Joshua Alston Some of the best television shows are about whip-smart operators and the political nuances of their professional worlds.
So why then is it so challenging to make a satisfying series about academia? It’s not only difficult to think of a television show that has succeeded in lifting the veil of a university, it’s tough to think of shows that have even tried.
The most recent swipe at it was Netflix’s “The Chair,” a thin but charming dramedy starring Sandra Oh that ended after a single season.
Even as college campuses remain a go-to battleground for American culture wars, the inner lives of the professors caught in the crossfire are usually reserved for novels.
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