DC Comics: Last News

the 2024 DC sequel completely flopped in a new interview with Elle.“People just sometimes don’t like some things. It’s that simple,” Gaga, 38, said in the cover story, published Tuesday.“And I think to be an artist, you have to be willing for people to sometimes not like it,” she explained.

reportedly interviewing replacements. But this weekend the pair have finally notched a box-office hit — “A Minecraft Movie,” a piece of dismal video-game mush starring Jack Black. Their very own “Kool-Aid.” Still, the duo isn’t in the clear yet.

Superman creator Joseph Schuster’s estate is reportedly suing Warner Bros. Discovery and DC Comics over the release of James Gunn‘s upcoming movie starring David Corenswet.According to Deadline, the lawsuit claims that DC Studios does not have the proper rights to release the new film in selected “key territories” such as England, Canada, Ireland and Australia.If the lawsuit isn’t settled before the scheduled release date of July 11, it is possible the movie’s release could be delayed in the aforementioned territories.

Argylle,” starring Henry Cavill and Bryce Dallas Howard.That tedious misfire cost $200 million before marketing expenses, and grossed just $96 million.Poor Tim Cook. A few months later, the iPhone company’s $100 million “Fly Me to the Moon” with Channing Tatum and Scarlett Johansson tanked too. Apple didn’t even bother putting the George Clooney-and-Brad Pitt-led “Wolfs” in theaters this summer.Another tectonic shift continued apace: The superhero genre, once invincible, was embarrassingly ripped down to earth by discerning audiences.The “Joker” sequel, “Folie à Deux,” was one of the most shocking releases of the year.

“Joker: Folie à Deux,” but he has strong opinions about the movie.The 39-year-old called the DC sequel starring Joaquin Phoenix and Lady Gaga “the worst film ever made” on Joe Rogan’s podcast last week.“I think what happened, after the first ‘Joker,’ there was a lot of talk like, ‘Oh, this was loved by incels. This was loved by the wrong kinds of people.

Just when I was ready to declare that Joker: Folie à Deux isn’t a musical, it turned into one. Despite any confusion or misdirection that preceded its release, and notwithstanding that the film eases slowly into having its characters say their piece in song, director Todd Phillips’ sequel to his grim 2019 hit Joker eventually does let its musical-loving freak flag fly.Though, unlike the Hollywood musicals the movie references through posters, clips, and song and design choices, Folie à Deux doesn’t exude joy or winsome romance.

GQ. Keaton, 72, did say he admires directors Adil El Arbi and Bilall Fallah, who had a rebound hit this summer with “Bad Boys: Ride or Die.” “I like those boys. They’re nice guys,” he said.

HBO has picked up a new Green Lantern series, Lanterns – find out more below.Last night, HBO Max took to social media to confirm the series. While little is known of the DC Comics show, it has been confirmed that the show will be “coming soon”.Per a report from Variety, Lanterns will be led by showrunner Chris Mundy, who has in the past worked on True Detective: Night Country and Ozark.

so serious?“Joker: Folie à Deux” has been given an R rating, according to the MPA’s daily ratings bulletin, for “some strong violence, language throughout, some sexuality, and brief full nudity.”The film, starring Joaquin Phoenix and Lady Gaga, is a sequel to 2019’s “Joker,” which was also rated R but not because too much skin was bared.An R classification is fairly rare in the world of comic book movies. In the 33-flick Marvel Cinematic Universe, only “Deadpool” and “Deadpool 2” were slapped with it.Racy subject matter is slightly more common for the old DC Extended Universe (of which “Joker” and its sequel exist separately from): “Birds of Prey,” “Zack Snyder’s Justice League” and “The Suicide Squad” are all rated R.Despite requiring adult supervision for any ticket buyer under 17, “Joker” grossed over $1 billion worldwide — the first R-rated film to ever do so.

With shows like “American Gods,” “Good Omens,” and Netflix’s “Sandman” series based on his works, author Neil Gaiman has really been leading the charge for fantasy shows in the streaming age. And yet Another series adaptation of his work is coming to Netflix on April 25, helping to expand “The Sandman” universe.

didn’t steal the plot for its 2022 blockbuster “The Batman” from a writer who created a story about the Caped Crusader three decades earlier, a federal judge in Manhattan ruled on Wednesday.US District Judge Paul Engelmayer also said the writer Christopher Wozniak infringed copyrights belonging to DC Comics, which employed him as a freelance artist in 1990 when he wrote “The Ultimate Riddle,” later retitled “The Blind Man’s Hat.”“We respectfully disagree with the court’s decision and are considering our next steps,” Wozniak’s lawyer, Terry Parker, said in an email.Wozniak claimed he was “stunned” to learn that “The Batman” was a near copy of “The Ultimate Riddle,” with the Riddler terrorizing a Gotham City beset by crime and controlled by a corrupt banking cartel.But in a 45-page decision, Engelmayer said Wozniak intentionally and without consent lifted material from DC Comics’ works to create his story, which “liberally exploits –indeed, is rife with” Batman characters and plot elements.“The story’s use of the Batman character and the surrounding protected elements is an act of clear and blatant copyright infringement,” the judge wrote.Engelmayer also said key similarities between the works — serial killers who are loners bent on destroying society, villains who taunt pursuers with “clues and riddles,” and moments of “clarity or epiphany” that propel villains to crime — were too commonplace to support Wozniak’s copyright claim.For the latter, the judge in a footnote cited movies including “Star Wars: Episode III — Revenge of the Sith,” where Anakin Skywalker succumbs to the dark side of the Force and becomes Darth Vader.Engelmayer also rejected Wozniak’s “wholly speculative” claim for how Warner Bros might have gotten

according to IMDB’s Box Office Mojo.The Jason Momoa-led movie is expected to earn over $40 million plus on the four-day Christmas weekend, according to Deadline. However, if those numbers are correct, it will have a worse opening weekend than Marvel’s biggest bomb, “The Marvels,” which was released in November.The Post said the DC Studios film “isn’t well done, but it isn’t miserable either.”“Wonka,” which held the No.

