Stan Lee: Last News

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All news where Stan Lee is mentioned

nme.com
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‘Pain Hustlers’ soundtrack: here’s every song in the new Netflix film
Pain Hustlers hits Netflix today (October 27) and comes complete with its own original score.Directed by David Yates, Pain Hustlers stars Emily Blunt, Chris Evans and Catherine O’Hara in a story about a high school dropout who takes a job at a failing pharmaceutical start-up.A synopsis reads: “After losing her job, a woman who’s struggling to raise her daughter takes a job out of desperation. She begins work at a failing pharmaceutical startup, but what she doesn’t anticipate is the dangerous racketeering scheme she’s suddenly entered.”Yates said of the film: “I was intrigued by the pharma world, particularly the low-rent end of it, the workaday reps and sales teams striving to make a living in a hugely competitive business of dealing with people’’s pain.“I loved the characters [screenwriter Wells Tower] was creating on the page, and his writing.”Of Blunt, he added: “Emily was probably the most prepared actor I’ve ever worked with. She comes to set with a game plan every single day and knows exactly what she wants to explore in the architecture of the human being that she’s playing.”The movie’s original music comes from Oscar nominee James Newton Howard, whose previous credits include The Hunger Games, King Kong and Fantastic Beasts and Where to Find Them) and Michael Dean Parsons (Stan Lee, Obi-Wan Kenobi: A Jedi’s Return).1. ‘Selling Montage’ – Michael Dean Parsons2. ‘One Last Pitch’ – Michael Dean Parsons3. ‘Rookie Of The Year’ – James Newton Howard4. ‘You’re Fired’ – Michael Dean Parsons5. ‘Liza Needs A Moment’ – James Newton Howard6. ‘Vesting’ – James Newton Howard7. I Want A Rebate – Michael Dean Parsons8. ‘Procedure Risks’ – Michael Dean Parsons9. ‘You’re Not A Bad Person’ – Michael Dean Parsons10. ‘Sheer
variety.com
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‘Stan Lee’ Review: A Tasty Documentary About the Visionary of Marvel Makes the Comics Look Better Than the Movies
Owen Gleiberman Chief Film Critic There’s a moment in “Stan Lee,” David Gelb’s lively and illuminating documentary about the visionary of Marvel Comics, that’s momentous enough to give you a tingle. The year is 1961, and Lee, approaching 40, is burnt out on comics. It’s a form he has never taken all that seriously, even though he’s been working at it since 1939, when he started, at 17, as a gofer for Timely Comics. (Within two years he’d become the company’s editor, art director, and chief writer.) The comics he creates get so little respect that he tries to hide his profession when asked about it at cocktail parties. In 1961, though, Lee receives a directive from Martin Goodman, the publisher of the company that’s about to be renamed Marvel. He is ordered to devise a team of superheroes that can compete with DC’s Justice League (who have become the fulcrum of the so-called Silver Age of Comics). Lee, weary of superheroes, is ready to quit the business. But his wife, the English-born beauty Joan Lee, suggests that he create the kind of characters he has always been talking about — a more realistic brand of comic-book figure, one that ordinary people could relate to.
variety.com
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Tribeca’s Doc Slate Brims Over With Celebrity-Driven Fare, Tackling Subjects Including Milli Vanilli and Dan Rather in Addition to Thornier Social Issues
Addie Morfoot Contributor While gender, race and politically-themed documentaries are once again prevalent at Tribeca Festival, celebrity-driven docus dominate this year’s nonfiction lineup.David Gelb’s “Stan Lee,” Stephen Kijak’s “Rock Hudson: All That Heaven Allowed,” Luke Korem’s “Milli Vanilli,” Frank Marshall’s “Rather,” Betsy Schechter’s “Gloria Gaynor: I Will Survive,” and Fernando Villena’s Oscar De La Hoya doc “The Golden Boy” are among the nonfiction titles focused on a bold face name screening at Tribeca, which kicks off on June 7.Marshall calls “Rather,” about longtime news anchor Dan Rather, a “very personal project.”“The collection of stories (Rather) has covered, it’s my history and the history of our country over the past 60 years,” says Marshall. “Dan dreamed of being a reporter and spent a large part of his career in journalism at CBS, including anchoring the CBS Evening News for twenty-four years, so it seemed natural to come to New York City and celebrate the world premiere of our film at Tribeca.”For director Michael Selditch, Tribeca Festival was also the perfect location for the world premiere of his latest docu “Happy Clothes: A Film About Patricia Field,” about the iconic costume designer known best for her work on “Sex and the City.”“Tribeca seemed to make a lot of sense because it is a New York story and Patricia is a New York icon,” says Selditch.The director originally asked Field to be the subject of a documentary in 2019, but she declined.
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