Justine Triet, Marie-Ange Luciani, David Thion “Past Lives” — Celine Song, David Hinojosa, Pamela Koffler, Christine Vachon “Society of the Snow” — J.A. Bayona, Belen Atienza “The Zone of Interest” — Jonathan Glazer ANIMATED FILM “The Boy and the Heron” — Hayao Miyazaki, Toshio Suzuki “Chicken Run: Dawn of the Nugget” — Sam Fell, Leyla Hobart, Steve Pegram “Elemental” — Peter Sohn, Denise Ream “Spider-Man: Across the Spider-Verse” — Joaquim Dos Santos, Kemp Powers, Justin K.

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‘Across the Spider-Verse,’ ‘Elemental’ and ‘Trolls 3’ Directors Announced for Top Animated Contenders Panel at SCAD Savannah Film Fest (EXCLUSIVE)

Jazz Tangcay Artisans Editor Animated feature directors of “Elemental,” “Nimona,” “Spider-Man: Across the Spider-Verse,” “Teenage Mutant Ninja Turtles: Mutant Mayhem” and “Trolls Band Together” will attend the second annual “Sketch to Screen: Top Animated Contenders” panel at SCAD Savannah Film Festival. Hosted by Clayton Davis, senior awards editor for Variety, the panel will take place on Tuesday, Oct. 24.

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‘Elemental’ Scores Biggest Disney+ Movie Premiere Since ‘Turning Red’

Disney and Pixar announced on Monday that their animated feature Elemental, starring Leah Lewis and Mamoudou Athie, has scored the biggest movie premiere of the year to date on Disney+, earning 26.4 million views in its first five days on the service.

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‘Elemental’ Gets Streaming Date On Disney+

Disney and Pixar’s Elemental is headed to Disney+ next week. The hit animated feature film will begin streaming on the service on September 13. Also hitting the streamer that day are the making-of documentary Good Chemistry: The Story of Elemental and Pixar Animation Studios’ short Carl’s Date, featuring everyone’s favorite talking dog, Dug.

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Disney+ Sets Pixar’s ‘Elemental’ Premiere Date

Todd Spangler NY Digital Editor Disney+ customers can start streaming Pixar’s “Elemental” animated adventure next week. “Elemental” will hit Disney+ worldwide on Sept. 13, coming 89 days after the movie’s theatrical open.

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Pixar President on ‘Elemental’s’ Unlikely Box Office Rebound: ‘This Will Certainly Be a Profitable Film’

Rebecca Rubin Film and Media Reporter The elements are finally coming together for Pixar’s “Elemental,” which is enjoying a rebound after a spark-less start at the box office. The animation adventure stumbled in its debut with $29.5 million domestically and $44.5 million globally, by far the worst opening weekend in Pixar’s 28-year history. Yet two months later, its ticket sales have slowly and steadily climbed to $148 million in North America and $425 million worldwide.

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Korea Box Office: ‘Smugglers’ and ‘Ransomed’ Dominate Weekend, Lift Local Films’ Market Share

Patrick Frater Asia Bureau Chief Ryu Seung-wan’s female-led crime caper “Smugglers” topped the South Korean box office for a second weekend, ahead of new release title “Ransomed.” “Smugglers” enjoyed a strong hold in its second weekend of release and commanded 42% market share. It delivered $7.09 million, a drop of only 20% on its opening weekend, giving a 12-day cumulative of $26.2 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

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Composer Thomas Newman on Why the Opening Montage of ‘Elemental’ Was the Hardest Moment to Score

Jazz Tangcay Artisans Editor When composer Thomas Newman was having early conversations about the music of Pixar’s “Elemental,” he looked for a connecting thread between the film’s imaginary world, where elements are characters, and the human world. “I looked for similar issues of otherness and how that could be reflected in music, and how we would identify with that through our human ear,” says Newman. His approach to cracking the score was about applying a “musical color,” and association to the universal themes. When he looked at scenes and the vibrant colors of “Elemental,” what did his ears hear sonically, and did that match what his eyes were seeing?

