‘Vortex’: Split-Screened And Somber, Gaspar Noé’s Latest Old Age Drama Is A Whole New Form Of Gruelling [Cannes Review]

Biig Piig is giving us Doja Cat meets Kali Uchi vibes – in the best way possible!

Ten years later, Will Arnett is opening up about his breakup from ex-wife Amy Poehler.

Apparently fans have been saying his name three times: Alex Brightman will return as Broadway’s favorite ghost when Beetlejuice resumes performances this spring.

EXCLUSIVE: Growing theatrical distributor and streamer MUBI has picked up all rights from The Match Factory to Ryusuke Hamaguchi’s Oscar breakout Drive My Car for Latin America, India, Malaysia, Africa (excluding French language Pay-TV rights) and the Middle East (excluding Israel and Turkey).

Steven Spielberg’s Oscar-nominated West Side Story will makes its streaming debut on Disney+ in the U.S. and most international countries on March 2, the streamer announced today.

racked up more than 1.7 million views on TikTok as of Wednesday morning. “Well, she’s definitely fell in love this summer,” reads the caption to frumpy footage, which was shared Sunday by Dorchester’s Violet Price, 16.In the now-viral footage, Price’s “best friend” and traveling companion Catherine Nicholson, also 16, can be seen standing at the altar while gussied up in a traditional white gown.

Kanye West now appears to be changing his tune about his family.

Mickey Guyton is getting reflecting on her upcoming performance at the 2022 Super Bowl!

Fox Corp.’s Tubi had 3.6 billion hours streamed in 2021, a 40% increase over 2020, as overall viewing migrates from subscription to free and ad-supported services.

The merger of AT&T’s WarnerMedia and Discovery has cleared U.S. regulators, the companies announced Wed.,  in the last major hurdle for the $43-billion deal.

@missjosephone92, from Ohio, US, posted online last month. She replied to a video shared by @princessannafit who asked: “Tell me a company secret that you can share because you don’t work there anymore.”Be warned that if you’re a clean freak this advice might horrify you!Josephine, looking bemused, replied: “When you check into your hotel room… ask for new sheets.

Liam Gallagher has hit out at shamed footballer Kurt Zouma after he was seen kicking and hitting his pet cat in a shocking video.The former Oasis frontman took to Twitter to fire a warning shot at the West Ham centre back over the clips which were posted online by the French footballer's brother.The footage caused outrage across the country as Kurt appeared picking up his pet cat before dropping it and kicking it across the room.He was then seen chasing the feline before slapping it to the ground as a young child was seen holding the animal up for him.Throughout the footage, his brother was heard laughing at the cruel actions, while the cat was seen fleeing in terror.Animal lover Liam - who performed at last night's Brit Awards - has since posted the warning about harming cats.He posted: "Oh and by the way don’t f*** with the cats."Liam is a cat owner himself, often proudly sharing images of his own pair of pet pussies Sid and Nancy.Following his tweet, he tellingly posted a picture of the pair sitting in his bed together to his Twitter page.Meanwhile, West Ham have come under fire after Zouma was allowed to play in last night's Premier League fixture against Watford at the Hammers home ground, London Stadium.The decision has led to heavy criticism for David Moyes and the powers that be at the club from fans who believe the player should have been suspended due to the shocking video footage.Football fans took to social media to lash out at the decision after he was heavily booed every time he got a touch on the ball on the pitch.One wrote: "Zouma should be in a cell not playing on a football pitch tonight.

Wayne Rooney's football career was nothing short of extraordinary and the striker became an integral part of teams that won it all. The young star - whose career will be shown in a new documentary 'Rooney' - burst onto the scene with Everton at the age of 16.He went on to captain Manchester United and England, becoming the record goalscorer for each.

Ant McPartlin's ex-wife Lisa Armstrong opened up about her new relationship on Steph's Packed Lunch and spoke about the "loyalty and trust" they have for each other.Lisa, Strictly Come Dancing's makeup artist and Ant's ex-wife, spoke to Steph McGovern and Gareth Thomas about her new man after her divorce from Ant back in 2020.She said: "I think you need to have your own independence within the relationship so you are able to go off and do your own thing.""You can be with your mates or go football with the boys, whatever it is what each other are doing and then come back and enjoy listening to each other's stories. Like how was your day, how was your work," explained the makeup artist.She finished by explaining that partners need to "let each other fly" and be independent, while appreciating that "you're also better as a couple".Earlier in the programme, the topic of conversation turned to friendship fallouts.

sex doll he had mistaken for a drowned woman washed up on the beach.Chris Ford, 67, was looking for driftwood after a recent storm when he thought he'd found the dead body of a woman with all her "bits on show".But the retired photographer was relieved to find that it was a mutilated silicone female sex toy and quickly called his partner over to take pictures.The couple from Portland, Dorset, both left in hysterics speculating where it came from.Chris said: "It was a human-like figure but was too clean and too pretty - and it did not have a head."Apart from its lack of a face, it was very anatomically correct. So as soon as I got to her I knew it was a sex doll."I am always out collecting driftwood after storms so I fully expected to see a human body one day but never this.

The cinema of filmmaker Gaspar Noé tends to skew toward the younger, stickier parts of life. Since the name-making controversy of his second feature, “Irreversible” (2002), the Argentinian filmmaker has become synonymous with a world of parties, loud music, drug-taking, and sex.

No one has ever confused Gaspar Noé for a filmmaker that likes to make four-quadrant features for the whole family. And because of this, the director is well aware that his films are very divisive and push buttons as well as boundaries.

Born in Argentina and an honorary Frenchman since his family moved there in 1976, director Gaspar Noé is the Cannes film festival’s artist-in-residence, bringing all of his features to the event since his 1998 debut Seul contre tous (AKA I Stand Alone). Noé’s films always provoke a strong reaction—many festivalgoers are still reeling from his 2002 rape-horror Irréversible—not just because of their subject matter but because of his innovative technical mastery. Noé was last seen on the Croisette with Climax, a visceral and visually stunning hybrid of documentary and fiction in which a street dance troupe is driven crazy after drinking punch spiked with LSD.

“It would be better if I were dead,” the old lady laments to her even older husband in Gaspar Noé’s startling new film Vortex, and he makes no effort to disagree. Even though its title might have worked just fine for one of the perennially youth-obsessed director’s previous films, here it serves as an indicator of life swirling down the drain. This close-up look at a married couple on the brink of the inevitable introduces a surprising and demanding new chapter to the throbbingly flamboyant director’s career, which is normally preoccupied with sex, drugs and music.

With Cannes winding down tonight—just one last movie in the festival’s official selection, by Gaspar Noe, was left to play—Bill Murray took to the stage at the Debussy theater with cellist Jan Vogler, pianist Vanessa Perez and violinist Mira Wang for a 25-minute concert of music following the premiere of Andrew Muscato’s doc New Worlds: The Cradle of Civilization.

French cinema’s favorite enfant terrible is back at the Cannes Film Festival. Gaspar Noé returns to the French Riviera with his latest film, “Vortex,” to premiere out of competition this week in the Cannes Premiere section.