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No ands or buts about it — ‘If’ lands top box office spot opening day

according to The Numbers.The Post called the movie, which has Ryan Reynolds as its leading man, “a schmaltzy family flick that makes less sense the more you think about it.”It is slated to earn $31.5 million this weekend, which is a staggering $10 million less than was originally predicted, according to Screen Rant.Disney’s “Kingdom of the Planet of the Apes” came in second, with $6.8 million in sales. This is a 70% departure from its earnings on May 10, its opening day, Variety reported.The sci-fi flick, a sequel to 2017’s “War for the Planet of the Apes,” “continues this damn dirty science-fiction franchise’s reign as one of the best out there,” according to The Post.Landing in third was “The Strangers: Chapter 1” with a $5.1 million take.The horror film is centered around a young couple stranded in a remote town and forced to stay in an Airbnb where they are terrorized by three masked strangers.Its director, Renny Harlin, who was at the helm of “Die Hard 2,” “Deep Blue Sea” and “A Nightmare on Elm Street 4,” already completed parts two and three of the trilogy.
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Worth the wait? The Beatles’ farewell film ‘Let It Be’ hits streaming 54 years later: review
finally available to stream on Disney+ this week.Was it worth the 54-year wait?Well, yes — and no.Some context is needed here first: If you watched “The Beatles: Get Back” — the three-part, eight-hour docuseries directed by none other than Oscar-winning “Lord of the Rings” director Peter Jackson that also premiered on Disney+ in 2021 — you’ve already seen a lot of this.And seen it in the kind of exhaustive detail — from the same footage that Jackson used from “Let It Be” director Michael Lindsay-Hogg — that you can probably break down the level of scruffiness in Paul McCartney’s faux-badass beard.But thankfully — whether or not you’ve already watched the tedious-at-times “Get Back” — this is only 80 minutes versus eight hours of your time.For anyone but the biggest of Beatlemaniacs, that math is math-ing.But here’s the real difference: Whereas “Get Back” captured every bit of Liverpudlian shade, side-eye and Yoko Ono rock-blocking, this “Let It Be” is all about the music that was made in the slow fade of the Fab Four.For most of this film — which documents The Beatles working out songs for what would turn out to be their final album, 1970’s “Let It Be,” in January 1969 — it’s just like being a little four-winged insect on the wall of those sessions at their Apple Corps headquarters in London.Rehearsing, working out songs and just jamming — even with all the mounting tension which is actually more between McCartney and George Harrison than Sir Paul and John Lennon (for all those who still blame Ono for the Beatles’ breakup) — it’s a magical mystery tour behind the scenes of what many consider to be the greatest band of all time.When McCartney and Lennon are in such easy harmony and camaraderie on “Two Of Us” — with the
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