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‘Toy Story 5’ confirmed to bring back Woody and Buzz Lightyear

Disney Pixar, has confirmed Woody and Buzz Lightyear will both return in Toy Story 5.The director revealed that the two main characters would be back in the upcoming fifth installment, which was previously announced in February this year.Speaking about the juggle between introducing new characters and continuing established IP in an interview with Variety, Docter said: “We have our share of sequels in the works. We’re doing a sequel to Inside Out, so you get to go back inside the mind of Joy and Sadness.“We have another Toy Story, so Woody and Buzz are back.

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‘Elemental’ Director Peter Sohn on How the Periodic Table and His Parents’ Immigration Story Inspired Pixar’s Latest Feature

Jazz Tangcay Artisans Editor The story behind Pixar’s latest animated feature “Elemental” is a personal one to filmmaker Peter Sohn. The opening shows a family arriving at the fictional port of Elemental City, which closely reflected the immigration story of Sohn’s parents from Korea to New York. The story breathes life into the earth elements of fire, water, land and air, depicting them as residents of Elemental City. When Ember (Leah Lewis), a fiery young woman, meets go-with-the-flow water being Wade (Mamoudou Athie), they discover that, despite their conflicts, they have a lot in common. As the two fall in love, Ember is faced with the internal conflict of being with Wade or following in her parents’ footsteps and running the family business. As the son of first-generation immigrants, Ember’s struggle reflected not only Sohn’s personal experience, but that of many of the animators and storytellers behind the scenes.

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'Elemental' Stars Mamoudou Athie and Leah Lewis on Making Pixar's First Rom-Com (Exclusive)

's title character and EVE,'s Woody and Bo Peep, or (get your tissues ready)'s Carl and Ellie. But not until has a Pixar movie focused so directly on a love story between the central couple, drawing inspiration from beloved rom-coms of the past to shape the chemistry between its main characters: Ember Lumen (Leah Lewis), a young, headstrong fire element, and Wade Ripple (Mamoudou Athie), a fun and sensitive water element.Lewis and Athie joined ET's Matt Cohen at Pixar Animation Studios in San Francisco recently to discuss more about their characters and the upcoming film, which has been seven years in the making for director Peter Sohn, who previously directed for Pixar. takes place in Element City, in a universe where different elements — fire, water, earth and air — traditionally keep to themselves, sometimes facing xenophobic attitudes as they strive to live alongside one another.

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Pixar Boss Pete Docter Admits the Studio ‘Trained’ Families to Expect Disney+ Debuts, Says Bad ‘Elemental’ Buzz at Cannes Was ‘Confusing’

Jazz Tangcay Artisans Editor Pete Docter, Pixar’s creative chief officer, is hoping the animation studio’s 27th release, “Elemental,” will draw families to movie theaters this weekend. Peter Sohn‘s film is a story about immigration, families, duty and love. Not only does Docter say the visuals are “a spectacle,” but believes it should be experienced with an audience. Docter, who has been with the studio since the beginning and was upped to CCO in 2018, has come under criticism recently that Pixar has lost its magic touch. Here, Docter sits down with Variety over Zoom to discuss Pixar’s approach to programming, Cannes, “Elemental,” and what’s next for the studio.

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‘Elio’ Trailer: Pixar’s Next Movie Has Aliens Abduct a Child Who Pretends to Be Earth’s Leader

McKinley Franklin editor It’s time to take a dive into the Communiverse. Disney and Pixar have released the first official trailer for the upcoming animated science fiction feature “Elio,” which is set to debut on March 1, 2024. “Elio” spotlights the story of an underdog character of the same name who suddenly finds himself transported into the Communiverse, a world encompassed by out-of-this-world, extraterrestrial characters. Upon arrival, Elio is mistakenly identified as Earth’s ambassador, a role in which he’s not quite ready to take on. “For centuries, people have called out to the universe looking for answers — in Disney and Pixar’s all-new movie ‘Elio,’ the universe calls back! Elio must form new bonds with eccentric alien lifeforms, survive a series of formidable trials and somehow discover who he is truly meant to be,” reads the film’s official logline.

