Sven Vath: Last News

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German trance producer Stevie B-Zet dies, aged 62

Farewell SteffenI have no real words and it’s still a shock that Steffen, our Stevie B-Zet, has passed away last…Posted by Ralf Hildenbeutel on Wednesday, August 2, 2023As highlighted by MixMag, B-Zet not only helped to pioneer the sound of trance music in the 1990s, he also spent a large portion of his career working closely with Sven Väth – including forming the project Astral Pilot together.Väth also took to social media to pay tribute to the musician, describing him as both “an exceptionally talented musician” and “a wonderful person whose sensitive nature and dedication to music touched us all”.“With deepest sorrow, today I remember our beloved friend and music partner, Steffen Britzke, known under the artist name Steve B-Zet,” he began. “Countless hours we spent in the studio, laughing, dreaming, and making music.
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Electronic music museum criticised for lack of diversity
MixMag).It was written by female:pressure, which describes itself as “a global network of women and non-binary artists in the electronic arts that has been advocating for gender equity and diversity in electronic music since 1998.” The network has over 2800 members around the world.The letter from the group said: “We are shocked that in an event that is extensively funded by the city and the Cultural Office of Frankfurt and of such importance for the city, the manifold achievements of women and non-binary artists in and for the history of electronic music are ignored in such a way.”The letter continued: “The opening of MOMEM is exclusively in the hands of cis men (Sven Väth, Sami Hugo, Sven Louis and Noe Fazi as DJs, Tobias Rehberger as curator)”, and later went on to criticise how the directing team of MOMEM is made up entirely of men.It also took aim at an alleged claim in the museum’s exhibition that “In the middle of Frankfurt [is] where techno has its origin”. The network also referenced two key projects, Make Techno Black Again and dweller, saying the museum ignores Black and POC artists in Detroit, New York, and Chicago.It says: “Should the claim be a pure marketing measure, it inadmissibly exploits the cultures of people with histories of migration and oppression by marginalising their achievements.
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