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Brady Corbet and Sean Baker on Why It’s Hard Shooting Movies Like ‘The Brutalist’ and ‘Anora’ in America and Why Obsessing Over Box Office Is Trump Coded

Brady Corbet had to brace for one nonetheless, to complete his ambitious and impressively inexpensive “The Brutalist” — a three-hour-and-change epic made for a measly $10 million. The expansive story of a Hungarian architect and his haughty patron required Corbet and team to shoot in the marble quarries of northern Tuscany — where rockslides constantly shift the landscape. “Mother Nature is pissed,” Corbet exclaims to his friend Sean Baker, the writer-director of this year’s Palme d’Or winner “Anora.” Baker is used to outsmarting forces of nature to deliver his microbudget indies (like “Tangerine,” “The Florida Project” and “Red Rocket”) to the world.

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‘Anora’ & ‘The Brutalist’ Lead London Critics’ Circle Film Awards Nominations – Full List

Sean Baker’s Anora and Brady Corbet’s The Brutalist have topped the nominations for the 45th London Critics’ Circle Film Awards, making it into seven categories each.

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‘Anora,’ ‘The Brutalist’ Lead London Critics’ Circle Film Award Nominations

Naman Ramachandran Sean Baker’s “Anora” and Brady Corbet’s “The Brutalist” have topped the 45th London Critics’ Circle Film Awards nominations with seven nods each. Edward Berger’s “Conclave” and Coralie Fargeat’s “The Substance” followed with six nominations each, while Jacques Audiard’s “Emilia Pérez” secured five nods. Mike Leigh’s “Hard Truths” and Rich Peppiatt’s “Kneecap” each received four nominations.

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Awards Voters: Don’t Forget About Felicity Jones and Her Steely Turn in Brady Corbet’s ‘The Brutalist’

Carole Horst When Felicity Jones hits the screen in “The Brutalist,” it’s like a bucket of cold water dashed on the pretensions of the characters we’ve already spent some 90 minutes with, learning about their struggles, dreams, histories. Erzsébet (Jones) is smart, highly educated and most important, skeptical, in contrast to her husband, László Toth (Adrien Brody), an architect of soaring artistic and uncompromising vision. The vision of director Brady Corbet, who co-wrote “The Brutalist” with Mona Fastvold, encompasses nothing less than the American Dream, the stain of antisemitism and postwar capitalist power.

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‘The Brutalist’ Team Have Wrapped On An Under-The-Radar Musical Called ‘Ann Lee’ Starring Amanda Seyfried, Thomasin McKenzie, Lewis Pullman, Christopher Abbott, Tim Blake Nelson & Stacy Martin

EXCLUSIVE: The team behind seven-time Golden Globe nominee The Brutalist have been quietly working on a starry musical called Ann Lee, which has now wrapped, with Oscar nominee Amanda Seyfried (Mank) in the lead role.

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An Unpredictable Oscars Season Is Currently Underway Where Anything Can (and Will) Happen

Clayton Davis Senior Awards Editor The Oscars playoffs are in full swing. All the glitz, glamour, and chaos kicked off with the Gotham Awards, which set the tone for what promises to be an unpredictable and heated race. The New York ceremony delivered the first shock of the season when A24’s dark dramedy “A Different Man,” starring Sebastian Stan, overtook presumptive favorite “Anora” to land the top prize.

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‘The Brutalist’ Star Felicity Jones on the ‘Element of Defiance’ in Her Golden Globe-Nominated Performance and Being Open to a ‘Star Wars’ Return: ‘There’s Unfinished Business’

Alex Ritman “There’s a real honesty and integrity to it all,” says Felicity Jones, looking out across a sea of concrete. “You can really see the correspondence between the psyche coming out of the Second World War and the architecture.” The British actress is taking in the view at the Barbican, perhaps London’s most famous Brutalist construction and a labyrinthine maze of monolithic blocks and walkways connecting residential units, public spaces and one of the capital’s best-known cultural hubs. It’s a delightfully contrived location to discuss her latest film, “The Brutalist,” and one she thoroughly approves of.