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How A.I. Aided the ‘Elemental’ VFX Artists and Production Team

Karen Idelson While debates about the use of A.I. take center stage across the entertainment industry, the technology has been quietly assisting animation and visual effects crews for years. It had made some of the most astonishing visual images possible when artisans have been asked to do what was previously thought impossible. When helmer Peter Sohn wanted characters based on the elements of fire, water, air and earth for his new film “Elemental,” VFX supervisor Sanjay Bakshi and his team at Pixar looked to A.I. to make the process smoother. The look of the characters depended on adjustments that would align them with Sohn’s vision. “We used A.I. for a very specific kind of problem, and we used a machine learning algorithm called neural style transfer,” says Bakshi. “Our animation is so highly scrutinized. We go through so many review cycles for every shot and the animators are really handcrafting it and there’s not a lot of places where machine learning is applicable in the current form.

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New Teaser Clip For Disney’s ‘Elemental’ Sees Fire And Water Show Off What They Can Do With ‘Minerals’

A brand new clip for Disney Pixar’s upcoming animation/comedy “Elemental” was unveiled by its stars at the 2023 Cannes Film Festival during a photocall on Friday.

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‘Elemental’ Review: A Hothead and a Water-Boy Fall for One Another in Pixar’s Overcomplicated Rom-Com

Peter Debruge Chief Film Critic I reckon there are more ideas per second of screentime in “Elemental” than any other Pixar movie to date. So why does this imagination-teasing opposites-attract rom-com feel like a misfire? No one can accuse director Peter Sohn (“The Good Dinosaur”) or his team of under-thinking the ultra-creative studio’s latest high-concept feature, which takes the four elements as identified by various ancient cultures — Fire, Water, Earth and Air — and reimagines them as uneasy neighbors in a crowded modern metropolis. But fun as it can be to soak in the movie’s cheeky sense of detail (from flame-retardant costumes to blink-and-you-miss-them background puns), the whole scenario seems forced: so much world-building to tell a story better suited to flesh-and-blood human characters.

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Pixar’s ‘Elemental’ Charms Cannes, Closes 2023 Festival With Five-Minute Standing Ovation

Rebecca Rubin Film and Media Reporter There were more than a few misty eyes in the audience at the premiere of Pixar’s animated adventure “Elemental,” which closed out this year’s Cannes Film Festival. The sweet opposites-attract love story proved charming to attendees, closing out the festival with a five-minute standing ovation. At least one grown man in the orchestra was wiping away his cascading tears as the credits began to roll. It’s safe to assume he wasn’t alone in his emotional response to the film. “My heart is about to explode,” said ”Elemental” director Peter Sohn. “This film has been about the richness of diversity. Our lives are better when there are different points of view.”

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‘Elemental’ Review: New Pixar Animation Is Visually Splendid, But Swamped In Syrupy Sentiment – Cannes Film Festival

What has fallen flat at Pixar? This is the innovative animation studio that pushed all before it in the first decade of this millennium, that invented a way of turning the plastic finish of digital animation to its advantage in the towering Toy Story, that was prepared to start a film with a 20-minute scene with no dialogue in Wall-E – and revealed that kids didn’t care – and that would make an adventure film with a hero aged 78 years young in UP!. Kids didn’t care about that either, as it turned out, because Carl Fredricksen was a grumpy-gramps adventurer who also didn’t care what others thought of him. Pixar always had something new up its collective artistic sleeve. And yet here they are, coming out with a film as dull-witted and syrupy as Elemental.

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Molly Manning Walker’s ‘How To Have Sex’ Wins Top Prize In Cannes Un Certain Regard

Uk director Molly Manning Walker’s How To Have Sex won the top prize in Cannes Un Certain Regard on Friday evening.

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