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variety.com

24.01.2025 / 02:11

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‘2000 Meters to Andriivka’ Review: A Shattering Expedition to the Frontline of the War in Ukraine

Guy Lodge Film Critic As Russia’s unconscionable war on Ukraine wears on, the local and global response to it has shifted from shock to fury to numbed despair — and the already substantial library of documentaries made in response to it has likewise varied in focus and tenor. Two years ago, Ukrainian journalist and filmmaker Mstyslav Chernov premiered “20 Days in Mariupol,” a bruisingly effective, ultimately Oscar-winning immersion into civilian panic and terror in the first weeks of the Russian invasion in 2022: a tough, in-the-moment watch, colored by raw trauma, but also a streak of fighting fury.

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Britain's Got Talent's Jonathan And Charlotte star sheds 5st in incredible transformation

Britain's Got Talent star Jonathan Antoine is hardly recognisable more than a decade after enchanting the judges with his stunning performance. Jonathan, who was only 17 when he appeared on the 2012 show with his singing partner Charlotte Jaconelli, has gone through a notable transformation.The singer duo wowed everyone and made it to the finals, finishing second place to Ashleigh and Pudsey. After BGT, they were offered a smashing £1m record deal with Simon Cowell's Syco label.

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‘Memory Lane’ Review: Dementia Takes a Hike in a Rowdy Dutch Road-Trip Comedy

Dennis Harvey Film Critic In recent years, movies about senility and mortality have taken on a pitilessly bleak, frightening tenor, notably in such awards magnets as “Amour,” “Vortex” and “The Father.” Preferring a less grim approach is the Netherlands’ submission to the Oscar international feature race this year. Jelle de Jonge’s “Memory Lane” is a sometimes boisterous, ultimately affirming seriocomedy about an elderly couple who take a road trip to retrace some of their youthful steps, probably for the last time. A hit on its home turf earlier this year, de Jonge’s film is a well-crafted crowdpleaser that should cross borders with relative ease … unlike its oft-squabbling protagonists.

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Artificial Intelligence Ally, Not Foe, Top Asian Executives Emphasize at Busan AI Conference

Naman Ramachandran Artificial Intelligence (AI) being beneficial rather than harmful for Asia’s creative industries was the tenor of the opening sessions of the AI conference at the Busan Asian Contents and Film Market on Sunday. Jerry Chi, head of Japan at Stability AI, delivered a keynote address on AI innovation in Asian content. Chi showcased Stability AI’s multimodal open AI tools, including the popular Stable Diffusion image generation model.

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‘The Penguin Lessons’ Review: Steve Coogan Finds His Happy Feet in a Gentle True-Life Tale

Guy Lodge Film Critic Argentina’s 1976 military coup d’état, along with the sustained period of violence and forced disappearances that it ushered in, isn’t an obvious historical backdrop for a heartwarming tale of human-animal bonding. But that’s how the timing worked out for Tom Michell, an English teacher stationed at an elite Buenos Aires private school, at the time of the turmoil: With the country in chaos and many of his colleagues in crisis, he was figuring out what to do with the Magellan penguin he had accidentally adopted on a weekend jaunt to Uruguay.

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Justin Baldoni Pens VERY Powerful Open Letter Amid Ongoing It Ends With Us Drama With Blake Lively

Justin Baldoni is speaking out amid the ongoing It Ends With Usdrama involving co-star Blake Lively — and his words are even more powerful than we were expecting.

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Led by Star Elena Rivera, Team Behind Global Hit ‘Alba’ Back for Atresmedia’s ‘Perdiendo el Juicio’ (EXCLUSIVE)

John Hopewell Chief International Correspondent Following on “Alba,” one of Spain’s biggest recent Netflix hits, star Elena Rivera, Spanish network Atresmedia and Madrid-based production powerhouse Boomerang TV will reteam on “Perdiendo el juicio,” a 10-episode drama which will go into production this summer. Set to air on Antena 3, Atresmedia’s most-watched free-to-air channel, and its streaming service Atresplayer, “Perdiendo el Juicio” production is led by executive producer Luis Santamaría and Montse García, Atresmedia director of Fiction, both of whom were behind “Alba.” “Alba” scribes Susana López Rubio and Javier Holgado also repeat on “Perdiendo el juicio,” where they are joined by Jaime Olías (“Cómo mandarlo todo a la mierda”).

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IATSE Has a Deal. Will It Spark a Rebound in TV and Film Production?

Gene Maddaus Senior Media Writer On Tuesday night, IATSE posted the news on Facebook that it had reached a tentative deal on a new overarching contract with Hollywood’s major studios and streamers. In commenting on the welcome news that the threat of another Hollywood strike has receded, members seemed less focused on the specific terms of the pact and more on whether the deal will help jumpstart TV and film production. “Cool, so these mega coporate studio conglomerates will make stuff and hire everyone again, right?… right?” wrote Shawn Montgomery.

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‘Pulp Fiction’ Producer Stacey Sher to Be Honored by Locarno Film Festival

Nick Vivarelli International Correspondent U.S. producer Stacey Sher — whose credits include Quentin Tarantino‘s “Pulp Fiction,” “Django Unchained” and “The Hateful Eight” as well as Steven Soderbergh’s “Erin Brockovich,” “Out of Sight” and “Contagion” — will be honored by the Locarno Film Festival with its Raimondo Rezzonico Prize, which celebrates a producer who epitomizes the indie ethos.

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‘The Strike’ Review: Doc Chronicles a Battle to Halt Endless Solitary Confinement

Dennis Harvey Film Critic Solitary confinement, theoretically used only when a prisoner is at high risk of harm to or from others, has long been regarded as a severe punitive measure best applied in small doses. The United Nations’ “Mandela Rules” recommend inmates be placed in such conditions for no more than 15 days, to avoid significant damage to physical or psychological health. Yet “The Strike” spotlights one U.S.