Paolo Sorrentino: Last News

Ben Stiller’s former production partner Nicholas Weinstock has struck a first-look deal with Fremantle.

Nick Vivarelli International CorrespondentItalian TV host Alessandro Cattelan will be among the three MCs of the upcoming Eurovision Song Contest, along with Italy’s Grammy-wining singer Laura Pausini and Lebanese/British pop star Mika. In addition to preparing for the biggest night for music in Europe, he recently made his debut on Netflix with one-man show “One Simple Question.” In the show, Cattelan embarks on a road trip in pursuit of a seemingly simple answer to a question from his daughter, Nina: “Daddy, how do you find happiness?” The quirky six-episode series, which dropped in 190 countries on March 18, sees the showman display his trademark deadpan humor as he searches for happiness through interviews and set-pieces with celebrity guests ranging from retired Italian soccer star Roberto Baggio, who is a practicing Buddhist, and Oscar-nominated director Paolo Sorrentino (“The Hand of God”), to a couple who are amateur porn stars and former Google X exec Mo Gawdat, author of a book titled “Solve for Happy.” Cattelan, who cut his teeth working for MTV and subsequently hosted the talent show “The X Factor” on Sky in Italy, talked to Variety about making the leap into the global streaming arena ahead of his gig for Eurovision, for which his main aspiration is “to make people laugh.” A dozen years ago I had an idea for a show where I would go on a road trip around the U.S.

Nick Vivarelli International CorrespondentIn a move that will transform Italy’s relationship with Netflix, the Italian government has set a firm three-month time window between a movie’s theatrical release and when it can drop on a streaming platform.The announcement was made by Italian Culture Minister Dario Franceschini during a Rome confab on the state of the country’s film industry held by the country’s motion picture association ANICA.The minister said he has signed a law that will extend the existing 90-day theatrical window for Italian films that had benefitted from government subsidies to now include all films, regardless of where they are produced or how they are financed.Due to its having a more flexible windowing policy than France, Italy in recent years has been an interesting testing ground for the theatrical releases of Netflix titles, largely because the Venice Film Festival is a frequent launching pad for the platform’s original films.

Nick Vivarelli International CorrespondentThe Rome Film Festival is under new management following a political shake-up that has led to the appointment of RAI Cinema executive Paola Malanga as the fest’s artistic director and Gian Luca Farinelli, who heads the Bologna film archives, as president.Malanga, who was appointed late on Tuesday, replaces Antonio Monda, the New York based journalist and film academic who during his seven-year stint at the helm of the event secured a steady stream of high-caliber guests such as Quentin Tarantino, Tim Burton and Angelina Jolie, to mention a few names on the Rome red carpet at last year’s edition.Farinelli –– who has been appointed president of the Cinema Per Roma foundation that oversees the Rome fest –– takes the reins from Laura Delli Colli, a prominent film journo and critic who remains on the foundation’s board. The new Rome fest regime was prompted by the election last October of new Rome mayor Roberto Gualtieri.The Eternal City extravaganza, which is the brainchild of former Rome mayor Walter Veltroni, has been undergoing management shake-ups due to Italy’s political spoils system ever since its launch in 2006 with Nicole Kidman on the red carpet and ambitions to rival Venice.While Delli Colli exited gracefully, Monda’s departure has been a bit more acrimonious.

Wilson Chapman editorThe Academy Awards’ starry red carpet is often the first place  to see which attendees are using their outfits to make a statement.At this year’s red carpet, many celebrities showed up sporting blue ribbons provided by the United Nations Refugee Agency. These blue ribbons sport the hashtag #withrefugees, referring to the refugee crisis caused by the ongoing Russian invasion of Ukraine, and in solidarity with all people forced to flee oppression.See more: Oscars Red Carpet ArrivalsIndividuals who showed up to the red carpet sporting the pins included Jamie Lee Curtis, Samuel L.

Adam B. Vary Senior Entertainment WriterThe Academy Award telecast will acknowledge “the people of Ukraine,” producer Will Packer told Variety on the Oscars red carpet on Sunday.Packer was answering a question about whether Ukrainian president Volodymyr Zelenskyy will appear on the show, something co-host Amy Schumer said she’d advocated to happen.

My Brilliant Friend is coming to an end at HBO. But not quite yet.

