There’s a pretty traditional formula that most music documentaries follow. They’ll often center around a standard birth to mainstream success overview, populated with talking heads and contemporaries to contextualize the music, politics, and social scenes.
Add in some extended concert footage and, maybe, discussions with whomever the title subject is, and you have about 95% of the structure and content of a music doc.
What makes the new Joan Baez documentary “Joan Baez I Am a Noise” stand out — both among documentaries, more generally, but also work about Baez — is its willingness to burrow into Baez’s psyche.
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