Peter Debruge Chief Film CriticApichatpong Weerasethakul’s “Memoria” starts with a bang, which is not at all typical of the infamously understated Thai auteur, making his return to Cannes competition 11 years after winning the Palme d’Or for “Uncle Boonmee Who Can Recall His Past Lives.” Nor is working with an internationally recognized movie star, which the director does this time around, enlisting Tilda Swinton as a kind of stand-in for himself in this oblique and sometimes taxing excursion into the jungles of Colombia.Swinton plays a foreign-born orchidologist plagued by a strange condition, whereby it sounds as if a gong is ringing inside her head — or else a wrecking ball is smashing loudly against a steel drum somewhere off in the.
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