In “The Hand of God,” the Italian director Paolo Sorrentino conjures memories of his formative years in picturesque Naples. Capturing both the sun-dappled summer days he passed in the company of his larger-than-life family and the profound tragedy that set him on a path toward filmmaking, this partly autobiographical drama focuses on Fabio Schisa (Filippo Scotti), a teenager growing up in southern Italy during the 1980s.

Fremantle Boosts Revenue By 25% For RTL Group

Nick Vivarelli International CorrespondentThe upcoming Los Angeles-Italia Film Fashion and Art Festival will be honoring Italian directors Paolo Sorrentino (“The Hand of God”) and Enrico Casarosa (“Luca”) as well as costume-designer Massimo Cantini Parrini (“Cyrano”) all of whom have scored nominations for the upcoming Academy Awards. The 17th edition of the pre-Oscars event will be held March 20-26 at Hollywood’s TCL Chinese Theatre and also online.This year’s opening ceremony will be hosted by veteran Italian-American actor Robert Davi, who is also this year’s president of the event. Sofia Milos (“CSI: Miami”) and Hollywood acting coach Bernard Hiller will co-host.Consul General of Italy Silvia Chiave and Italian Institute of Culture chief Emanuele Amendola will also be introducing honorees both at the Chinese Theatre and during a separate March 25 event being held at the Italian Institute of Culture.

Bob Verini Of the five 2021 Academy Award nominees for best international film, Italy’s entry, “The Hand of God,” most directly combines two of cinema’s most treasured themes: intensely personal autobiography that is able to speak to a wider audience, and the art of filmmaking itself.Writer-director Paolo Sorrentino uses the character of 16-year-old Fabietto Schisa — played by newcomer Filippo Scotti — to examine the real-life experiences that led to his own growth as a man as well as his eventual birth as a filmmaker.Watching audiences connect so deeply with a character that is drawn so closely from his own experiences has hit Sorrentino deeply. “Now that it’s more than one year that I shot the movie, I have to say that it’s strange, because now I am sharing my pain with a big audience,” he shares.

Read more: Man gives Belfast one star review after not realising it's in black and white Accepting the award, writer and director Kenneth Branagh said: "Thank you to British cinema audiences for watching in tonnage a UK and Irish cinema film at UK and Ireland cinemas. "All hail the streaming revolution, but all hail the big screen too. It's alive, and long may they live together.

The full list of winners for the 2022 BAFTAs has been announced!

Deadline has launched the streaming site for Contenders Film: The Nominees, this past weekend’s showcase of 24 Oscar-nominated films and their stars, creatives and craftspeople talking about their roads to the Academy Awards.

Paolo Sorrentino won the Foreign Language Oscar, as it was known then, in 2014 with his film The Great Beauty. He returns to the frame this year with The Hand of God, perhaps his most personal picture, which is nominated for Best International Feature. This lightly fictionalized tale of Sorrentino’s own youth in Naples, as he grappled with family tragedy, celebrated Diego Maradona’s arrival at his local football team, and took his first steps into his love of cinema, stars newcomer Filippo Scotti as Fabi Schisa, a teenager struggling to find his place in the world.

Nick Vivarelli International CorrespondentFremantle has acquired a 70% stake in Italy’s Lux Vide, the prominent TV production company that has been steadily raising its standing in the international arena, most recently with the high-end TV series “Medici,” “Devils” and “Leonardo.”The long-gestating Lux Vide deal, which closed on Thursday, marks the latest acquisition by the expanding RTL-owned production and distribution giant. Fremantle, which has been on a buying spree, now owns or controls a panoply of independently operated production shingles across Europe, as well as in Israel, Australia and the U.S.Their stated goal is to invest and grow in the global scripted arena where, by their count, Fremantle delivered 81 scripted shows in 2021, including BBC One hit “The Responder,” HBO Max series “Lust,” from Sweden’s Miso Film, and Italian dystopian drama “Anna.” Previous Fremantle investments include acquiring the 12 former Nent Studios production labels in Norway, Sweden, Finland and Denmark (now rebranded This is Nice Group); Australian-American television production company Eureka Productions; U.K.-based Naked Entertainment; French label Kwai; and Israel’s Abot Hameiri, among others.The Lux purchase also marks Fremantle’s third acquisition of a production company in Italy, where the company already owns Wildside and The Apartment, the outfit behind Paolo Sorrentino’s Oscar-nominated “The Hand of God.” Fremantle also recently inked a pact with Italy’s Cinecittà involving the long-term rental of six sound stages at the iconic Rome studios.Founded in 1992 by Ettore Bernabei, who was a long-time former chief of Italian pubcaster RAI, Lux Vide has since been headed by his progeny, Matilde and Luca Bernabei.

