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Emily Ratajkowski Ditched Her Favorite Sneakers to Experiment With a Popular Brand

, and she's .Styles and brands in her collection include, but are not limited to, Nike Air Force Ones, Nike Classic Cortezes, Veja Esplars, Keds Champion lace-ups, Adidas Sambas, Nike Air Vapormax 9s, New Balance 574, Fila Disruptor 2s, Ami Paris Lucky 9s, Hoka x Outdoor Voices Clifton, Nike x Travis Scott Air Max 270, Nike M2k Technos, Re/Done 70S Runners, Nike Air Max 90s, Stella McCartney Ultra Boosts, Yeezy 500 Blush/Desert Rat, and Reebok x Face Stockholm, per .Recently, she's been particularly partial to , wearing on many occasions, and . But during a recent stroll in New York City, she ditched the suede favorites in favor of a chunkier, more athletic pair of white shoes that even couldn't identify when she wore them out last November.She paired the lace-ups with baggy black pants and a bright pink oversized denim jacket, and accessorized with black sunglasses.
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Electronic music museum criticised for lack of diversity
MixMag).It was written by female:pressure, which describes itself as “a global network of women and non-binary artists in the electronic arts that has been advocating for gender equity and diversity in electronic music since 1998.” The network has over 2800 members around the world.The letter from the group said: “We are shocked that in an event that is extensively funded by the city and the Cultural Office of Frankfurt and of such importance for the city, the manifold achievements of women and non-binary artists in and for the history of electronic music are ignored in such a way.”The letter continued: “The opening of MOMEM is exclusively in the hands of cis men (Sven Väth, Sami Hugo, Sven Louis and Noe Fazi as DJs, Tobias Rehberger as curator)”, and later went on to criticise how the directing team of MOMEM is made up entirely of men.It also took aim at an alleged claim in the museum’s exhibition that “In the middle of Frankfurt [is] where techno has its origin”. The network also referenced two key projects, Make Techno Black Again and dweller, saying the museum ignores Black and POC artists in Detroit, New York, and Chicago.It says: “Should the claim be a pure marketing measure, it inadmissibly exploits the cultures of people with histories of migration and oppression by marginalising their achievements.
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