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Peter Debruge Chief Film Critic For readers of Alexandre Dumas’ novel, extravagant French adaptation “The Three Musketeers – Part II: Milady” packs its share of surprises: killing off important characters, sparing others and reimagining allegiances that have stood for nearly two centuries. For viewers of “Part I: D’Artagnan,” however, this swashbuckling sequel feels totally in keeping with what has come before.

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‘The Ministry of Ungentlemanly Warfare’ Review: Henry Cavill Leads a Pack of Inglorious Rogues in Guy Ritchie’s Spirited WWII Coup

Peter Debruge Chief Film Critic In “The Ministry of Ungentlemanly Warfare,” British Prime Minister Winston Churchill authorizes an illicit mission to undermine Hitler’s fleet of German U-boats during World War II. The plan calls for renegades with little respect for the rules, led by a cocky ex-criminal named Gus March-Phillips (Henry Cavill), who’s released from prison and called into a top-secret briefing.

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Critic’s Notebook: Sharper Than Ever, French Crime Classic ‘Le Samouraï’ Might Be the Coolest Film Ever Made

Peter Debruge Chief Film Critic SPOILER ALERT: The following essay discusses key plot points, including the ending. Last weekend, I took in “Le Samouraï” for what must have been the sixth or seventh time, relishing the new 4K restoration of Jean-Pierre Melville’s masterpiece (now playing at Laemmle theaters in Los Angeles). As I exited the screening, I discreetly eavesdropped on my fellow audience members. Most seemed impressed.

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‘The People’s Joker’ Is a Comic-Book Fantasia More Authentic Than Just About Any Comic-Book Movie

Owen Gleiberman Chief Film Critic “The People’s Joker,” a scandalous IP-on-acid coming-out comic-book psychodrama, is a movie that has all the earmarks of an underground/ midnight/guerrilla-cinema sensation. Vera Drew, who directed and co-wrote it, plays the title character, a mentally fractured aspiring stand-up comedian who bills herself as Joker the Harlequin.

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‘Steve! (Martin): A Documentary in Two Pieces’ Review: A Sprawling Portrait Splits the Comedian’s Career, Saving the Payoff for the Second Half

Peter Debruge Chief Film Critic Why does Steve Martin need a two-part documentary? He doesn’t, of course, although Martin himself divided his career into separate chapters, any one of which could support its own film — stand-up comedian, Hollywood movie star, playwright, novelist, bluegrass musician and most recently, “Only Murders in the Building” co-creator and star — so fans aren’t likely to complain about getting extra time with such a private subject. Normally, a documentarian with access to a celebrity of Martin’s caliber would pick a focus, or else try to generate some kind of career-encompassing overview.

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‘Riddle of Fire’ Review: Weston Razooli’s Wilderness-Set Debut Feels Like Child’s Play, in a Good Way

Peter Debruge Chief Film Critic Long before she was a movie star, a teenage Nicole Kidman appeared in the early-’80s action comedy “BMX Bandits,” a rowdy Australian kidpic full of bicycle stunts and Scooby-Doo crime-stopping shenanigans. It’s too early to say whether any of the adorable young leads in “Riddle of Fire” will go on to have successful acting careers.

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‘The Idea of You’ Review: Only Anne Hathaway Could Look This Confident Dating One of Her Daughter’s Pop Idols

Peter Debruge Chief Film Critic When you’re 10, it sounds like every line your favorite boy band sings is being aimed directly at you. Somewhere along the line, the illusion shatters.

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‘Madame Web’ Releases on Digital Today

Anna Tingley If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission. Only one month following its theatrical release in February, “Madame Web” is now available to rent/purchase digitally online. The Blu-ray/DVD versions will become available on Apr.

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‘Civil War’ Review: Alex Garland Tears America Apart, Counting on Divided Audiences to Prevent His Worst-Case Horror Show

Peter Debruge Chief Film Critic The press are the good guys, but also kind of the bad guys, in Alex Garland’s virtuosic “Civil War,” a jarring ground-level account of what a near-future disunification of the United States might look like. Intended as a wake-up call, the long-fuse thriller — which starts slow and snowballs to a jaw-dropping raid on Washington, D.C. — embeds viewers alongside a dedicated team of journalists making their way to the Capitol while the country unravels around them.

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‘Doin’ It’ Review: Even Educated Fleas Know Better Than Lilly Singh’s Inexperienced Sex Ed Teacher

Peter Debruge Chief Film Critic Some film festivals take themselves entirely too seriously. Not South by Southwest, the Austin-based multidisciplinary megaevent where amped-up crowds welcome comedies with open arms — the raunchier, the better. This year, one logline stood out as especially promising: “A 30-year-old Indian American virgin gets a job teaching high school Sex Ed.” Alas, “Doin’ It,” doesn’t cut it (it’s basically 2014 Haley Joel Osment comedy “Sex Ed” with a cultural spin).

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‘My Dead Friend Zoe’ Review: A Veteran’s Creative Take on PTSD Packs the Power of Classic Capra

Peter Debruge Chief Film Critic “I’ve lost more guys here than I did in Iraq,” testifies a veteran during one of the many group therapy sessions featured in “My Dead Friend Zoe,” Kyle Hausmann-Stokes’ affecting look at mental health among ex-servicepeople. Two decades of life experience and personal loss have led the filmmaker to this project, which was inspired by the deaths of friends he served alongside during his own five-year tour of duty with the U.S. Army.

