county Taylor: Last News

Burying the hatchet. The cast of Southern Charm didn’t hold back during part 1 and 2 of the season 8 reunion — but did anything actually get resolved?

Freddie Mercury may be gone but Queen lives on.

Elizabeth Taylor The premiere of Ryan Murphy’s latest true crime Netflix series, “The Watcher,” comes on the heels of the huge success of his “Dahmer – Monster: The Jeffrey Dahmer Story.” “The Watcher” is a haunting limited series based on the real-life, unsolved mystery about a family being stalked in their home. “I think there’s a real appetite for it right now,” star Naomi Watts told Variety at the show’s New York premiere at the Paris Theater on Wednesday. “I’m trying to figure out what it is, but I can theorize. But these are really dark, chaotic things going on in the world right now. I think you want to understand why these things happen and who would you be and how would you cope.”

“Face It Alone” — a lost track from the sessions for 1989’s “The Miracle” — has been unearthed 33 years later and was released Tuesday.The track finds the unmistakable Mercury — who died, at 45, from AIDS-related complications in 1991 — reflecting on his life in typically dramatic fashion.“Your life is your own/You’re in charge of yourself/Master of your home/In the end, in the end/You have to face it all alone,” he sings in the chorus amidst the eerie atmosphere.With its mournful piano set against a funereal drum beat, the somber mood can’t help but make you think that Mercury is facing his own death — and facing it alone.“When something so near and dear to life explodes inside/You feel your soul is set on fire,” Mercury sings at the beginning of the song, as if he himself is being burned alive.And the tune comes to a bleak ending with the singer repeating the line, “When the moon has lost its glow.” “We Will Rock You,” this is not.“We’d kind of forgotten about this track, but there it was, this little gem,” said Queen drummer Roger Taylor in a press release. “It’s wonderful, a real discovery.

EXCLUSIVE: David Meunier (Justified) and Dee Wallace (Just Add Magic) have joined the cast of Fatal Attraction, the upcoming Paramount+ series that reimagines the classic 1980s psychosexual thriller film.

, made a foray into the world of vintage earlier this year, opting for a series of pre-loved pieces while in March. But today, the royal arguably stepped out in her best vintage look to date, in the form of a Chanel tweed jacket in cobalt blue, dating back to 1995.You can’t go wrong with vintage .

Dame Edith Sitwell, the poet, who back in the 1950s, at the height of her grandness, would intimidate her enemies by regarding them through a pair of lorgnettes. These days, it’s a term generally reserved for elderly female actors – hearty, salty, imperious. Americans can do it, of course – Elaine Stritch, so very great, so very grand – but may struggle to ascend to the highest reaches of haughtiness achieved by a Dame Maggie Smith or a Dame Edith Evans.

Two weeks after marrying Teen Mom: The Next Chapter star Cheyenne Floyd, Zach Davis was sentenced to jail after pleading guilty to a DUI charge in 2020.

Jamie Lee Curtis got emotional while attending her hand and footprint ceremony at the legendary TCL Chinese Theatre in Hollywood on Wednesday.The Halloween Ends star, 63, teared up at the event while sitting next to her husband Christopher Guest, 74, and was later comforted by her True Lies co-star Arnold Schwarzenegger, 75, as they reunited 28-years after their action flick was released.  The cinema icon was also supported by other A-list friends including her Halloween franchise co-star Kyle Richards, 53, and actress Melanie Griffith, 65.

Jamie Lee Curtis stuns in a glittery red dress for the premiere of Halloween Ends in Hollywood on Tuesday night (October 11).

.Perhaps best known for her TV role as everyone's favorite detective on, the London-born Lansbury was as legendary as she was lovable — so much so that she scored a perfect 100 on 's ultra-scientific «lovability index» in the mid-1990s.The daughter of an actress and a wealthy politician, a pre-teen Lansbury, buried between the arts and politics, took to acting as a method of coping with her father's untimely death, which she described as «the defining moment» of her life. Upon moving to the United States while World War II was still raging, Lansbury was quickly contracted by MGM, where she appeared in her first film (, 1944), earning her an Academy Award nomination for Best Supporting Actress at the young age of 19.While Lansbury landed her second Oscar nomination and a Golden Globe win just a year later for her role as a working-class music hall singer in, she was often quick to dismiss her years with MGM, who frequently miscast her in older, somewhat villainous roles alongside the likes of Ingrid Bergman, Elizabeth Taylor and Judy Garland.«I was always playing somebody else, a different kind of woman than I was myself,» she told of her time with the media conglomerate. «I regret terribly the years that I wasted playing a bunch of women who weren’t me at all.»It was during this time the British character actress met her second and longtime husband, Peter Shaw, shortly after ending a brief marriage to Richard Cromwell (Lansbury later found out Cromwell was gay).

Ye has been making headlines this week for his Instagram posts, actions and statements – but for Ye, this is not a new trend.  Ye, formerly known as Kanye West, has been making waves in the entertainment industry since making it big as a rapper, and it seems no one is safe from his infamous rants. Whether it's his ex-wife Kim Kardashian, his former mother-in-law Kris Jenner or any celebrity he happens to meet, Ye has something to say about them. There has never been a line Ye is afraid to cross, and no one knows that better than Taylor Swift or Pete Davidson.

th anniversary nears ever closer, stars including Olivia Bromley are continuing to tease what’s ahead during a very dramatic week. Olivia, who plays Dawn Taylor in the ITV soap, appeared on Saturday’s (October 8) edition of James Martin’s Saturday Morning cookery show to discuss what it’s like being a part of the Emmerdale cast just days away from the incredible milestone.

