Billie Eilish: Last News

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All news where Billie Eilish is mentioned

nme.com
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Watch Lana Del Rey sing ‘Sweet Home Alabama’ with Jelly Roll at Hangout Festival
Lana Del Rey brought out Jelly Roll during her headline set at Hangout Festival last night for a version of ‘Sweet Home Alabama’.The singer was headlining the first night of the festival at Gulf Shores, Alabama, and after singing alongside other guests Tommy Genesis, Benson Boone and Nessa Barrett, she opted to round out her 16-track set with a cover of the Lynyrd Skynyrd classic with Jelly Roll.Watch footage of the performance below:It is Lana’s second on-stage collaboration with a country star in recent weeks, after she sang a version of ‘Unchained Melody’ with Paul Cauthen at Stagecoach Festival in California in April.Jelly Roll, meanwhile, recently joined forces with Limp Bizkit at Welcome To Rockville to perform a version of The Who’s ‘Behind Blue Eyes’.Del Rey recently headlined both weekends of Coachella 2024, and was joined by guests Billie Eilish, Jon Batiste, Jack Antonoff and Camila Cabello.On weekend one, Del Rey brought out Eilish to perform a duet of ‘Video Games’ and ‘Ocean Eyes’, as well as Batiste to perform ‘Candy Necklace’, and Antonoff to play piano for ‘Hope Is A Dangerous Thing For A Woman Like Me To Have – But I Have It’. For weekend two, she turned to Cabello to perform the latter’s ‘I Luv It’.She subsequently revealed that she had only recovered from laryngitis “a few hours” before taking the stage for the first weekend, while also hitting out at her former tour manager, who she said had “quit for no reason” just over a month before the set.In a four-star review of the weekend one set, NME wrote: “Some festival-goers and critics have pointed to Del Rey as an “odd” choice of headliner – someone not exactly known for putting in energetic, flashy performances.
nypost.com
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Billie Eilish packs a punch, again, on ‘Hit Me Hard and Soft’: review
Billie Eilish dropped her groundbreaking, Grammy-winning debut album, “When We All Fall Asleep, Where Do We Go?” — there was a seismic shift in pop.At just 17, she emerged as a goth-pop princess whose spooky, synthy sound was eerily prescient of the doom to come when the pandemic shut the world.And the Billie effect was felt with everyone from Olivia Rodrigo to SZA to, yes, even Taylor Swift. While Eilish broke out of the “Bad Guy” groove of her biggest hit on her second album, 2021’s “Happier Than Ever,” there was still no stopping her power.And even when she made the most anti-blockbuster ballad for last summer’s “Barbie” smash, “What Was I Made For?” went on to win both the Song of the Year Grammy and the Best Original Song Oscar — even though the single didn’t even crack the Top 10.Now 22, Eilish is hot off of accomplishing that rare Grammy-Oscar double as she releases her third LP, “Hit Me Hard and Soft” — and she continues to go against the mainstream.In fact, she chose not to release any singles leading up to the album, wanting the collection to be consumed as a “family of songs.”Forget the fact that listening to an album from start to finish in the streaming era is a pretty radical concept.And when the LP gets off to the sleepiest of starts with the dreamy “Skinny” — where Eilish displays her new thing for strings, courtesy of the Attacca Quartet — you might think you accidentally shuffled it to the end.Just like Prince rebeled against the “Purple Rain” mania with “Around the World in a Day” and Radiohead tried to shake off the “OK Computer” masses with “Kid A,” Eilish has refused to play to the basic crowd to meet any sort of commercial expectation.And yet, it still works for her.
nme.com
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Here’s how Billie Eilish’s ‘Blue’ lyrics relate to every song on ‘Hit Me Hard And Soft’
Billie Eilish has finally released her highly anticipated third album ‘Hit Me Hard And Soft’, and the lyrics to the final track ‘Blue’ have caught the attention of fans.Find out how the lyrics of the song relate to every track on the setlist below.The album marked the long-awaited follow-up to the singer’s sophomore album ‘Happier Than Ever’, and the third LP in her discography following on from 2019’s breakthrough debut ‘When We All Fall Asleep, Where Do We Go?’.Not only does it see Eilish step into new territory with her songwriting, it also comes as a rollercoaster of emotions and appears to see the singer dealing with themes of heartbreak and isolation.It also sees Eilish take on a particularly blue theme, which is seen both through the album artwork and in the powerful and aptly-named closing track ‘Blue’.The song has been reported as being the album version of a previously unreleased Eilish song called ‘True Blue’, which the singer has frequently hinted at during her live shows and was originally meant to appear on her second album (via Capital FM).Now, following its release on ‘Hit Me Hard And Soft’, fans have begun looking at the intriguing lyrics in the song, and it seems that Eilish uses the track to make a nod to every other song featured on the album.In the first part of the song, for instance, Eilish includes the phrase ‘Birds of a feather’ – a nod to the title of the fourth track on the album, which is speculated to be about her past relationship with ex Jesse Rutherford.Later in the song, around the two-minute mark, ‘Blue’ changes direction and becomes more solemn, as she sings about someone who was “born bluer than a butterfly”.Before then, though, she seems to make more nods to the other songs in the
Billie Eilish Pirate Baird O'Connell (born December 18, 2001) is an American singer and songwriter. Born and raised in Highland Park, Los Angeles, Eilish began singing at a young age. She gained media attention in 2016, when she uploaded the song "Ocean Eyes" on SoundCloud, subsequently released by Darkroom and Interscope Records. "Ocean Eyes" was written and produced by her brother Finneas, with whom she collaborates on music and live shows. Eilish's debut EP, Don't Smile at Me (2017), reached the top 15 in the US, UK, Canada and Australia.
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