Yahoo! Entertainment Wednesday that he filmed a very different cameo as the Man of Steel for DC’s “The Flash” compared to the one that made the final cut. “First and foremost, I was on set,” Cage, 59, said, dispelling rumors that the footage of the “National Treasure” star was simply a repurposed costume test from Tim Burton’s never-made film “Superman Lives.”“What I was supposed to do was literally just be standing in an alternate dimension, if you will, and witnessing the destruction of the universe.” Cage continued. “Kal-El was bearing witness [to] the end of a universe, and you can imagine with that short amount of time that I had, what that would mean in terms of what I can convey.”“I had no dialogue [so had to] convey with my eyes the emotion.

was unceremoniously shelved by Warner Bros. Discovery CEO David Zaslav last year, and actor Henry Cavill was fired from the role of Superman shortly after.

according to IMDB’s Box Office Mojo.The flick, which CNN said “moves, ironically, too slow to deliver as a big-screen attraction,” tells the true story of Jann Mardenborough, a teenage Gran Turismo player who became a professional race car driver. “Barbie,” which is now officially the highest-grossing movie of the year in North America, remained in second place, with $4 million in sales.She beat out “Blue Beetle,” which earned $2.6 million and landed in third place.The DC Comics film, which was in the No.

Blue Beetle,” part of the DC Extended Universe, was squished last weekend when it made a measly $45 million at the worldwide box office. That floperoo follows a string of embarrassing DC bombs in the past year, including “Black Adam,” “Shazam! Fury of the Gods” and “The Flash.” Losers, all.Over at Marvel, the situation isn’t as bleak, but the party is winding down.

DC’s latest addition to superhero cinema, Blue Beetle (★★☆☆☆), seems to thread together two disparate films that the makers struggle mightily to fuse into a satisfying, cohesive whole.At its most successful, the movie, directed by Ángel Manuel Soto (Charm City Kings), introduces Mexican college grad Jaime Reyes, played by Cobra Kai’s Xolo Maridueña, along with Jaime’s loving, but financially imperiled family. Dad Alberto (Damián Alcázar), mom Rocio (Elpidio Carrillo), younger sister Milagro (Belissa Escobedo), crazy conspiracy theory-addled uncle Rudy (George Lopez), and feisty matriarch Nana (Adriana Barraza, who almost steals the show) all rally around Jaime when a mysterious sapphire-blue scarab latches onto his body and consciousness, making him an unwilling host to a “world-destroying weapon.” Time spent with Jaime and the Reyes family, steeped in authentic Latino culture, humor, and relationships, plays like the warmly comic pilot episode of a sitcom I’d gladly binge.Each episode could include a flashback to the adventures of Nana Reyes, which, based on the hints she drops, would be as thrilling and dangerous as anything Jaime encounters in his new scarab-assisted superhero form as Blue Beetle.That brings us to the other, less successful counterpart to the Meet the Reyes Family sitcom: the relatively lame-ass origin story of another DC Comics hero that’s so clearly intended as a setup for future appearances that it fails to do anything interesting with the character’s big-screen debut.

Harvey Pekar maintained, “Comics are words and pictures. You can do anything with words and pictures.” The potential of that sacred combination and the history of DC Comics began nearly a century ago. In 1934 an enterprising Capricorn (aren’t they all) and pulp writer by the name of Malcolm Wheeler-Nicholson started National Allied Publications, the company that would become DC Comics and go on to beget such super hero luminaries as Batman and Superman.

DC Comics’ dreadful movies deserve to be violently squished, but not “Blue Beetle,” a refreshingly spry new film featuring the lesser-loved, bug-shaped superhero who’s been crawling around in some form since 1939.Running time: 127 minutes. Rated PG-13 (sequences of action and violence, language, and some suggestive references.) In theaters Aug.

revealed as DC’s new Superman and Lois Lane on Tuesday, it was hard to get revved up about the news.That’s not to diss the casting for 2025’s “Superman: Legacy.” Corenswet, the 29-year-old freshly minted Clark Kent, appropriately looks like a younger version ofhis predecessor Henry Cavill and was charismatic on the Netflix series “Hollywood” and “The Politician.” And 32-year-old Brosnahan, the lovable star of Amazon’s “The Marvelous Mrs. Maisel,” is ideal as his Daily Planet counterpart.I’m sure they’ll do fine.But the casting change-up didn’t come across as a major victory for Warner Bros.

The Flash (★★★☆☆), look no further than IMDb, which has listed every single (uncredited) appearance on the movie’s full cast list. Some cameos are clever, while others are slightly creepy –- yet another example of CGI eerily resurrecting the dead.