Malaysia: Last News

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All news where Malaysia is mentioned

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Daniel Hui, Martika Ramirez Escobar Projects to Receive Grants From Purin Pictures
Patrick Frater Asia Bureau Chief Purin Pictures, a non-profit film fund supporting independent cinema in Southeast Asia, has unveiled $170,000 of grants in its autumn funding round. Its reading committee chose three fiction and two documentary projects for production support and one fiction project for post-production support. The fiction films are “Daughters of the Sea,” a story of three intertwined lives, to be directed by Martika Ramirez Escobar (“Leonor Will Never Die”) and produced by Monster Jimenez and Rajiv Idnani, through Philippines company Arkeo Films; writer-director and editor Daniel Hui’s “Other People’s Dreams,” about two runaways who become invisible thieves in Singapore, produced by Tan Si En at Momo Film; and “Sitora,” by Diffan Sina Norman, a drama about the oldest member of a village community which is about to be consumed by the urban sprawl. The project is to be produced by Tara Ansley, Armen Aghaeian, Zurina Ramli through Malaysian firm Rangka Pictures. The two documentaries receiving production support of $15,000 each are “Black River,” directed by Tran Phuong Thao, and “When a Poet Goes to War,” by Myanmar’s Aung Naing Soe. With production by Swann Dubus through Varan Vietnam, “Black River” follows merchants who use old boats to set up temporary markets in the territories of Vietnam’s ethnic minorities.
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‘All We Imagine as Light’ and ‘April’ Lead Nominations for Asia Pacific Screen Awards
Patrick Frater Asia Bureau Chief Two films by women directors, Payal Kapadia’s “All We Imagine as Light” and Dea Kulumbegashvili’s “April” lead the nominations for the Asia Pacific Screen Awards. Both films will compete in five categories – best film, best director, best screenplay, best cinematography and best performance – it was revealed Wednesday in a nominations announcement. Also competing for best film are Yoko Yamanaka’s Tokyo-set story of a young woman’s mental illness, “Desert of Namibia” (Japan); Neo Sora’s future Tokyo tale of perilous social surveillance “Happyend” (Japan, U.S.); and Jiang Xiaoxuan’s “To Kill a Mongolian Horse” (Malaysia, Hong Kong, South Korea, Japan, Saudi Arabia, Thailand, U.S.), a portrait of a Mongolian horseman turned performer, based on a true story. Four of the five films nominated for best film are from female directors, and in an APSA first, all five best film contenders are first or second features. In addition to Kapadia, Kulumbegashvili and Jiang, the nominees for best director include Tato Kotetishvili for “Holy Electricity,” alongside veteran French Cambodian auteur Rithy Panh for “Meeting with Pol Pot.” For the first time since the acting category became an ungendered best performance award, all five nominations go to women.

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