Gareth Edwards - celebsbar.com

Jazz Tangcay Artisans Editor “The Creator” director and co-writer Gareth Edwards started out making documentaries for the BBC, moving to fiction with 2010’s “Monsters.” From there, he jumped into “Godzilla” and “Rogue One: A Star Wars Story.” For “The Creator,” a futuristic sci-fi film depicting AI robots and humans in conflict, he wanted to draw from the best aspects of each filmmaking approach. That meant staying nimble on shots while relying on a big visual effects team to create the look he wanted, according to ILM visual effects supervisor Jay Cooper. One of the biggest challenges for Cooper was the destroyer tank.

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Sharmeen Obaid-Chinoy On Directing ‘Star Wars’ Film: “It’s About Time” A Woman Shaped “A Story In A Galaxy Far, Far Away”

Sharmeen Obaid-Chinoy is a two-time Oscar winner and the first female director of a Star Wars film.

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Richard Franklin Dies: ‘Doctor Who’ Actor Was 87

Richard Franklin, who is best known for his roles in Doctor Who and Emmerdale, died on early Christmas morning at the age of 87.

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Scene 2 Seen Podcast: Mackenzie Lansing Discusses SAG-AFTRA Strike & Auditioning For ‘Hunger Games: The Ballad Of Songbirds & Snakes’

Hello, and welcome to the Scene 2 Seen Podcast!

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Austin Butler and Tom Hardy’s ‘The Bikeriders’ Being Shopped to Rival Studios After Disney Takes Film Off Calendar

Rebecca Rubin Film and Media Reporter “The Bikeriders,” a drama directed by Jeff Nichols and starring Austin Butler, Jodie Comer, and Tom Hardy, is being shopped around town after Disney took the film off its slate. Disney and 20th Century were scheduled to open the film on Dec. 1.

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New Regency’s ‘The Bikeriders’ Looking For A New Home

New Regency‘s Jeff Nichols directed crime drama The Bikeriders is getting shopped to rival studios and streamers after the movie stepped off its Dec. 1 theatrical release date, Deadline has confirmed.

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‘The Creator’ review: Dir. Gareth Edwards (2023)

In 2010, writer and director Gareth Edwards blew away cinema-goers with his haunting science-fiction tale, Monsters. The film was made on a micro-budget, but managed to appear vastly more expensive. Edwards’ skills caught the eye of the studios and he was quickly hired to direct Godzilla. After that came Rogue One: A Star Wars Story. Then came a quiet period for Edwards, but now he has returned with another science-fiction epic, The Creator. Whereas Godzilla and Rogue One were both based on pre-existing properties, The Creator sees Edwards get back to his basics.

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Everything we learned from Gareth Edwards during ‘The Creator’ Press Conference

Gareth Edwards burst onto the film scene with the fantastic Monsters back in 2010. The low-budget, high emotional tale of a couple connecting during an alien occupation caught the attention of the big studios. Edwards was quickly rushed into the corporation machine. He followed up Monsters in 2014 with a reboot of Godzilla before directing Star Wars prequel Rogue One in 2016. After that the filmmaker took a well earned break, but returns this week with new sci-fi action epic, The Creator. Starring John David Washington and Madeleine Yuna Voyles, The Creator is set amidst a future war between the human race and the forces of artificial intelligence.

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‘Bikeriders’ Peels Aways From ‘Renaissance: A Film by Beyoncé’

Disney has unset the wide theatrical release of Jeff Nichols’ Bikeriders from its Dec. 1 theatrical release. Wouldn’t you know? AMC has their Renaissance: A Film by Beyoncé on that date. Even though Beyoncé won’t be as big as Taylor Swift, she’ll the queen bee at the box office on the post Thanksgiving dead December weekend with around a $20M start.

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‘The Creator’ DP Greig Fraser Reflects on His Favorite ‘Rogue One’ Shot and James Gandolfini’s ‘Beautiful Performance’ in ‘Killing Them Softly’

Jazz Tangcay Artisans Editor Oscar-winning cinematographer Greig Fraser was “devastated” when Warner Bros. announced that “Dune: Part Two” was shifting its release date from Nov. 2023 to March 2024.

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‘The Creator’ Effects Team Breaks Down That Terrifying Tank Attack Sequence

Jazz Tangcay Artisans Editor Gareth Edwards’ “The Creator” was a resourceful sci-fi endeavor with an $80 million production budget, but its visuals are on par with epic blockbusters that cost three times that amount. Rather than shoot on a studio backlot, the filmmaker behind “Godzilla” and “Rogue One: A Star Wars Story” opted to shoot in eight different countries, including Nepal, Thailand, Vietnam, Cambodia, Indonesia and Japan. For an all-out climatic action sequence set in Thailand, a village comes under attack by the U.S.