Nick Vivarelli International CorrespondentGiancarlo Giannini, who was the late great Lina Wertmüller’s muse, helmer Gabriele Muccino (“The Pursuit of Happyness”), and Teresa Saponangelo, star of Paolo Sorrentino’s “The Hand of God,” are among top honorees of the seventh edition of Filming Italy — Los Angeles, the bridge between Italy and Hollywood set to run as a hybrid event Feb. 28-March 3.The celebration of Italy’s top film and TV titles is headed by longtime Italian industry promoter Tiziana Rocca, a former chief of the Taormina Film Festival.

Drive My Car,” a three-hour Japanese film; “Lunana: A Yak in the Classroom,” only the second Oscar submission (and first nom) from Bhutan; Paolo Sorrentino’s “Hand of God,” the Italian helmer’s second visit to the Academy Awards; Denmark’s “Flee,” an animated tale of an Afghan refugee; and Norway’s “The Worst Person in the World.”Three of the films even broke out of the international film race, with “Drive My Car” drawing noms for best pic, adapted screenplay and director; “Flee” also earned nominations for animation and doc, while “The Worst Person in the World” nabbed a nom in original screenplay.Joachim Trier, who directed “Worst Person in the World” says of the noms: “The Academy wants a broader spectrum of people from across the world looking at films and voting. It’s a more international community.

Elsa Keslassy International CorrespondentWhile Netflix has been praised for being the first and only global streamer so far to have signed a windowing deal with French film orgs, a comeback at the Cannes Film Festival — in or out of competition — just isn’t in the cards for 2022.A Netflix rep confirmed to Variety that the streamer isn’t planning to world premiere its films at the festival’s 75th edition, meaning movies such as Andrew Dominik’s “Blonde,” a Marilyn Monroe biopic starring Ana de Armas, will likely be skipping the French Riviera.Dominik recently told journalists at the Berlinale that he hoped his film would play on the Croisette, but it appears that discussions with Netflix have stalled due to Cannes’ rule, which dictates that every competing movie must have a theatrical release in France. Netflix, meanwhile, has certainly been open to having select festival movies open in European theaters.

Nick Vivarelli International CorrespondentIn spite of a disastrous box office situation, the Italian film industry is staying buoyant thanks to increased exports, a friendly rapport with streaming giants and support from the government of Prime Minister Mario Draghi that is pumping money into a revamp of Rome’s Cinecittà Studios.“Production never stopped and ailing movie theaters have been able to get subsidies,” says Francesco Rutelli, the former Rome mayor who heads Italy’s motion picture association, Anica. The org recently broadened its member base to include executives from Amazon Prime Video, Disney and ViacomCBS, after Netflix had joined.This move — which is unique in Europe — indicates the level of friendly dialogue between film producers and streaming platforms in Italy, best encapsulated by Paolo Sorrentino’s “The Hand of God,” Italy’s international Oscar nominee.

Nick Vivarelli International CorrespondentIn a new series, Variety catches up with the directors of the films shortlisted for the International Feature Oscar to discuss their road to the awards, what they’ve learned so far, and what’s taken them off guard.Paolo Sorrentino, who won an international Oscar for “The Great Beauty” in 2014, is back in contention with autobiographical film “The Hand of God,” which marks the director’s return to filmmaking in his native Naples 20 years after his debut, “One Man Up.”This Netflix Italian original film is the story of a goofy kid named Fabietto who starts harboring a passion for filmmaking in the tumultuous Naples of the late 1980s. As Sorrentino has put it, “it’s a tale of destiny and family, of sport and cinema, love and loss.” It’s a great honor and a great responsibility to represent my country once again. Being a candidate for the second time fills me with joy because it means that the first time wasn’t just a fluke.