Chadwick Boseman: Last News

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Disney Foe Nelson Peltz Questions ‘Woke’ Marvel Films: ‘Why Do I Have to Have a Marvel [Movie] That’s All Women? Why Do I Need an All-Black Cast?’

Todd Spangler NY Digital Editor Nelson Peltz, the activist investor agitating to win two Disney board seats, criticized the company’s “woke” strategy — specifically questioning Marvel’s “Black Panther” and “The Marvels,” which featured Black and women leads, respectively. The 81-year-old Peltz, who has admitted he “never claimed” to have experience in the media business, made the comments about “The Marvels” and “Black Panther” in a recent interview with the Financial Times. “Why do I have to have a Marvel [movie] that’s all women?” Peltz asked rhetorically.
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‘Guardians of the Galaxy Vol. 3’ Post-Credits Scenes Suggest Even More Sequels That Marvel Has Yet to Announce
Adam B. Vary Senior Entertainment Writer SPOILER ALERT: This story discusses major plot developments and the post-credits scenes in “Guardians of the Galaxy Vol. 3,” currently playing in theaters. By this point, it’s no secret that Marvel Studios has lost some of its luster in its post-“Avengers: Endgame” era. Between the Marvel Cinematic Universe’s rapid expansion on Disney+ and the exits of stars like Robert Downey Jr., Chris Evans, Scarlett Johansson and the late Chadwick Boseman, the Marvel saga has often felt at once too much and not enough: Sprawl without a center. It’s a problem that “Guardians of the Galaxy Vol. 3” is particularly ill-equipped to address. For one, the film is wholly disconnected from everything else that’s happened in the Marvel Cinematic Universe post-“Endgame” — there’s not a whisper of Kang or the multiverse or incursions or Talokan or, hilariously, Thor, even though the Guardians made a special appearance in “Thor: Love and Thunder” last summer. For another, the Guardians themselves — at least, as audiences have grown to know and love them — are also leaving the Marvel Cinematic Universe, between stars Zoe Saldaña and Dave Bautista making clear they’re finished with their respective roles, and writer-director James Gunn departing Marvel to co-run DC Studios with Peter Safran. 
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Oh, mama! Rihanna sings for two at Oscars 2023
swooped in to deliver a powerhouse performance of “Hold My Hand” at the last minute on Sunday — RiRi still got the prime spot as the final Best Song performer.Backed by strings and a choir, she shined in a sparkly, bejeweled black gown while delivering a solemn yet gospel-spirited rendition of “Lift Me Up” that drew a standing O from the audience — including boyfriend A$AP Rocky — as much for Bosemanas for her performance.But it remained to be seen if Rihanna and her co-writers — producer Ludwig Göransson,  “Wakanda Forever” director Ryan Coogler and Nigerian artist Tems — would take home the Best Original Song Oscar.“Lift Me Up” — released last October and serving as Rihanna’s comeback single after a lengthy music hiatus — faces stiff competition from Lady Gaga’s “Top Gun: Maverick” track “Hold My Hand” as well as “Naatu Naatu,” the “RRR” ditty that became the first tune from an Indian film to win the Golden Globe for Best Original Song in January.The other contenders include “Applause,” the “Tell It Like a Woman” tune that scored the 14th nomination for perennial Best Song bridesmaid Diane Warren; and “This Is a Life,” the “Everything Everywhere All at Once” number performed and co-written by Son Lux’s Ryan Lott, David Byrne and Mitski.Follow The Post’s Oscars 2023 live coverage Rihanna’s Oscar night appearance continues an impressive streak for the pop superstar.
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