David O. Russell's 1930s mystery Amsterdam flopped at the box office despite a huge $80 million budget and A-list cast that included Christian Bale, Margot Robbie and singer Taylor Swift, according to studio estimates.The comedy thrilled took in just $6.5 million for third place, suffering from poor reviews despite the big names attached. It was a shock disappointment for acclaimed filmmaker of Silver Linings Playbook whose splashy ensemble also included John David Washington, Chris Rock, Anya Taylor-Joy, Matthias Schoenaerts, Rami Malek and Robert De Niro.

Rebecca Rubin Film and Media Reporter “Ticket to Paradise,” a romantic comedy that reunites Julia Roberts and George Clooney, is (surprise, surprise) charming audiences at the international box office. The movie has generated $60 million overseas to date, a promising start given the current challenges facing theatrical rom-coms. Of course, it helps when the genre gets a boost from megawatt stars like Roberts and Clooney. According to Universal, which is backing the film, “Ticket to Paradise” is outpacing recent meet-cute stories like “The Lost City,” “Last Christmas” and “Crazy Rich Asians” at the same point in their respective big-screen rollouts. Over the weekend, “Ticket to Paradise” earned $10.5 million from 61 territories, including debuts in France ($1 million), Mexico ($1 million) and Italy ($800,000). In holdover markets, “Ticket to Paradise,” which features Clooney and Roberts as exes who try to stop their daughter from marrying a near stranger, has been popular in Australia ($8.5 million), the United Kingdom and Ireland ($7.4 million) and Germany ($7.4 million). It opens Oct. 21 in the U.S. and Canada.

Rebecca Rubin Film and Media Reporter David O. Russell’s star-studded period drama “Amsterdam” collapsed in its box office debut, earning an anemic $6.5 million from 3,005 North American theaters. The movie, which cost $80 million to produce, couldn’t overcome bad reviews and minimal buzz and is shaping up to be one of the biggest misfires of the year. This weekend’s other newcomer “Lyle Lyle Crocodile” also fell short of expectations with $11.5 million from 4,350 cinemas in its opening weekend. However, Sony’s animated family film, an adaptation of the popular children’s book about an  anthropomorphic reptile (who sings!) voiced by Shawn Mendes, won’t be as painful for the studio given its $50 million price tag.

Soundgarden‘s legendary 1994 hit ‘Black Hole Sun’ – check it out below.The new video was created by  Midjourney, which describes itself as an “independent research lab exploring new mediums of thought and expanding the imaginative powers of the human species”.Ahead of the Soundgarden video, the same bot was used last year for an equally stunning AI-generated video for Metallica hit ‘Enter Sandman’.For the new ‘Black Hole Sun’ video, they instructed the bot to turn each of the lyrics in Chris Cornell‘s powerful song into a representative image.See the results below.Last month, surviving members of Soundgarden and Nirvana joined forces to perform Soundgarden classics at the Los Angeles Taylor Hawkins tribute concert.After celebrating Hawkins’ memory and music with a special six-hour gig in London earlier last month (September 3), ‘The Taylor Hawkins Tribute Concert’ took over LA’s Kia Forum on September 27, with a bounty of special guests.During the show, Dave Grohl, Krist Novoselic and Pat Smear formed a new band with Kim Thayil and Matt Cameron for two songs, all fronted by The Pretty Reckless‘ Taylor Momsen.Meanwhile, earlier this year tributes were paid to Chris Cornell by his Soundgarden bandmates, Rage Against The Machine and the late frontman’s wife Vicky Cornell to mark the fifth anniversary of his death. Cornell took his own life on May 18, 2017.

When Paul McCartney came to the end of his time with the Beatles, there was one place in Scotland that offered respite and a place to look to the future – both for his growing family and for new musical projects. The idyllic Campbeltown on the Kintyre peninsula not only captured his heart but also provided inspiration for his new band.

Jordan Moreau “Lyle, Lyle, Crocodile” is slowly getting ready to take a bite out of the weekend box office. It earned $575,000 from 3,453 theaters in Thursday previews, while David O. Russell’s “Amsterdam” picked up $550,000 million from 3,005 theaters. Sony’s live-action/CGI hybrid, co-financed by TSG, is a family-friendly movie about a singing crocodile, starring Grammy-nominated artist Shawn Mendes as the titular reptile. The studio projects an opening haul of $11 million to $12 million, with some projections belting out upwards of $15 million. With a budget of $50 million, it will need plenty of support from kids and families over the fall to snap up a profit. The cast includes Javier Bardem as Hector P. Valenti, Lyle’s flamboyant owner, Brett Gelman as Mr. Grumps and Constance Wu, Scoot McNairy and Winslow Fegley as the Primm family. The Primms move to a new house in New York City, where they discover Lyle, a saltwater crocodile with the voice of a high-end recording artist, living in their attic.

Daniel D'Addario Chief TV Critic Once again, the great cycle of culture has come back around to vampires. This year, TV has seen a new season of FX’s “What We Do in the Shadows” as well as the debuts of AMC’s “Interview With the Vampire,” Peacock’s “Vampire Academy,” and Netflix’s “First Kill” — all of which were based on existing intellectual property. It follows, then, that the latest entry into the genre would be drawn from a story that was big during the last great vampire craze. “Let the Right One In,” a 2004 Swedish novel that became a Swedish film in 2008, just in time for “Twilight”-mania — and followed by an American adaptation called “Let Me In” in 2010 — now inspires a Showtime series executive produced by Andrew Hinderaker of “Away” and “Penny Dreadful.” In its early going, the show is intriguing: Its central story, of the tremulous, growing bond between a young vampire (Madison Taylor Baez) and her socially isolated peer (Ian Foreman) is sweetly drawn. But the show falters in illustrating the world around its characters. Though the kids are at the heart of the show, their interactions tend to lack stakes.