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‘2024 Oscar Nominated Short Films: Documentary’ Review: This Year’s Indelible Subjects Range From Farting Grannies to Musical Kids

Peter Debruge Chief Film Critic In a strange reversal of a longstanding trend with the Academy, this year’s documentary short ballot is almost entirely domestic (which is to say, films made by or about Americans), while the feature doc category — where subtitles aren’t so common — is entirely international. Judging by the overall quality of the films in the 141-minute “2024 Oscar Nominated Short Films: Documentary” lineup, that’s no sign of compromise. In fact, for Oscar completists, ShortsTV’s annual roundup is one of the most rewarding theatrical experiences audiences could hope for this year.

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‘Babes’ Review: Pamela Adlon Delivers an Unapologetically Raw Take on Pregnancy and Female Friendship

Peter Debruge Chief Film Critic When Judd Apatow and the boys make an R-rated pregnancy comedy, they call it “Knocked Up.” But when “Broad City” co-creator Ilana Glazer and stand-up comic Michelle Buteau try their hand at the same subject, the every-bit-as-raunchy result comes with a far classier title: “Babes.” That pun is just one of the movie’s many acts of irreverent reclamation, as helmer Pamela Adlon — making a confident switch to feature directing after seminal small-screen contributions to “Louie” and “Better Things” — and her stars de-objectify a label used by dudes and slap it upon themselves. The cheeky term applies to both lifelong amigas Eden (Glazer) and Dawn (Buteau) and the infants they spend most of the movie incubating.

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‘I Don’t Understand You’ Review: Nick Kroll and Andrew Rannells’ Gay Italian Vacay Takes a Demented Turn

Peter Debruge Chief Film Critic Swanning around Italy like side characters from the second season of “The White Lotus,” well-to-do gay couple Dom (Nick Kroll) and Cole (Andrew Rannells) have decided the world is against them. As Americans, they live at a time in a country when they can legally get married, adopt and do pretty much everything straight people can — but they’re also old enough to remember when that wasn’t the case, and so they anticipate rejection and homophobia at every turn. They’re prepared for the worst, and somehow they attract it.

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‘Damsel’ Review: Millie Bobby Brown Makes Rambo Look Soft, Dragon Slaying in High Heels and a Dress

Peter Debruge Chief Film Critic A medieval word with a highly specific (but often misused) meaning, “damsel” describes a young, unmarried lady-in-waiting. It’s also the broad title given many a helpless heroine in Hollywood movies — the proverbial “damsel in distress,” trussed to the train tracks or otherwise waiting to be saved.

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Mike Birbiglia Sets ‘Good One’ Doc Special, Based on Vulture Podcast, at Peacock With Guests Seth Meyers, Hasan Minhaj and More (EXCLUSIVE)

Selome Hailu Comedian Mike Birbiglia has set a documentary special at Peacock. Titled “Good One: A Show About Jokes,” it premieres on March 26. Adapted from the Vulture podcast “Good One: A Podcast About Jokes,” the special follows Birbiglia through his process as he travels from Providence, R.I.

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21 Best Films New to Streaming in March: ‘The Eras Tour,’ ‘Wonka,’ ‘Poor Things,’ ‘Anatomy of a Fall’ and More

Zack Sharf Digital News Director The summer movie season is still two months away, but it’s about to be a blockbuster month on streaming platforms. From holiday tentpoles to major Oscar contenders and the highest-grossing concert film off all time, streaming platforms are delivering the goods and then some this month. Top of mind for many Disney+ subscribers in March will be the arrival of “Taylor Swift: The Eras Tour,” which is making its streaming debut with a special “Taylor’s Version” that includes five songs not included in previous releases of the concert film.

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Prize-Winning Animated Feature ‘Chicken for Linda!’ Sets April Theatrical Release

Caroline Brew editor GKIDS is bringing the hand-painted animated film “Chicken for Linda!” to select theaters nationwide. It will be released April 5 in New York City at the Angelika Film Center and April 12 in Los Angeles at the Laemmle Royal.

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‘Ivo’ Review: Promising German Director Examines the Coping Strategies of Dealing With Death Every Day

Peter Debruge Chief Film Critic Ivo (Minna Wündrich) spends her days tending to terminally ill patients. In her capacity as a palliative care nurse, she’s not responsible for saving them — that’s the doctors’ concern — though this 40-ish single mother does her best to listen to their complaints and ease their pain.

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‘Langue Étrangère’ Review: Two Foreign Exchange Students Fall for One Another in Volatile Teen Drama

Peter Debruge Chief Film Critic At age 17, there are only so many ways a high school student can flee a suffocating life. Bullied by her fellow students, Fanny (Lilith Grasmug) tried to commit suicide — or so she says — but fortunately, that didn’t work. Now, this shy, self-questioning and clearly troubled teen is counting on a foreign exchange program to make a fresh start, escaping to Leipzig, Germany, to get away from the mean girls back home in Strasbourg, France.

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‘La Cocina’ Review: Alonso Ruizpalacios Sharpens the Knives for This Look Inside a Chaotic New York Kitchen

Peter Debruge Chief Film Critic Before demonstrating himself to be one of Mexico’s most original and exciting new filmmaking talents, Alonso Ruizpalacios washed dishes in a bustling big-city kitchen. That experience informs every second of the “Museo” director’s fourth feature, “La Cocina,” a thrilling in-spirit adaptation of Arnold Wesker’s 1957 play “The Kitchen,” transposed from midcentury London to modern-day New York.

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