Richard Kuipers Promising ideas turn out to be mostly empty thought bubbles in “Rising Wolf,” a confusing and derivative Aussie combo of hostage thriller and sci-fi fantasy.
Centered on a terrified young woman trapped in a Shanghai skyscraper elevator by a nasty Russian villain, this muddled attempt at an elevated genre film involving time travel, psychic powers and environmental doom can’t be rescued by strong visuals or a fine central performance by Charlotte Best.
A box-office disappointment when released locally on 165 screens on April 8 under the title “Ascendant,” “Rising Wolf” has been acquired by Samuel Goldwyn Films and is reportedly set to open in U.S.
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