Vincent Cassel: Last News

Zack Sharf Digital News Director Vanity Fair France apologized for a photo in which a Palestine pin that Guy Pearce was wearing on his suit was edited out (via CNN). Pearce attended this year’s Cannes Film Festival in support of David Cronenberg’s competition entry “The Shrouds,” in which he stars opposite Vincent Cassel and Diane Kruger.

EXCLUSIVE: Apple TV+ thriller series Liaison, which stars Vincent Cassel and Eva Green, has sold to TF1 in France.

French producer Dimitri Rassam is enjoying a high-profile Cannes Film Festival as producer of Competition title Limonov: The Ballad and The Count Of Monte Cristo, which scored a rousing 12-minute ovation at its Out of Competition debut.

Alex Ritman XYZ Films has acquired U.S. rights to the classic Cannes Directors’ Fortnight title “The World is Yours” directed by Romain Gavras from StudioCanal and to the TIFF hit film “We Gotta Get Out of This Place,” directed by Simon Hawkins and Zeke Hawkins.

Diane Kruger is opening up about how she landed her role in David Cronenberg‘s arthouse horror film The Shrouds.

Ellise Shafer David Cronenberg weighed the pros and cons of artificial intelligence in filmmaking at the Cannes Film Festival press conference for his latest film, “The Shrouds,” on Tuesday. Though Cronenberg said that technological advancements like CGI have “made filmmaking much easier” in terms of tasks like removing coffee cups from footage, he admitted that it’s “quite shocking … to see what can be done even now with the beginnings of artificial intelligence.” Speaking of Sora, the new AI software that can generate motion pictures, Cronenberg said it has the potential to “completely transform the act of writing and directing.” “You can imagine a screenwriter sitting there, writing the movie, and if that person can write it in enough detail, the movie will appear. The whole idea of actors and production will be gone.

Diane Kruger is looking stunning on the 2024 Cannes Film Festival red carpet!

Owen Gleiberman Chief Film Critic “How dark do you want to go?” The man asking that is named Karsh (Vincent Cassel), and he’s seated in a minimalist art-chic restaurant having lunch with a blind date (though as she points out, how blind can a date be in the age of Google?). The one who’s really asking the question, though, is David Cronenberg, writer-director of “The Shrouds.” He’s been asking that question — to audiences — for his entire career, and to him the answer has always been the same: The darker the better.

Ellise Shafer David Cronenberg’s “The Shrouds,” the horror auteur’s latest film about a widow who invents technology to see inside his late wife’s grave, received a 3.5-minute standing ovation at its Cannes premiere on Monday night. The crowd showed their respect for Cronenberg with the applause, but it was nowhere near rapturous as audience members digested the film, which is a departure from Cronenberg’s usual out-of-the-box body horror. Instead, “The Shrouds” is a thoughtful exploration of grief, and though there are several gross-out moments, the film relies on emotion more than anything.

Peter Debruge Chief Film Critic For readers of Alexandre Dumas’ novel, extravagant French adaptation “The Three Musketeers – Part II: Milady” packs its share of surprises: killing off important characters, sparing others and reimagining allegiances that have stood for nearly two centuries. For viewers of “Part I: D’Artagnan,” however, this swashbuckling sequel feels totally in keeping with what has come before.

Netflix has announced the start of principal photography on action thriller Ad Vitam led by French star Guillaume Canet.

Dennis Harvey Film Critic At their least, the myriad serial-killer movies that followed in the imitative wake of “Se7en” three decades ago have gotten the grisly part down, but find compelling suspense, atmospherics and original narrative ideas harder to come by. Such is certainly the case with “Damaged,” which serves up a considerable number of victims’ severed limbs, yet is likely to leave scant impression — scarring or otherwise — on the viewer. Though Samuel L.

A pub in a Scottish town has been "immortalised" after being used as a filming location for a Hollywood blockbuster. The Tower Bar in Livingston was asked to close up for a day by the team behind Damaged, a film set for release this month, Edinburgh Live reports.

EXCLUSIVE: MPI Media Group has acquired North American distribution rights for Saïd Belktibia’s French thriller Hood Witch starring Golshifteh Farahani and Denis Lavant.

Netflix has unveiled an untitled French-language thriller starring Vincent Cassel as a jaded DJ alongside a cast also featuring YouTube star and rapper Mister V and music producer Kavinsky, best known for the Drive track Nightcall.

Elsa Keslassy International Correspondent French director Yann Gozlan is set to reunite with Pierre Niney, the French star of his two most successful movies “Un homme idéal” and “Black Box,” for his next film, “Gourou.” “Gourou” is being co-produced by Wassim Beji at WY Productions, the Paris-based company behind “Black Box and “Un Homme Ideal,” and Niney’s banner Ninety Films. While the plot is currently under wraps, the project is being teased as a deep dive into the world of coaching and follows the rise of a personal development guru who turns out to be toxic. One of France’s most bankable and busiest French actors, Niney won a Cesar Award for his performance as French fashion legend Yves Saint Laurent in Jalil Lespert’s biopic in 2015, and went on to work with Anne Fontaine (“Frantz”) and Michel Gondry (“The Book of Solutions”), among others.

So many celebrities traveled to Dubai to attend the grand opening of One&Only One Za’abeel this weekend!

Naman Ramachandran Warner Bros.’ “Wonka,” starring Timothee Chalamet, has debuted atop the U.K. and Ireland box office with £8.9 million ($11.2 million), according to numbers from Comscore. In its third weekend, Disney’s “Wish” climbed up to £1.9 million in second place for a total of £5.8 million.

Marta Balaga It’s time to get excited for David Cronenberg’s upcoming “The Shrouds,” at least according to Diane Kruger. “We just finished filming it. I think it might be his most personal film, because it talks about him and the passing of his wife.” Kruger, starring alongside Vincent Cassel – cast as Karsh, an innovative businessman and grieving widower, who builds a device to connect with the dead – confirmed she will play multiple roles in the thriller.

Ferrari has defended the casting of Adam Driver against claims of cultural appropriation.Andrea Iervolino, an Italian-Canadian film producer on the Enzo Ferrari biopic, rebuked claims made against Driver’s casting by actor Pierfrancesco Favino, who questioned why Italian actors were not cast more often in Hollywood films.In response, Iervolino said Italy had failed in comparison to other countries in producing Hollywood stars with worldwide visibility, citing examples like Javier Bardem and Antonio Banderas from Spain, and Marion Cotillard and Vincent Cassel from France.Speaking at the festival (via the Telegraph), Ierovlino said: “Italian cinema needs to look beyond Italy and come up with synergies with the international film industry, which wants to invest in Italian icons. Films like Ferrari, which will be distributed in 150 countries, promote Italy and Italian genius.”The producer called on the Italian film industry to “make films based on stories that speak to the whole world, with international stars who work side by side with our own talent”.In his original comments, Favino, who stars in a movie called Comandante which opened this year’s festival, asked why actors on the level of Toni Servillo (The Great Beauty) were not cast more often in Hollywood productions.“There’s an issue of cultural appropriation,” Favino said.“Instead, the parts are given to foreign actors who are distant from the story’s real protagonists, starting with the exotic accents,” he added.

Marta Balaga Starring Deva Cassel, Laura Luchetti’s “The Beautiful Summer” (“La Bella Estate”) has bowed sales and a trailer, ahead of its world premiere at this week’s Locarno Festival. In a first deal to go down for sales agent True Colours, Palace Films has swooped on distribution rights to Australia and New Zealand. Xenix Filmdistribution will release in Switzerland “The Beautiful Summer,” which is loosely based on Cesare Pavese’s novel.