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‘Death Becomes Her’ Review: Promising Pre-Broadway Musical Makes for a Campy Improvement on the Cult Film

Steven Oxman A more-than-respectable entry in the endless parade of movies-to-musicals, this genuinely funny, effervescently performed pre-Broadway take on the 1992 Robert Zemeckis dark comedy “Death Becomes Her” has a better, and more sympathetic, understanding of the female vanity and rivalry at its core — and their underlying camp qualities — than the original film ever did. Going for the camp jugular brings risks, but lead performers Megan Hilty (“Smash,” “9 to 5: The Musical”) and Jennifer Simard (“Once Upon a One More Time,” “Company”) put forth the teamwork, timing, and ribald titillation to make it work.
variety.com

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