Alfredo Castro as an off-the-rails, impoverished, over-the-hill imitator of John Travolta’s character in “Saturday Night Fever.”A symbol of cultural alienation, Castro’s character practices his disco moves as Augusto Pinochet’s tanks rumble through the streets of Santiago de Chile, clamping down on any opposition.For the next near decade from that breakthrough through to 2015’s “The Club,” Larraín’s passport to English-language filmmaking – Natalie Portman watched it, accepted “Jackie” – the filmmaker pinned his colors to Castro’s mast, casting him in leading role in “Post Mortem,” and a co-star in “No” and “The Club.”As an actor, Castro’s transformative powers are evident, from his turn as a coroner’s assistant in “Post Mortem” to Gael.
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