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‘RoboDoc’ Review: Docuseries Breaks Down The Origins Of ‘RoboCop’ In Glorious, If Not Gratuitous Detail

Does any film really need a full six-hour documentary devoted to it? Honestly, you would be hard-pressed to think of one single film that deserves a multi-episode docuseries analyzing every aspect of its creation. And yet, the filmmakers behind “RoboDoc – The Creation of RoboCop” did just that.

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‘Rogue One’ Director Says ‘There Is So Much Inaccuracy’ Surrounding Making of ‘Star Wars’ Prequel: ‘We All Worked Together Until the Entire Last Minute’

Michaela Zee “Rogue One: A Star Wars Story” director Gareth Edwards is once again addressing the multiple reports about the 2016 film requiring extensive reshoots overseen by Tony Gilroy (the eventual “Andor” creator was hired by Lucasfilm to join the “Rogue One” team in June 2016). On a recent episode of KCRW’s “The Business” podcast, Edwards claimed “there is so much inaccuracy” surrounding the making of the “Star Wars” prequel.

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‘Paw Patrol’ Mighty At $46M WW Bow-Wow; ‘The Creator’ Begins With $32M Global; Zhang Yimou’s ‘Under The Light’ Leads China Holiday; ‘Jawan’ Sets New Records – International Box Office

Refresh for latest…: Here we are with a sort of hybrid weekend at the international box office: there were fresh entries from the Hollywood studios, as well as major new titles timed to holiday play in local markets, and a holdover that’s continuing to rack up records.

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Box Office: ‘PAW Patrol’ Sequel Wins Weekend With $23 Million Debut, ‘Dumb Money’ Flops With $3.5 Million

Rebecca Rubin Film and Media Reporter Paramount’s animated sequel “PAW Patrol: The Mighty Movie” topped the box office in its debut, earning a solid $23 million from 3,989 North American locations over the weekend. Those ticket sales were more than enough to rule over the three other new nationwide releases, which could be categorized as the good (Lionsgate’s gruesome “Saw X“), the meh (Disney and New Regency’s sci-fi thriller “The Creator“) and the ugly (Sony’s Game Stop stock-inspired “Dumb Money“). “Saw X” took second place with $18 million, an impressive start for the 10th entry in the long-running horror series.

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Is There a 'The Creator' (2023) End Credits Scene? Details Revealed!

Rogue One director Gareth Edwards‘ new movie The Creator is now in theaters and it’s an epic sci-fi action thriller that will definitely have audiences excited!

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How Gareth Edwards’ Sci-Fi Opus ‘The Creator’ Achieved Blockbuster Scale at a Fraction of the Cost

Todd Gilchrist editor As costs spiral upward for production infrastructure, visual effects and good old fashioned star wattage, blockbuster budgets tend to be one of the closely guarded secrets in Hollywood. Yet in the weeks and months leading to the release of “The Creator,” due Sept.

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‘Saw X’ Leads Previews With $2M, ‘The Creator’ $1.6M – Box Office

Hopefully three wide releases can wake up what’s been a relatively sleep time at the box office, ratcheted down by the SAG-AFTRA strike. With New Regency/20th Century Studios/Disney’s original Gareth Edwards sci-fi movie The Creator, Paramount and Spin Master’s PAW Patrol: The Mighty Movie, and Lionsgate’s Saw X, the top three movies look to make around $45M. All three of them are vying for No. 1 with a high teens take, however, it’s likely a two-way race between PAW Patrol 2 and The Creator since both pics have had the loudest marketing campaigns, and Lionsgate usually executes their smaller budgeted movies on the cheap.

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Box Office: ‘Saw X’ Makes $2 Million in Previews, ‘The Creator’ Follows With $1.6 Million

Jordan Moreau Move over, Barbenheimer, it’s time for Saw Patrol. This weekend sees the releases of four major movies, including Paramount’s family friendly “PAW Patrol: The Mighty Movie,” Lionsgate’s gory, R-rated “Saw X,” 20th Century’s sci-fi epic “The Creator” and “Sony’s GameStop stock story “Dumb Money.” “PAW Patrol” is expected to come out on top with an estimated $18 million to $20 million opening, but “Saw X” will be right on its tail with an estimated $15 million to $18 million. However, some projections go as high as $20 million to $25 million, overtaking the “PAW Patrol” pups.

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‘The Creator’ Looks To Turn Moviegoers Into Believers: How Disney Marketed Gareth Edwards’ Original Sci-Fi Pic

“No one is really creating original sci-fi blockbusters anymore, it’s an endangered species.”

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Oscars Predictions: Best Visual Effects – ‘The Creator,’ ‘Blue Beetle’ and ‘Across the Spider-Verse’ Among Worthy Films for Consideration

Clayton Davis Senior Awards Editor Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events.

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