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Cannes & Venice Hit Record High Golden Globes Nominations

The internationalisation of U.S. awards continues apace with a bumper crop of nominations for Cannes and Venice at the Golden Globes.

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Netflix Leads Golden Globes With 36 Nominations: Studio, Network Scorecard

Rebecca Rubin Senior Film and Media Reporter Netflix scored the most Golden Globe nominations of any media company on Monday, leading on the film front with 13 nods and the TV side, too, with 23. The streamer’s genre-defying Spanish-language musical crime drama “Emilia Perez” landed 10 nominations, the most of any film this year, including recognition in best motion picture musical or comedy, lead actress in a musical or comedy for Karla Sofía Gascón and supporting actress for Selena Gomez and Zoe Saldaña.

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Netflix Leads The Way On Golden Globes Noms Day

Netflix leads the pack in the Golden Globes noms for 2024 on both the TV and film side, while A24 and HBO are well represented.

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‘Anora’ Named Best Picture By LA Film Critics

Last week, the New York Film Critics Circle named Brady Corbet’s “The Brutalist” as the Best Film of the Year. The next day, the National Board of Review crowned Jon M.

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‘The Brutalist’ in 70mm: A24 Sets First Showtimes in New York and Los Angeles (EXCLUSIVE)

Ethan Shanfeld A24 has announced the first 70mm screenings of “The Brutalist,” which launches in the specialty format on Dec. 19 in New York City and Los Angeles. Tickets are available for purchase for the Village East Cinemas in New York and the Vista Theatre in L.A.

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Guy Pearce on ‘The Brutalist’ Shocker, Watching Christopher Nolan Win the Oscar and the ‘L.A. Confidential’ Sequel That Almost Happened

Clayton Davis Senior Awards Editor Guy Pearce is having a moment — not that he ever left. “It feels funny when people kind of go: ‘Wow, so you’re back,'” he tells Variety‘s Awards Circuit Podcast. “And I’m like ‘Where did I go? I didn’t go anywhere?” With a career spanning three decades, Pearce has always been a highly respected character actor, equally convincing as the clean-cut, ambitious detective in “L.A.

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AFI Awards: ‘Anora,’ ‘Emilia Pérez’ and ‘Wicked’ Among 10 Best Films, Top TV Shows Include ‘The Penguin’ and ‘Shogun’

Clayton Davis Senior Awards Editor The American Film Institute has unveiled its list of the 10 best films and television programs of the year, a selection that reflects the rich diversity of storytelling across genres, budgets and platforms. The 2024 AFI Awards honorees highlight a blend of blockbuster hits, indie darlings, and bold artistic visions, cementing their place as a pivotal moment in the awards season calendar.

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Gotham Awards 2024 Red Carpet Arrivals (PHOTOS)

Marc Malkin Senior Editor, Culture and EventsThe Gotham Awards red carpet at Cipriani Wall Street in New York City has opened.Already spotted are Pamela Anderson, Guy Pearce, Marianne Jean-Baptiste and more.“Anora” leads the Monday night ceremony, considered the unofficial launch of the months-long awards march to the Oscars, with four nominations, including best feature. “Nickel Boys,” “Babygirl,” “Challengers” and “A Different Man” are also vying for the top prize.The best director race includes Sean Baker (“Anora”), Jane Schoenbrun (“I Saw the TV Glow”), Payal Kapadia (“All We Imagine as Light”), Guan Hu (“Black Dog”) and RaMell Ross (“Nickel Boys”).The Gothams went genderless for acting awards in 2021 so this year’s best lead performance nominees include Demi Moore (“The Substance”), Pamela Anderson (“The Last Showgirl”), Colman Domingo (“Sing Sing”), Saoirse Ronan (“The Outrun”), Justice Smith (“I Saw The TV Glow”), Keith Kupferer (“Ghostlight”), Mikey Madison (“Anora”), Marianne Jean-Baptiste (“Hard Truths”) and Nicole Kidman (“Babygirl”).Check out the best photos, updating live, from the arrivals red carpet below.The 34th edition of the Gothams will be livestreamed on Variety‘s YouTube channel beginning at 4 p.m.

