K.J. Yossman On Sept. 1. the five-year agreement governing crew terms and conditions on high-end TV drama productions in the U.K.
runs out. If a new agreement isn’t reached by the end of the month, “it’s gonna be chaos,” warns Spencer MaDonald, national secretary for the Broadcasting, Entertainment, Communications and Theatre Union (Bectu), which represents British crews.For over a year, Bectu has been battling with the Producers Alliance for Cinema and Television (Pact), which represents U.K.
producers, in the hopes of signing a new framework governing the hiring of crew.If a solution isn’t found, however, in place of a collective agreement, each Bectu branch (representing different departments such as grips, sparks, sound, costume and so on) will institute their own individual set of terms.
If a production doesn’t accept those terms, MacDonald warns, they may struggle to find any crew at all given how busy the landscape is. “People are jumping from job to job so they can afford to turn work down if the terms don’t match what they’re seeking,” he says.
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