Brian May: Last News

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‘Bohemian Rhapsody’ Editor John Ottman to Direct Antonio Vivaldi Biopic (EXCLUSIVE)

Katcy Stephan Editor, composer, director and producer John Ottman is teaming with film and music industry executive David Franco to develop a dramatic biopic based on the life of world-renowned Italian composer Antonio Vivaldi. The project, written by Kevin Lund and TJ Scott, has had been long-gestating, beginning 20 years ago when Ron Howard was set to direct. After many unsuccessful attempts, including with members of the famous Italian filmmaking De Laurentiis family in 2008, the project needed a new vision.
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Watch Bruce Springsteen play a raucous ‘Viva Las Vegas’ in Sin City
Bruce Springsteen returned to Las Vegas last night (March 22), greeting the city with a rendition of Elvis Presley’s ‘Viva Las Vegas’ – check out the footage below.The track was included as one of a number of surprise setlist inclusions at the show, which also saw songs like 1992’s ‘Roll of the Dice’ and 1978’s ‘Racing in the Street’ get their first outings in several years.It was the second show of the 2024 leg of Springsteen’s current world tour, which has restarted after the Boss had to postpone a hefty chunk of shows in 2023 due to health concerns.The worries arose towards the end of last year, when the singer-songwriter needed to be treated for peptic ulcer disease, and was forced to delay all of his shows after playing in New Jersey on September 3.On March 19, they returned to the stage in Phoenix, Arizona, playing a set incorporating tracks from across his extensive discography, ranging from his first album, ‘Greetings From Asbury Park, N.J.’, through 2022’s ‘Only the Strong Survive’.Bruce Springsteen & The E Street Band played in Las Vegas on March 22:‘Roll of the Dice’‘Lonesome Day’‘Prove It All Night’‘No Surrender’‘Ghosts’‘Letter to You’‘The Promised Land’‘Spirit in the Night’‘Don’t Play That Song (You Lied)’‘Nightshift’‘Mary’s Place’‘Hungry Heart’‘Racing in the Street’‘Last Man Standing’‘Backstreets’‘Because the Night’‘She’s the One’‘Wrecking Ball’‘The Rising’‘Badlands’‘Thunder Road’‘Viva Las Vegas’‘Born to Run’‘Rosalita (Come Out Tonight)’‘Glory Days’‘Dancing in the Dark’‘Tenth Avenue Freeze-Out’‘I’ll See You In My Dreams’In other Bruce Springsteen news, the Boss recently took part in Mark Knopfler’s star-studded charity re-recording of ‘Going Home’, which starred the likes of Queen‘s Brian May, Bruce
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Listen to Pink Floyd’s David Gilmour, Pete Townshend, Brian May and more’s star-studded cover of Mark Knopfler’s ‘Going Home’: “It brings you to tears”
Mark Knopfler’s re-recorded version of his song ‘Going Home’ has been shared, starring contributions from some of the biggest names in the rock world. Check it out below.After being teased earlier this year, the track officially dropped today (March 15), and sees all funds raised being donated to the Teenage Cancer Trust and Teen Cancer America.A new take on Knopfler’s solo hit, the 2024 edition runs across nine-minutes, and sees the Dire Straits frontman join forces with rock icons including Queen‘s Brian May, Bruce Springsteen, Black Sabbath’s Tony Iommi, Eric Clapton, Rolling Stones guitarist Ronnie Wood and many more.It also includes the last ever recording by guitar virtuoso, Jeff Beck – which he laid down for the track shortly before his death in January 2023.As well as the truly astonishing number of renowned guitarists on the track, Knopfler also enlisted The Beatles’ Ringo Starr on drums, Sting on bass, and The Who frontman (and Teenage Cancer Trust patron) Roger Daltrey on harmonica.The charity track was recorded at British Grove Studios in West London, and produced by Knopfler’s longtime collaborator Guy Fletcher.
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Brian May says he “bowed out” to David Bowie in fight for mix of Queen’s ‘Under Pressure’ – but has “never liked it”
Queen guitarist Brian May has revealed that he has “never liked” the mix of ‘Under Pressure’, the band’s 1981 smash hit collaboration with David Bowie. Speaking in an interview with Total Guitar (via Guitar World), May revealed that the original version of ‘Under Pressure’ “sounded massively chord-driven,” but that much of its “heavy guitar was lost” following Bowie’s input on the final mix.Recalling the song’s creation, May said ‘Under Pressure’ was the result of spontaneous late nights in the studio, with the initial cut featuring a “pretty heavy backing track.” At first, May said he was “beaming” over the heavier guitar sound because it reminded him of The Who.May raised that comparison to Bowie, who said “‘it’s not going to sound like The Who by the time I’ve finished with it.’” May continued: “[Bowie] didn’t want it to be that way.”The guitarist said that the changes were made because “we all had different ideas of how [‘Under Pressure’] should be mixed,” specifically naming Bowie and Queen frontman Freddie Mercury.“Basically it was Freddie and David fighting it out in the studio with the mix,” May recalled, “and what happened in the mix was that most of that heavy guitar was lost.”May went on to reveal that he originally played the main riff of ‘Under Pressure’ on an electric guitar, but that it was replaced by the “acoustic bits which were done first as a sort of demo.” As for the final mix that was eventually released, May admitted that he “never liked it, to be honest.”“I do recognise that it works.
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