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How Hungary’s Versatile Locations, World-Class Artisans and 30% Tax Incentive Brought ‘The Brutalist,’ ‘Maria,’ ‘Dune 2’ and Other Oscar Contenders to Life

Christopher Vourlias The hero of Brady Corbet’s Oscar contender “The Brutalist”— the fictional, Hungarian-born Jewish architect László Toth — journeys from Budapest to the U.S. to rebuild his life after fleeing a concentration camp and the ravages of post-war Europe. But while Toth’s travels cut across a wide swath of the mid-century world, Corbet’s production had a much smaller footprint: Most of the film — including its depiction of 1950s American suburbia — was shot in Budapest.

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‘Maria,’ ‘Brutalist,’ ‘Dune: Part Two’ Are Among the Award Contenders to Benefit From European Incentives and Crew

Rafa Sales Ross Guest Contributor As countries improve tax incentives and develop larger numbers of qualified crews and state-of-the-art facilities, Europe has become a buzzing international production hub for film and TV. With a wealth of options to choose from, how are line producers deciding where to shoot? And how are service providers attracting clients? “It doesn’t take a lot of brain power to realize that it’s easy to move now,” says producer Rick McCallum, co-founder of Prague-based production company Film United.

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‘The Girl With the Needle’ Wins Camerimage’s Golden Frog

Carolyn Giardina Cinematographer Michał Dymek’s stark black-and-white lensing of “The Girl With the Needle” won the EnergaCamerimage Golden Frog, with special mention going to director Magnus von Horn, at the cinematography festival’s closing ceremony, Saturday in Torun, Poland. The film, which is Denmark’s entry for this season’s Academy Award for an international feature, is loosely based on the true story of Dagmar Overbye, a Danish woman who established an underground adoption agency in post-World War I Copenhagen to help poor women dealing with unwanted pregnancies.

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How Guy Pearce Explored “Extreme” Power In ‘The Brutalist’: “I Suppose On Some Level It’s The Donald Trump Version”

Given the number of indelible performances he’s given since breaking out world-wide with only his third big-screen appearance — The Adventures of Priscilla, Queen of the Desert in 1994 — it’s astonishing that Guy Pearce doesn’t have an awards shelf creaking with the weight of career-affirming statuettes. That could change after Brady Corbet’s The Brutalist, an epic drama (complete with 15-minute intermission) in which an emigrant Hungarian architect, László Toth (Adrien Brody), seeks political asylum, and a creative outlet, in post-war America. As the ultra-rich Harrison Lee Van Buren, an apparent philistine who becomes Toth’s artistic champion, Pearce steals the show.

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‘Gladiator II,’ ‘The Piano Lesson,’ ‘Nickel Boys’ Use the Weight of Past Events to Tell Contemporary Stories

Stuart Miller The past is ever present in our lives, so it’s unsurprising that many movies lean on that juxtaposition in the stories they tell. In 2024, the past casts an espe- cially big shadow across films like “The Brutalist,” “Gladiator II,” “The Piano Lesson,” “Conclave,” “A Real Pain” “Exhibiting Forgiveness,” “The Return” and even the comedy “My Old Ass.” “Memory and trauma are inextricable from the present moment,” says “Nickel Boys” director RaMell Ross.

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Studios Want Oscar Recognition for ‘Inside Out 2’ and ‘The Wild Robot’ Beyond Animated Feature. Will Voters Embrace Them?

Clayton Davis Senior Awards Editor It’s been a banner year for animated movies, with artists using the genre to tell stories about robots, cats, snails and the full spectrum of human emotion. These films are just as bold and boundary pushing as the dramas, musicals and historical epics that are seen as top contenders for Oscars. Yet they aren’t getting the same level of attention from the pundit crowd.

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