As studios and distributors continue to pull the theatrical releases of their films, and cinemas nationwide close their doors to the public, what becomes of film criticism in the time of coronavirus?
Like many of the U.K.’s film and TV workers, most critics work on a freelance basis and with fewer films being released each week, the opportunities to write reviews are quickly drying up and forcing a pivot to video-on-demand coverage.
Variety’s London-based critic Guy Lodge, whose work largely stems from coverage of film festivals, says the “picture ahead is cloudy” for the field. “With most of the upcoming festivals I cover — such as Hot Docs, Edinburgh and, of course, Cannes — either canceled or uncertainly postponed, my work routine is
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