bottier and its use of patinas via his own discoveries in the nuances of colour. The difference in question this time around was his collaboration with Russian artist Lev Khesin, whose arresting canvases use ombre colour gradients to ghostly effect.
That translated into the breezy jackets with painterly brush strokes swirling from burnt orange into purple and teal, or woven streaks like fantastical static across a coat made in silk.
Read more on telegraph.co.uk
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